Confiteor tibi Domine (Gierolamo Lambardi): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
* {{PostedDate|2022-05-31}} {{CPDLno|69490}} [[Media:Hieronymi-Lambardi-Gierolamo-Lambardi-No-3-Confitebor-tibi-Domine.pdf|{{pdf}}]] [[Media:Hieronymi-Lambardi-Gierolamo-Lambardi-No-3-Confitebor-tibi-Domine.mid|{{mid}}]] [[Media:Hieronymi-Lambardi-Gierolamo-Lambardi-No-3-Confitebor-tibi-Domine.mxl|{{XML}}]] [[Media:Hieronymi-Lambardi-Gierolamo-Lambardi-No-3-Confitebor-tibi-Domine.ly|{{Ly}}]] | *{{PostedDate|2022-05-31}} {{CPDLno|69490}} [[Media:Hieronymi-Lambardi-Gierolamo-Lambardi-No-3-Confitebor-tibi-Domine.pdf|{{pdf}}]] [[Media:Hieronymi-Lambardi-Gierolamo-Lambardi-No-3-Confitebor-tibi-Domine.mid|{{mid}}]] [[Media:Hieronymi-Lambardi-Gierolamo-Lambardi-No-3-Confitebor-tibi-Domine.mxl|{{XML}}]] [[Media:Hieronymi-Lambardi-Gierolamo-Lambardi-No-3-Confitebor-tibi-Domine.ly|{{Ly}}]] | ||
{{Editor|Andreas Stenberg|2022-05-31}}{{ScoreInfo|A4|24|277}}{{Copy|CPDL}} | {{Editor|Andreas Stenberg|2022-05-31}}{{ScoreInfo|A4|24|277}}{{Copy|CPDL}} | ||
:{{EdNotes|A double semi- diplomatic edition comprising of two scores: One with the voices and the bassus ad organum notated as in the source and a second one with the voices transposed down a third and the bassus organun transposed up a second thus rendering them approximately at the pitch that would have been the result in a performance with | :{{EdNotes|A double semi- diplomatic edition comprising of two scores: One with the voices and the bassus ad organum notated as in the source and a second one with the voices transposed down a third and the bassus organun transposed up a second thus rendering them approximately at the pitch that would have been the result in a performance with an organ tuned to high choir pitch.}} | ||
==General Information== | ==General Information== | ||
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{{Instruments|Basso continuo}} | {{Instruments|Basso continuo}} | ||
{{Pub|1|1608}} | {{Pub|1|1608}} | ||
{{Descr|The third piece in Girolamo Lambardi's | {{Descr|The third piece in Girolamo Lambardi's ''Vespertina omnium solemnitatum psalmodia senis vocibus…'' printed 1608 in Venetia by the heirs of Angelo Gardane. The setting of the second psalm of the Vespers, Psalm 110 (Versio Vulgata) or 111 (Hebraica) is indicated to be in the sixth mode. The voices are notated in chiavette and the ''Bassus ad Organum'' notated a fourth lower.}} | ||
{{#ExtWeb:}} | {{#ExtWeb:}} | ||
Latest revision as of 02:29, 1 January 2023
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- (Posted 2022-05-31) CPDL #69490:
- Editor: Andreas Stenberg (submitted 2022-05-31). Score information: A4, 24 pages, 277 kB Copyright: CPDL
- Edition notes: A double semi- diplomatic edition comprising of two scores: One with the voices and the bassus ad organum notated as in the source and a second one with the voices transposed down a third and the bassus organun transposed up a second thus rendering them approximately at the pitch that would have been the result in a performance with an organ tuned to high choir pitch.
General Information
Title: Confiteor tibi Domine
Composer: Gierolamo Lambardi
Lyricist:
Number of voices: 6vv Voicing: SATTTB
Genre: Sacred, Vespers
Language: Latin
Instruments: Basso continuo
First published: 1608
Description: The third piece in Girolamo Lambardi's Vespertina omnium solemnitatum psalmodia senis vocibus… printed 1608 in Venetia by the heirs of Angelo Gardane. The setting of the second psalm of the Vespers, Psalm 110 (Versio Vulgata) or 111 (Hebraica) is indicated to be in the sixth mode. The voices are notated in chiavette and the Bassus ad Organum notated a fourth lower.
External websites:
Original text and translations
Original text and translations may be found at Psalm 111.