Dum transisset sabbatum (Adrianus Tubal): Difference between revisions
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{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1555|in ''[[Sacrarum cantionum … quinque et sex vocum, liber 2]]''|no=8} | {{Pub|1|1555|in ''[[Sacrarum cantionum … quinque et sex vocum, liber 2]]''|no=8}} | ||
'''Description:''' A slight curiosity about this motet is that, when the last 30 bars or so of Part One are repeated at the end of Part Two, only three voices are repeated identically, while the Tenor line is different. | '''Description:''' A slight curiosity about this motet is that, when the last 30 bars or so of Part One are repeated at the end of Part Two, only three voices are repeated identically, while the Tenor line is different. |
Revision as of 07:46, 26 February 2019
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- Editor: Mick Swithinbank (submitted 2016-09-08). Score information: A4, 10 pages, 84 kB Copyright: CPDL
- Edition notes: Transposed down a minor third (original clefs were G2, C2, C3, C4). Original note values.
General Information
Title: Dum transisset sabbatum
Composer: Adrianus Tubal
Lyricist:
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
First published: 1555 in Sacrarum cantionum … quinque et sex vocum, liber 2, no. 8
Description: A slight curiosity about this motet is that, when the last 30 bars or so of Part One are repeated at the end of Part Two, only three voices are repeated identically, while the Tenor line is different. Apparently 10 motets are attributed to Tubal in mid-16th century anthologies.
External websites:
Original text and translations
Original text and translations may be found at Dum transisset Sabbatum.