I follow, lo, the footing (Thomas Morley): Difference between revisions

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:'''Edition notes:''' Based on #15052, with corrections, including major realignment of the Cantus underlay between bars 3 and 72. In most cases, the realignment needed is obvious; Bars 70-72 are putative. In addition, the rather exotic rhythm in bar 72 has been simplified. Transposed down a tone.
:'''Edition notes:''' Based on #15052, with corrections, including major realignment of the Cantus underlay between bars 3 and 72. In most cases, the realignment needed is obvious; Bars 70-72 are putative. In addition, the rather exotic rhythm in bar 72 has been simplified. Transposed down a tone.


*{{CPDLno|15052}} [{{filepath:Morl-ifol.pdf}} {{pdf}}] [{{SERVER}}/brianrussell/404.mid {{mid}}] [{{SERVER}}/brianrussell/404.nwc NoteWorthy Composer]
*{{CPDLno|15052}} [{{filepath:Morl-ifol.pdf}} {{pdf}}] [{{website|brianrussell}}/404.mid {{mid}}] [{{website|brianrussell}}/404.nwc NoteWorthy Composer]
{{Editor|Brian Russell|2007-09-11}}{{ScoreInfo|A4|8|121}}{{Copy|CPDL}}
{{Editor|Brian Russell|2007-09-11}}{{ScoreInfo|A4|8|121}}{{Copy|CPDL}}
:'''Edition notes:''' PDF file created and uploaded to CPDL server 2008-10-09. {{NWC}}
:'''Edition notes:''' PDF file created and uploaded to CPDL server 2008-10-09. {{NWC}}

Revision as of 22:29, 16 February 2012

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CPDL #25285:  Icon_pdf.gif Icon_snd.gif [ Capella] 
Editor: James Gibb (submitted 2012-01-05).   Score information: A4, 7 pages, 67 kB   Copyright: CPDL
Edition notes: Based on #15052, with corrections, including major realignment of the Cantus underlay between bars 3 and 72. In most cases, the realignment needed is obvious; Bars 70-72 are putative. In addition, the rather exotic rhythm in bar 72 has been simplified. Transposed down a tone.
Editor: Brian Russell (submitted 2007-09-11).   Score information: A4, 8 pages, 121 kB   Copyright: CPDL
Edition notes: PDF file created and uploaded to CPDL server 2008-10-09. Nwc.png
Error.gif Possible error(s) identified. See the discussion page for full description.

General Information

Title: I follow, lo, the footing
Composer: Thomas Morley

Number of voices: 5vv   Voicing: SSATB

Genre: SecularMadrigal

Language: English
Instruments: a cappella
Published: 1597

Description:

External websites:

Original text and translations

English.png English text

I follow, lo! the footing still of my lovely cruel:
Proud of herself, that she is beauty's jewel:
And fast away she flieth, love's sweet delight deriding,
In woods and groves sweet, sweet nature's treasure hiding.
Yet cease I not pursuing; but since I thus have sought her,
Will run me out of breath, till I have caught her.