Estans assis aux rives aquatiques (Abel): Difference between revisions
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*{{PostedDate|2012-01-13}} {{CPDLno|25004}} [[Media:Estans assis Abel.pdf|{{pdf}}]] [[Media:Estans_assis_Abel.mid|{{mid}}]] [[Media:Estans assis Abel.mxl|{{XML}}]] | *{{PostedDate|2012-01-13}} {{CPDLno|25004}} [[Media:Estans assis Abel.pdf|{{pdf}}]] [[Media:Estans_assis_Abel.mid|{{mid}}]] [[Media:Estans assis Abel.mxl|{{XML}}]] | ||
{{Editor|Dick Wursten|2011-11-26}}{{ScoreInfo|A4|12|205}}{{Copy|CPDL}} | {{Editor|Dick Wursten|2011-11-26}}{{ScoreInfo|A4|12|205}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Transcribed from the original partbook in the British Library, also with original texting.}} | ||
==General Information== | ==General Information== | ||
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{{Lyricist|Clément Marot}} | {{Lyricist|Clément Marot}} | ||
{{Voicing|4|SATB}} | {{Voicing|4|SATB}} | ||
{{Genre|Sacred|Partsongs}} | {{Genre|Sacred|Partsongs}} | ||
{{Language|French}} | {{Language|French}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1540}} | {{Pub|1|1540|in {{NoComp|Le Parangon des chansons, livre 6|Jacques Moderne}} (Moderne)|no=1}} | ||
{{Descr|First polyphonic setting of a Psalm versification by Clément Marot. Apparently Abel (of whom nothing is known except this composition) supplied the printer with a hard to read original. This explains some oddities in the text. To name only the two most conspicuous phenomena: | {{Descr|First polyphonic setting of a Psalm versification by Clément Marot. Apparently Abel (of whom nothing is known except this composition) supplied the printer with a hard to read original. This explains some oddities in the text. To name only the two most conspicuous phenomena: | ||
in Moderne's edition the 'harps' are hanging on "sauges vers" iso "saules verts"; and the musical indication ‘Triollet’ is placed below the first notes of the second part. To correct the text, I used a text edition of Marot's Psalms, which is almost identical to this one, the Antwerp-edition of 1541 (De Gois), of which a copy appeared in Lyon in 1542 (Etienne Dolet) and which also circulated in manuscript form. "Mais desormais" (bar75-76) can also be considered an error. All other known editions read: "Or toutes foys", which gives better meaning. In some lines this version differs intrinsically from the official version, published by Marot in 1541 (Paris, Roffet).}} | in Moderne's edition the 'harps' are hanging on "sauges vers" iso "saules verts"; and the musical indication ‘Triollet’ is placed below the first notes of the second part. To correct the text, I used a text edition of Marot's Psalms, which is almost identical to this one, the Antwerp-edition of 1541 (De Gois), of which a copy appeared in Lyon in 1542 (Etienne Dolet) and which also circulated in manuscript form. "Mais desormais" (bar75-76) can also be considered an error. All other known editions read: "Or toutes foys", which gives better meaning. In some lines this version differs intrinsically from the official version, published by Marot in 1541 (Paris, Roffet).}} | ||
Latest revision as of 06:19, 5 October 2021
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- (Posted 2012-01-13) CPDL #25004:
- Editor: Dick Wursten (submitted 2011-11-26). Score information: A4, 12 pages, 205 kB Copyright: CPDL
- Edition notes: Transcribed from the original partbook in the British Library, also with original texting.
General Information
Title: Estans assis aux rives aquatiques
Composer: Abel
Lyricist: Clément Marot
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Partsong
Language: French
Instruments: A cappella
First published: 1540 in Le Parangon des chansons, livre 6 (Moderne), no. 1
Description: First polyphonic setting of a Psalm versification by Clément Marot. Apparently Abel (of whom nothing is known except this composition) supplied the printer with a hard to read original. This explains some oddities in the text. To name only the two most conspicuous phenomena:
in Moderne's edition the 'harps' are hanging on "sauges vers" iso "saules verts"; and the musical indication ‘Triollet’ is placed below the first notes of the second part. To correct the text, I used a text edition of Marot's Psalms, which is almost identical to this one, the Antwerp-edition of 1541 (De Gois), of which a copy appeared in Lyon in 1542 (Etienne Dolet) and which also circulated in manuscript form. "Mais desormais" (bar75-76) can also be considered an error. All other known editions read: "Or toutes foys", which gives better meaning. In some lines this version differs intrinsically from the official version, published by Marot in 1541 (Paris, Roffet).
External websites:
Original text and translations
Original text and translations may be found at Psalm 137.