Hark, ten thousand harps and voices (Thomas Clark): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2015-06-04}} {{CPDLno|35653}} [[Media:ClarT-HarkTenThousand.pdf|{{pdf}}]] [[Media:ClarT-HarkTenThousand.mid|{{mid}}]] [[Media:ClarT-HarkTenThousand.mxl|{{XML}}]] [[Media:ClarT-HarkTenThousand.sib|{{sib}}]] (Sibelius 7) | *{{PostedDate|2015-06-04}} {{CPDLno|35653}} [[Media:ClarT-HarkTenThousand.pdf|{{pdf}}]] [[Media:ClarT-HarkTenThousand.mid|{{mid}}]] [[Media:ClarT-HarkTenThousand.mxl|{{XML}}]] [[Media:ClarT-HarkTenThousand.sib|{{sib}}]] (Sibelius 7) | ||
{{Editor|Edmund Gooch|2015-06-04}}{{ScoreInfo|A4|2|60}}{{Copy|Public Domain}} | {{Editor|Edmund Gooch|2015-06-04}}{{ScoreInfo|A4|2|60}}{{Copy|Public Domain}} | ||
: | :{{EdNotes|The order of parts in the source is Alto - Tenor - Air - Bass, with the Alto and Tenor parts given in the treble clef an octave above sounding pitch. The second quaver of bar 13 in the tenor part, given here as a G, is printed in the source as the B a major third higher. Only the first verse of the text is given in the source: subsequent verses have here been added editorially. The three verses given here are those printed as Hymn 136 in ''A New Selection of Hymns, especially adapted to Public Worship, and intended as a supplement to Dr. Watts' Psalms and Hymns'', London: Printed for the Proprietors, by J Haddon, Castle Street, City Road, 1828. These are verses 1, 6 and 7 of the seven verses written by Thomas Kelly.}} | ||
==General Information== | ==General Information== | ||
{{Title|''Hark, ten thousand harps and voices''}} | |||
{{Composer|Thomas Clark}} | {{Composer|Thomas Clark}} | ||
'''Tune:''' ''Cashmere''<br> | '''Tune:''' ''Cashmere''<br> | ||
{{Lyricist|Thomas Kelly}} | {{Lyricist|Thomas Kelly}} | ||
{{Voicing|4|SATB}} | {{Voicing|4|SATB}} | ||
{{Genre|Sacred|Hymns}} {{Meter|87. 87. 77}} | {{Genre|Sacred|Hymns}} {{Meter|87. 87. 77}} | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments|Basso continuo}} | {{Instruments|Basso continuo}} | ||
{{ | {{Pub|1|1836|in ''The Congregational Harmonist'', Book 4, No. 27, London, as tune 646 on p. 486.}} | ||
{{Descr|This setting is attributed 'T. Clark' in ''The Congregational Harmonist'', where it is marked with a crossed circle, a symbol used in that book to indicate 'originals' (i.e. tunes not previously published).}} | |||
{{#ExtWeb:}} | |||
This setting is attributed 'T. Clark' in ''The Congregational Harmonist'', where it is marked with a crossed circle, a symbol used in that book to indicate 'originals' (i.e. tunes not previously published). | |||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Hark, ten thousand harps and voices}} | {{LinkText|Hark, ten thousand harps and voices}} |
Latest revision as of 03:57, 19 July 2021
Music files
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MusicXML | |
Sibelius | |
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- Editor: Edmund Gooch (submitted 2015-06-04). Score information: A4, 2 pages, 60 kB Copyright: Public Domain
- Edition notes: The order of parts in the source is Alto - Tenor - Air - Bass, with the Alto and Tenor parts given in the treble clef an octave above sounding pitch. The second quaver of bar 13 in the tenor part, given here as a G, is printed in the source as the B a major third higher. Only the first verse of the text is given in the source: subsequent verses have here been added editorially. The three verses given here are those printed as Hymn 136 in A New Selection of Hymns, especially adapted to Public Worship, and intended as a supplement to Dr. Watts' Psalms and Hymns, London: Printed for the Proprietors, by J Haddon, Castle Street, City Road, 1828. These are verses 1, 6 and 7 of the seven verses written by Thomas Kelly.
General Information
Title: Hark, ten thousand harps and voices
Composer: Thomas Clark
Tune: Cashmere
Lyricist: Thomas Kelly
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Hymn Meter: 87. 87. 77
Language: English
Instruments: Basso continuo
First published: 1836 in The Congregational Harmonist, Book 4, No. 27, London, as tune 646 on p. 486
Description: This setting is attributed 'T. Clark' in The Congregational Harmonist, where it is marked with a crossed circle, a symbol used in that book to indicate 'originals' (i.e. tunes not previously published).
External websites:
Original text and translations
Original text and translations may be found at Hark, ten thousand harps and voices.