Chi mette il piè su l'amorosa pania (Perissone Cambio): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2018-11-22}} {{CPDLno|52227}} [[Media:08-chi_mette_il_pie---0-score.pdf|{{pdf}}]] | *{{PostedDate|2018-11-22}} {{CPDLno|52227}} [[Media:08-chi_mette_il_pie---0-score.pdf|{{pdf}}]] [[Media:08-chi_mette_il_pie---0-score.mxl|{{XML}}]] | ||
{{Editor|Allen Garvin|2018-11-22}}{{ScoreInfo|Letter|3|89}}{{Copy|Creative Commons Attribution Non-Commercial}} | {{Editor|Allen Garvin|2018-11-22}}{{ScoreInfo|Letter|3|89}}{{Copy|Creative Commons Attribution Non-Commercial}} | ||
: | :{{EdNotes|}} | ||
==General Information== | ==General Information== | ||
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{{Lyricist|Ludovico Ariosto}}, ''Orlando Furioso'', Canto XXIV ottava 1. | {{Lyricist|Ludovico Ariosto}}, ''Orlando Furioso'', Canto XXIV ottava 1. | ||
{{Voicing|4|}} | {{Voicing|4|SATB}} | ||
{{Genre|Secular|Madrigals}} | {{Genre|Secular|Madrigals}} | ||
{{Language|Italian}} | {{Language|Italian}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1547|in | {{Pub|1|1547|in {{NoComp|Primo libro di madrigali a quatro voci|Perissone Cambio}} (Gardano press, Venice)|no=7}} | ||
{{Descr| }} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{Text|Italian| | {{Text|Italian| |
Latest revision as of 21:37, 29 November 2021
Music files
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- Editor: Allen Garvin (submitted 2018-11-22). Score information: Letter, 3 pages, 89 kB Copyright: CC BY NC
- Edition notes:
General Information
Title: Chi mette il piè su l’amorosa pania
Composer: Perissone Cambio
Lyricist: Ludovico Ariosto , Orlando Furioso, Canto XXIV ottava 1.
Number of voices: 4vv Voicing: SATB
Genre: Secular, Madrigal
Language: Italian
Instruments: A cappella
First published: 1547 in Primo libro di madrigali a quatro voci (Gardano press, Venice), no. 7
Description:
External websites:
Original text and translations
Italian text
Chi mette il piè su l’amorosa pania,
cerchi ritrarlo, e non v’inveschi l’ale;
che non è in somma amor, se non insania,
a giudizio de’ savi universale:
e se ben egualmente ognun non smania,
suo furor mostra a qualche altro segnale
E quale è di pazzia segno più espresso
che, per altri voler, perder se stesso?