Davis (Anonymous): Difference between revisions
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*{{PostedDate|2019-09-26}} {{CPDLno|55439}} [[Media:DavisWyeth1813Comparison.pdf|{{pdf}}]] [[Media:DavisWyeth1813Comparison.mxl|{{XML}}]] [[Media:DavisWyeth1813Comparison.mscz|{{Muse3}}]] | *{{PostedDate|2019-09-26}} {{CPDLno|55439}} [[Media:DavisWyeth1813Comparison.pdf|{{pdf}}]] [[Media:DavisWyeth1813Comparison.mxl|{{XML}}]] [[Media:DavisWyeth1813Comparison.mscz|{{Muse3}}]] | ||
{{Editor|Barry Johnston|2019-09-26}}{{ScoreInfo|7 x 10 inches (landscape)|2|135}}{{Copy|Public Domain}} | {{Editor|Barry Johnston|2019-09-26}}{{ScoreInfo|7 x 10 inches (landscape)|2|135}}{{Copy|Public Domain}} | ||
: | :{{EdNotes|Comparison of six versions of ''Davis'' – ''New Salem''. Percentage similarities show that ''Davis'' is a different tune from ''New Salem'', based on the same (probably oral) sources.}} | ||
*{{PostedDate|2019-09-26}} {{CPDLno|55438}} [[Media:NewSalemDavisson1820a.pdf|{{pdf}}]] [[Media:NewSalemDavisson1820a.mid|{{mid}}]] [[Media:NewSalemDavisson1820a.mxl|{{XML}}]] [[Media:NewSalemDavisson1820a.mscz|{{Muse3}}]] | *{{PostedDate|2019-09-26}} {{CPDLno|55438}} [[Media:NewSalemDavisson1820a.pdf|{{pdf}}]] [[Media:NewSalemDavisson1820a.mid|{{mid}}]] [[Media:NewSalemDavisson1820a.mxl|{{XML}}]] [[Media:NewSalemDavisson1820a.mscz|{{Muse3}}]] | ||
{{Editor|Barry Johnston|2019-09-26}}{{ScoreInfo|7 x 10 inches (landscape)|1|58}}{{Copy|Public Domain}} | {{Editor|Barry Johnston|2019-09-26}}{{ScoreInfo|7 x 10 inches (landscape)|1|58}}{{Copy|Public Domain}} | ||
: | :{{EdNotes|''New Salem'', transcribed from ''Supplement to the Kentucky Harmony'', 1826, for four parts. Notes in four-shape format, as published in 1826. Six half-stanzas from Swain's hymn included.}} | ||
*{{PostedDate|2019-09-26}} {{CPDLno|55437}} [[Media:NewSalemMetcalf1818a.pdf|{{pdf}}]] [[Media:NewSalemMetcalf1818a.mid|{{mid}}]] [[Media:NewSalemMetcalf1818a.mxl|{{XML}}]] [[Media:NewSalemMetcalf1818a.mscz|{{Muse3}}]] | *{{PostedDate|2019-09-26}} {{CPDLno|55437}} [[Media:NewSalemMetcalf1818a.pdf|{{pdf}}]] [[Media:NewSalemMetcalf1818a.mid|{{mid}}]] [[Media:NewSalemMetcalf1818a.mxl|{{XML}}]] [[Media:NewSalemMetcalf1818a.mscz|{{Muse3}}]] | ||
{{Editor|Barry Johnston|2019-09-26}}{{ScoreInfo|7 x 10 inches (landscape)|1|55}}{{Copy|Public Domain}} | {{Editor|Barry Johnston|2019-09-26}}{{ScoreInfo|7 x 10 inches (landscape)|1|55}}{{Copy|Public Domain}} | ||
: | :{{EdNotes|''New Salem'', transcribed from ''Kentucky Harmonist'', 1818, for three parts. Notes in four-shape format, as published in 1818. Six half-stanzas of Swain's hymn included.}} | ||
*{{PostedDate|2019-09-25}} {{CPDLno|55426}} [[Media:DavisWyeth1813a.pdf|{{pdf}}]] [[Media:DavisWyeth1813a.mid|{{mid}}]] [[Media:DavisWyeth1813a.mxl|{{XML}}]] [[Media:DavisWyeth1813a.mscz|{{Muse3}}]] | *{{PostedDate|2019-09-25}} {{CPDLno|55426}} [[Media:DavisWyeth1813a.pdf|{{pdf}}]] [[Media:DavisWyeth1813a.mid|{{mid}}]] [[Media:DavisWyeth1813a.mxl|{{XML}}]] [[Media:DavisWyeth1813a.mscz|{{Muse3}}]] | ||
{{Editor|Barry Johnston|2019-09-25}}{{ScoreInfo|7 x 10 inches (landscape)|1|54}}{{Copy|Public Domain}} | {{Editor|Barry Johnston|2019-09-25}}{{ScoreInfo|7 x 10 inches (landscape)|1|54}}{{Copy|Public Domain}} | ||
: | :{{EdNotes|Notes in four-shape format, as published in 1813. Transcribed from ''Wyeth's Repository, Part Second'', 1813, for three parts. Six stanzas (of meter {{CiteCat|11 8. 11 8}}) included from Swain's hymn.}} | ||
==General Information== | ==General Information== | ||
{{Title|''Davis''}} | {{Title|''Davis''}} | ||
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{{Pub|8|1835|in ''[[Southern Harmony]]''|ed=1}} | {{Pub|8|1835|in ''[[Southern Harmony]]''|ed=1}} | ||
{{Pub|9|1848|in {{NoComp|The Hesperian Harp|William Hauser}}}} | {{Pub|9|1848|in {{NoComp|The Hesperian Harp|William Hauser}}}} | ||
{{Descr|A folk hymn (Lowens 1964, Music 2005). First published in ''Wyeth's Repository, Part Second'', 1813, for three voices: Treble-Tenor-Bass. David Music (2005) says ''Davis'' and ''New Salem'' are two different tunes deriving from the same (probably oral source), and this idea is confirmed by a similarity test (above). In addition to Wyeth, the ''Davis'' variation appears in: | |||
*''Missouri Harmony'' (1820) | *''Missouri Harmony'' (1820) | ||
*''Gratitude'' in Davisson's ''Supplement to the Kentucky Harmony'' (1820) | *''Gratitude'' in Davisson's ''Supplement to the Kentucky Harmony'' (1820) | ||
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*''Supplement to the Kentucky Harmony'' (1826) | *''Supplement to the Kentucky Harmony'' (1826) | ||
*''A Compilation of Genuine Church Music'' (1835). | *''A Compilation of Genuine Church Music'' (1835). | ||
Words by [[Joseph Swain]], 1791, with six stanzas of meter {{CiteCat|11 8. 11 8. D}}. All of the above arrangements use half of Swain's stanza.}} | |||
Words by [[Joseph Swain]], 1791, with six stanzas of meter {{CiteCat|11 8. 11 8. D}}. All of the above arrangements use half of Swain's stanza. | {{#ExtWeb:}} | ||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|O thou, in whose presence my soul takes delight}} | {{LinkText|O thou, in whose presence my soul takes delight}} |
Revision as of 16:15, 24 April 2021
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- Editor: Barry Johnston (submitted 2019-09-26). Score information: 7 x 10 inches (landscape), 2 pages, 135 kB Copyright: Public Domain
- Edition notes: Comparison of six versions of Davis – New Salem. Percentage similarities show that Davis is a different tune from New Salem, based on the same (probably oral) sources.
- Editor: Barry Johnston (submitted 2019-09-26). Score information: 7 x 10 inches (landscape), 1 page, 58 kB Copyright: Public Domain
- Edition notes: New Salem, transcribed from Supplement to the Kentucky Harmony, 1826, for four parts. Notes in four-shape format, as published in 1826. Six half-stanzas from Swain's hymn included.
- Editor: Barry Johnston (submitted 2019-09-26). Score information: 7 x 10 inches (landscape), 1 page, 55 kB Copyright: Public Domain
- Edition notes: New Salem, transcribed from Kentucky Harmonist, 1818, for three parts. Notes in four-shape format, as published in 1818. Six half-stanzas of Swain's hymn included.
- Editor: Barry Johnston (submitted 2019-09-25). Score information: 7 x 10 inches (landscape), 1 page, 54 kB Copyright: Public Domain
- Edition notes: Notes in four-shape format, as published in 1813. Transcribed from Wyeth's Repository, Part Second, 1813, for three parts. Six stanzas (of meter 11 8. 11 8) included from Swain's hymn.
General Information
Title: Davis
First Line: O thou in whose presence my soul takes delight
Composer: Anonymous
Lyricist: Joseph Swain
Number of voices: 3vv Voicing: STB
Genre: Sacred Meter: 11 8. 11 8
Language: English
Instruments: A cappella
First published: 1813 in Wyeth's Repository, Part Second
2nd published: 1818 in Metcalf's Kentucky Harmonist
3rd published: 1820 in The Missouri Harmony
4th published: 1820 in Supplement to the Kentucky Harmony
5th published: 1825 in Moore's Columbian Harmony
6th published: 1826 in Supplement to the Kentucky Harmony
7th published: 1835 in A Compilation of Genuine Church Music
8th published: 1835 in Southern Harmony
9th published: 1848 in The Hesperian Harp
Description: A folk hymn (Lowens 1964, Music 2005). First published in Wyeth's Repository, Part Second, 1813, for three voices: Treble-Tenor-Bass. David Music (2005) says Davis and New Salem are two different tunes deriving from the same (probably oral source), and this idea is confirmed by a similarity test (above). In addition to Wyeth, the Davis variation appears in:
- Missouri Harmony (1820)
- Gratitude in Davisson's Supplement to the Kentucky Harmony (1820)
- Moore's Columbian Harmony (1825)
- Southern Harmony (1835)
- The Hesperian Harp (1848)
The New Salem variation appears first in Metcalf's Kentucky Harmonist, 1818. After that, New Salem also in:
- Missouri Harmony (1820)
- Moore's Columbian Harmony (1825).
- Supplement to the Kentucky Harmony (1826)
- A Compilation of Genuine Church Music (1835).
Words by Joseph Swain, 1791, with six stanzas of meter 11 8. 11 8. D. All of the above arrangements use half of Swain's stanza.
External websites:
Original text and translations
Original text and translations may be found at O thou, in whose presence my soul takes delight.
- Barry Johnston editions
- First Lines (English)
- Anonymous compositions
- STB
- 3-part choral music
- Sacred music
- 11 8. 11 8
- Works in English
- A cappella
- 1813 works
- 1818 works
- 1820 works
- 1825 works
- 1826 works
- 1835 works
- 1848 works
- Folk hymns
- Four-shape note editions
- 4-part choral music
- Ananias Davisson arrangements
- Samuel Metcalf arrangements
- Sheet music
- Classical music