Hark, ten thousand harps and voices (Thomas Clark): Difference between revisions
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*{{PostedDate|2015-06-04}} {{CPDLno|35653}} [{{filepath:ClarT-HarkTenThousand.pdf}} {{pdf}}] [{{filepath:ClarT-HarkTenThousand.mid}} {{mid}}] [{{filepath:ClarT-HarkTenThousand.sib}} Sibelius 7 | *{{PostedDate|2015-06-04}} {{CPDLno|35653}} [{{filepath:ClarT-HarkTenThousand.pdf}} {{pdf}}] [{{filepath:ClarT-HarkTenThousand.mid}} {{mid}}] [{{filepath:ClarT-HarkTenThousand.sib}} {{sib}}] (Sibelius 7) {{sib}} | ||
{{Editor|Edmund Gooch|2015-06-04}}{{ScoreInfo|A4|2|60}}{{Copy|Public Domain}} | {{Editor|Edmund Gooch|2015-06-04}}{{ScoreInfo|A4|2|60}}{{Copy|Public Domain}} | ||
:'''Edition notes:''' The order of parts in the source is Alto - Tenor - Air - Bass, with the Alto and Tenor parts given in the treble clef an octave above sounding pitch. The second quaver of bar 13 in the tenor part, given here as a G, is printed in the source as the B a major third higher. Only the first verse of the text is given in the source: subsequent verses have here been added editorially. The three verses given here are those printed as Hymn 136 in ''A New Selection of Hymns, especially adapted to Public Worship, and intended as a supplement to Dr. Watts' Psalms and Hymns'', London: Printed for the Proprietors, by J Haddon, Castle Street, City Road, 1828. These are verses 1, 6 and 7 of the seven verses written by Thomas Kelly. | :'''Edition notes:''' The order of parts in the source is Alto - Tenor - Air - Bass, with the Alto and Tenor parts given in the treble clef an octave above sounding pitch. The second quaver of bar 13 in the tenor part, given here as a G, is printed in the source as the B a major third higher. Only the first verse of the text is given in the source: subsequent verses have here been added editorially. The three verses given here are those printed as Hymn 136 in ''A New Selection of Hymns, especially adapted to Public Worship, and intended as a supplement to Dr. Watts' Psalms and Hymns'', London: Printed for the Proprietors, by J Haddon, Castle Street, City Road, 1828. These are verses 1, 6 and 7 of the seven verses written by Thomas Kelly. | ||
Revision as of 19:27, 2 August 2016
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- (Posted 2015-06-04) CPDL #35653:
(Sibelius 7)
- Editor: Edmund Gooch (submitted 2015-06-04). Score information: A4, 2 pages, 60 kB Copyright: Public Domain
- Edition notes: The order of parts in the source is Alto - Tenor - Air - Bass, with the Alto and Tenor parts given in the treble clef an octave above sounding pitch. The second quaver of bar 13 in the tenor part, given here as a G, is printed in the source as the B a major third higher. Only the first verse of the text is given in the source: subsequent verses have here been added editorially. The three verses given here are those printed as Hymn 136 in A New Selection of Hymns, especially adapted to Public Worship, and intended as a supplement to Dr. Watts' Psalms and Hymns, London: Printed for the Proprietors, by J Haddon, Castle Street, City Road, 1828. These are verses 1, 6 and 7 of the seven verses written by Thomas Kelly.
General Information
Title: Hark, ten thousand harps and voices
Composer: Thomas Clark
Tune: Cashmere
Lyricist: Thomas Kelly
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Hymn Meter: 87. 87. 77
Language: English
Instruments: Basso continuo
Published: 1836
Description: This setting was published as tune 646 on p486 of Thomas Clark's The Congregational Harmonist, Book 4, No. 27, London: [c1836].
This setting is attributed 'T. Clark' in The Congregational Harmonist, where it is marked with a crossed circle, a symbol used in that book to indicate 'originals' (i.e. tunes not previously published).
External websites:
Original text and translations
Original text and translations may be found at Hark, ten thousand harps and voices.