I follow, lo, the footing (Thomas Morley): Difference between revisions
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==Music files== | ==Music files== | ||
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*{{CPDLno|25285}} [[Media:I_follow,_lo,_the_footing.pdf|{{pdf}}]] [[Media:I_follow,_lo,_the_footing.mid|{{mid}}]] [[Media:I_follow,_lo,_the_footing.mxl|{{XML}}]] [[Media:I_follow,_lo,_the_footing.cap|{{Cap}}]] | *{{PostedDate|2012-01-05}} {{CPDLno|25285}} [[Media:I_follow,_lo,_the_footing.pdf|{{pdf}}]] [[Media:I_follow,_lo,_the_footing.mid|{{mid}}]] [[Media:I_follow,_lo,_the_footing.mxl|{{XML}}]] [[Media:I_follow,_lo,_the_footing.cap|{{Cap}}]] | ||
{{Editor|James Gibb|2012-01-05}}{{ScoreInfo|A4|7|67}}{{Copy|CPDL}} | {{Editor|James Gibb|2012-01-05}}{{ScoreInfo|A4|7|67}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Based on #15052, with corrections, including major realignment of the Cantus underlay between bars 3 and 72. In most cases, the realignment needed is obvious; Bars 70-72 are putative. In addition, the rather exotic rhythm in bar 72 has been simplified. Transposed down a tone. | :'''Edition notes:''' Based on #15052, with corrections, including major realignment of the Cantus underlay between bars 3 and 72. In most cases, the realignment needed is obvious; Bars 70-72 are putative. In addition, the rather exotic rhythm in bar 72 has been simplified. Transposed down a tone. | ||
*{{CPDLno|15052}} [[Media:Morl-ifol.pdf|{{pdf}}]] [[Media:br-404.mid|{{mid}}]] [[Media:br-404.nwc|{{NWC}}]] | *{{PostedDate|2007-09-11}} {{CPDLno|15052}} [[Media:Morl-ifol.pdf|{{pdf}}]] [[Media:br-404.mid|{{mid}}]] [[Media:br-404.nwc|{{NWC}}]] | ||
{{Editor|Brian Russell|2007-09-11}}{{ScoreInfo|A4|8|121}}{{Copy|CPDL}} | {{Editor|Brian Russell|2007-09-11}}{{ScoreInfo|A4|8|121}}{{Copy|CPDL}} | ||
:'''Edition notes:''' PDF file created and uploaded to CPDL server 2008-10-09. {{NWCV}} | :'''Edition notes:''' PDF file created and uploaded to CPDL server 2008-10-09. {{NWCV}} | ||
Revision as of 18:51, 1 August 2020
Music files
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- (Posted 2012-01-05) CPDL #25285: I_follow,_lo,_the_footing.cap
- Editor: James Gibb (submitted 2012-01-05). Score information: A4, 7 pages, 67 kB Copyright: CPDL
- Edition notes: Based on #15052, with corrections, including major realignment of the Cantus underlay between bars 3 and 72. In most cases, the realignment needed is obvious; Bars 70-72 are putative. In addition, the rather exotic rhythm in bar 72 has been simplified. Transposed down a tone.
- (Posted 2007-09-11) CPDL #15052:
- Editor: Brian Russell (submitted 2007-09-11). Score information: A4, 8 pages, 121 kB Copyright: CPDL
- Edition notes: PDF file created and uploaded to CPDL server 2008-10-09. NoteWorthy Composer file may be viewed and printed with NoteWorthy Composer Viewer.
- Possible error(s) identified. See the discussion page for full description.
General Information
Title: I follow, lo, the footing
Composer: Thomas Morley
Number of voices: 5vv Voicing: SSATB
Genre: Secular, Madrigal
Language: English
Instruments: A cappella
First published: 1597 in Canzonets or Litle Short Aers to Five and Six Voices, no. 17
Description:
External websites:
Original text and translations
English text
I follow, lo! the footing still of my lovely cruel:
Proud of herself, that she is beauty's jewel:
And fast away she flieth, love's sweet delight deriding,
In woods and groves sweet, sweet nature's treasure hiding.
Yet cease I not pursuing; but since I thus have sought her,
Will run me out of breath, till I have caught her.