Four settings of the Benedictus (Juan del Vado): Difference between revisions

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{{#Legend:}}
{{#Legend:}}
===From Missa Ave Maris stella===
===From Missa Ave Maris stella===
*{{PostedDate|2020-09-13}} {{CPDLno|60555}} [[Media:Del-benams.pdf|{{pdf}}]] [[Media:Del-benams.mid|{{mid}}]] [[Media:Del-benams.mxl|{{XML}}]] [[Media:Del-benams.sib|{{Sib}}]]
* {{PostedDate| 2020-09-13}} {{CPDLno|60555}} [[Media:Del-benams.pdf|{{pdf}}]] [[Media:Del-benams.mid|{{mid}}]] [[Media:Del-benams.mxl|{{XML}}]] [[Media:Del-benams.sib|{{Sib}}]]
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2020-09-13}}{{ScoreInfo|A4|2|182}}{{Copy|CPDL}}
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2020-09-13}}{{ScoreInfo|A4|2|182}}{{Copy|CPDL}}
:'''Edition notes:'''
:{{EdNotes|}}


===From Missa in exitu Israel de Aegypto===
===From Missa in exitu Israel de Aegypto===
*{{PostedDate|2020-09-01}} {{CPDLno|60384}} [[Media:Del_ineb.pdf|{{pdf}}]] [[Media:Del_ineb.mid|{{mid}}]] [[Media:Del_ineb.mxl|{{XML}}]] [[Media:Del_ineb.sib|{{Sib}}]]
See edition CPDL #60384 of [[Missa in exitu Israel de Aegypto (Juan del Vado)]]
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2020-09-01}}{{ScoreInfo|A4|1|175}}{{Copy|CPDL}}
:'''Edition notes:'''


===From Missa El laberinto===
===From Missa El laberinto===
*{{PostedDate|2020-09-13}} {{CPDLno|60556}} [[Media:Del-benlab.pdf|{{pdf}}]] [[Media:Del-benlab.mid|{{mid}}]] [[Media:Del-benlab.mxl|{{XML}}]] [[Media:Del-benlab.sib|{{Sib}}]]
* {{PostedDate| 2020-09-13}} {{CPDLno|60556}} [[Media:Del-benlab.pdf|{{pdf}}]] [[Media:Del-benlab.mid|{{mid}}]] [[Media:Del-benlab.mxl|{{XML}}]] [[Media:Del-benlab.sib|{{Sib}}]]
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2020-09-13}}{{ScoreInfo|A4|1|176}}{{Copy|CPDL}}
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2020-09-13}}{{ScoreInfo|A4|1|176}}{{Copy|CPDL}}
:'''Edition notes:'''
:{{EdNotes|}}


===From Missa sobre los intervalos===
===From Missa sobre los intervalos===
*{{PostedDate|2020-09-13}} {{CPDLno|60557}} [[Media:Del-benint.pdf|{{pdf}}]] [[Media:Del_benint.mid|{{mid}}]] [[Media:Del_ineb.mxl|{{XML}}]] [[Media:Del_benint.sib|{{Sib}}]]
* {{PostedDate| 2020-09-13}} {{CPDLno|60557}} [[Media:Del-benint.pdf|{{pdf}}]] [[Media:Del_benint.mid|{{mid}}]] [[Media:Del_ineb.mxl|{{XML}}]] [[Media:Del_benint.sib|{{Sib}}]]
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2020-09-13}}{{ScoreInfo|A4|1|175}}{{Copy|CPDL}}
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2020-09-13}}{{ScoreInfo|A4|1|175}}{{Copy|CPDL}}
:'''Edition notes:'''
:{{EdNotes|}}


==General Information==
==General Information==
'''Title:''' ''Four settings of the Benedictus''<br>
{{Title|''Four settings of the Benedictus''}}
{{Composer|Juan del Vado}}
{{Composer|Juan del Vado}}


{{Voicing|5|SATTB}}<br>
{{Voicing|5|SATTB}}
{{Voicing|3|SAT}}<br>
{{Voicing|3|SAT}}
{{Voicing|4|SSSA}}<br>
{{Voicing|4|SSSA}}
{{Voicing|4|SATB}}<br>
{{Voicing|4|SATB}}
 
{{Genre|Sacred|Masses}}
{{Genre|Sacred|Masses}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|Not known}}
{{Pub|1|Not known}}
 
{{Descr|Four settings of the Benedictus from four of the composer's masses using different combinations of voices and different contrapuntal techniques. The setting from "Ave maris stella" is based on the equivalent plainchant. The same applies to the "In exitu ..." although less obviously so. The Missa sobre los intervalos, including the Benedictus from that mass, is based on the Aretine hexachord.}}
'''Description:''' Four settings of the Benedictus from four of the composer's masses using different combinations of voices and different contrapuntal techniques. The setting from "Ave maris stella" is based on the equivalent plainchant. The same applies to the "In exitu ..." although less obviously so. The Missa sobre los intervalos, including the Benedictus from that mass, is based on the Aretine hexachord.
{{#ExtWeb:}}
 
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
{{LinkText|Benedictus}}
{{LinkText|Benedictus}}

Latest revision as of 12:39, 27 October 2021

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From Missa Ave Maris stella

  • (Posted 2020-09-13)  CPDL #60555:         
Editors: Jonathan Goodliffe and Mick Swithinbank (submitted 2020-09-13).   Score information: A4, 2 pages, 182 kB   Copyright: CPDL
Edition notes:

From Missa in exitu Israel de Aegypto

See edition CPDL #60384 of Missa in exitu Israel de Aegypto (Juan del Vado)

From Missa El laberinto

  • (Posted 2020-09-13)  CPDL #60556:         
Editors: Jonathan Goodliffe and Mick Swithinbank (submitted 2020-09-13).   Score information: A4, 1 page, 176 kB   Copyright: CPDL
Edition notes:

From Missa sobre los intervalos

  • (Posted 2020-09-13)  CPDL #60557:         
Editors: Jonathan Goodliffe and Mick Swithinbank (submitted 2020-09-13).   Score information: A4, 1 page, 175 kB   Copyright: CPDL
Edition notes:

General Information

Title: Four settings of the Benedictus
Composer: Juan del Vado

Number of voices: 5vv   Voicing: SATTB
Number of voices: 3vv   Voicing: SAT
Number of voices: 4vv   Voicing: SSSA
Number of voices: 4vv   Voicing: SATB
Genre: SacredMass

Language: Latin
Instruments: A cappella

First published: Not known
Description: Four settings of the Benedictus from four of the composer's masses using different combinations of voices and different contrapuntal techniques. The setting from "Ave maris stella" is based on the equivalent plainchant. The same applies to the "In exitu ..." although less obviously so. The Missa sobre los intervalos, including the Benedictus from that mass, is based on the Aretine hexachord.

External websites:

Original text and translations

Original text and translations may be found at Benedictus.