Chapin brothers: Difference between revisions
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::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – My God, the spring of all my joys (3 vo.) | ::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – My God, the spring of all my joys (3 vo.) | ||
::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Let Zion and her sons rejoice (3 vo.) | ::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Let Zion and her sons rejoice (3 vo.) | ||
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*Attributed to [[Lucius Chapin]] in Law (1812) and by Temperley*. | *Attributed to [[Lucius Chapin]] in Law (1812) and by Temperley*. | ||
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::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – From deep distress and troubled thoughts (3 vo.) | ::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – From deep distress and troubled thoughts (3 vo.) | ||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Twas on that dark, that doleful night (3 vo.) | ::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Twas on that dark, that doleful night (3 vo.) | ||
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*Attributed to [[Lucius Chapin]] by Hamm (1960). | *Attributed to [[Lucius Chapin]] by Hamm (1960). | ||
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::Also in ''[[Southern Harmony]]'', 1835 – Once more, my soul, the rising day (3 vo.) | ::Also in ''[[Southern Harmony]]'', 1835 – Once more, my soul, the rising day (3 vo.) | ||
::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Once more, my soul, the rising day (3 vo.) | ::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Once more, my soul, the rising day (3 vo.) | ||
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*Attributed to [[Lucius Chapin]] in Law (1812). | *Attributed to [[Lucius Chapin]] in Law (1812). | ||
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::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Come on, my partners in distress (3 vo.) | ::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Come on, my partners in distress (3 vo.) | ||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Come on, my partners in distress (3 vo.) | ::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Come on, my partners in distress (3 vo.) | ||
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*Unattributed. | *Unattributed. | ||
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::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Alas! and did my Savior bleed | ::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Alas! and did my Savior bleed | ||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Death, what a solemn word to all (4 vo.) | ::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Death, what a solemn word to all (4 vo.) | ||
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*Attributed to [[Lucius Chapin]] in Law (1812) and by Scholten (1975). | *Attributed to [[Lucius Chapin]] in<br>Law (1812) and by Scholten (1975). | ||
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*'''Maitland''' (HTI ). First published in ''[[Plymouth Collection of Hymns and Tunes]]'' (1855): Must Jesus bear the cross alone (C.M., B{{flat}}, 4 vo.) | *'''Maitland''' (HTI ). First published in ''[[Plymouth Collection of Hymns and Tunes]]'' (1855): Must Jesus bear the cross alone (C.M., B{{flat}}, 4 vo.) | ||
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*Atributed to [[Amzi Chapin]] in Mudge (1889), uncertain on what basis. | *Atributed to [[Amzi Chapin]] in Mudge<br>(1889), uncertain on what basis. | ||
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::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Come thou fount of every blessing (3 vo.) | ::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Come thou fount of every blessing (3 vo.) | ||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Come thou fount of every blessing | ::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Come thou fount of every blessing | ||
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*Attributed to [[Lucius Chapin]] in Law (1812) and by Temperley*. | *Attributed to [[Lucius Chapin]] in<br>Law (1812) and by Temperley*. | ||
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::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – When I can read my title clear | ::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – When I can read my title clear | ||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – When I can read my title clear | ::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – When I can read my title clear | ||
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*Attributed to [[Lucius Chapin]] by Hamm (1960). Uncertain to what ''Ninety-Fifth'' refers. | *Attributed to [[Lucius Chapin]] by Hamm (1960). Uncertain to what ''Ninety-Fifth'' refers. | ||
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::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – My Savior and my King | ::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – My Savior and my King | ||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – We lift our hearts to thee (4 vo.) | ::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – We lift our hearts to thee (4 vo.) | ||
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*Scholten (1976) and Steel (2010) say 1812-1813 arrangement made by [[Lucius Chapin]]. Uncertain to what ''Ninety-Third'' refers. | *Scholten (1976) and Steel (2010)<br>say 1812-1813 arrangement<br>made by [[Lucius Chapin]].<br>Uncertain to what<br>''Ninety-Third'' refers. | ||
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::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Come, thou fount of every blessing (87.87.D.3 vo.) | ::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Come, thou fount of every blessing (87.87.D.3 vo.) | ||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Come, thou fount of every blessing (87.87.D.) | ::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Come, thou fount of every blessing (87.87.D.) | ||
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*Scholten (1976) attributes this to [[Amzi Chapin]]. | *Scholten (1976) attributes<br>this to [[Amzi Chapin]]. | ||
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::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Salvation! Oh, the joyful sound (3 vo.) | ::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Salvation! Oh, the joyful sound (3 vo.) | ||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Salvation! Oh, the joyful sound | ::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Salvation! Oh, the joyful sound | ||
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*Attributed to [[Lucius Chapin]] by Temperley*, but Lucius himself, Scholten (1976), and Steel (2010) attribute to [[Amzi Chapin]]. Uncertain to what ''Twenty-Fourth'' refers. | *Attributed to [[Lucius Chapin]] by Temperley*,<br>but Lucius himself, Scholten (1976),<br>and Steel (2010) attribute to<br>[[Amzi Chapin]]. Uncertain to<br>what ''Twenty-Fourth'' refers. | ||
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::Also in ''[[Southern and Western Pocket Harmonist]]'', 1846 – Life is the time to serve the Lord (3 vo.) | ::Also in ''[[Southern and Western Pocket Harmonist]]'', 1846 – Life is the time to serve the Lord (3 vo.) | ||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Sweet is the work, my God, my king | ::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Sweet is the work, my God, my king | ||
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*Law (1812), Hamm (1960), Scholten (1976), and Temperley* all attribute this to [[Lucius Chapin]]. | *Law (1812), Hamm (1960),<br>Scholten (1976), and Temperley*<br>all attribute this<br>to [[Lucius Chapin]]. | ||
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::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Thus saith the mercy of the Lord | ::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Thus saith the mercy of the Lord | ||
::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1850 – Salvation! Oh, the joyful sound (3 vo.) | ::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1850 – Salvation! Oh, the joyful sound (3 vo.) | ||
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*Hamm (1960) and Scholten (1976) attribute this to [[Lucius Chapin]], but Temperley* to [[Amzi Chapin]]. | *Hamm (1960) and Scholten (1976)<br>attribute this to [[Lucius Chapin]],<br>but Temperley* to [[Amzi Chapin]]. | ||
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::Also (14590) in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – And am I born to die (in G, 4 vo.) | ::Also (14590) in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – And am I born to die (in G, 4 vo.) | ||
::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – And am I born to die (in G) | ::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – And am I born to die (in G) | ||
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*Temperley* says 1813 arrangement is by Lucius or Amzi Chapin; Steel (2010) says 1844 arrangement is by [[Elisha J. King]]. Uncertain to what ''Thirtieth'' refers. | *Temperley* says 1813 arrangement<br>is by Lucius or Amzi Chapin;<br>Steel (2010) says 1844 arrangement<br>is by [[Elisha J. King]].<br>Uncertain to what ''Thirtieth'' refers. | ||
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::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Death! 'Tis a melancholy day (3 vo.) | ::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Death! 'Tis a melancholy day (3 vo.) | ||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Death! 'Tis a melancholy day | ::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Death! 'Tis a melancholy day | ||
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*Temperley* attributed this to [[Amzi Chapin]]; Steel (2010) says it may be by [[Amzi Chapin]]. | *Temperley* attributed this<br>to [[Amzi Chapin]]; Steel (2010)<br>says it may be by [[Amzi Chapin]]. | ||
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::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Begone, unbelief (3 vo.) | ::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Begone, unbelief (3 vo.) | ||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – But this I do find | ::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – But this I do find | ||
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*Attributed to [[Lucius Chapin]] in Law (1812) and by Temperley*. | *Attributed to [[Lucius Chapin]]<br>in Law (1812) and by Temperley*. | ||
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::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Come, O thou traveller unknown (88.88.88.in e) | ::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Come, O thou traveller unknown (88.88.88.in e) | ||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Come, O thou traveller unknown (in e) | ::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Come, O thou traveller unknown (in e) | ||
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*Hamm (1960) says 1813 arrangement written by [[Lucius Chapin]] | *Hamm (1960) says 1813<br>arrangement written by<br>[[Lucius Chapin]];<br>Scholten (1976) and Steel (2010)<br>say written by [[Amzi Chapin]]. | ||
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__________________________________________________________________________ | __________________________________________________________________________ | ||
:{{aster}}. [http://hymntune.library.uiuc.edu/default.asp Nicholas Temperley. ''The Hymn Tune Index''] | :{{aster}}. [http://hymntune.library.uiuc.edu/default.asp Nicholas Temperley. ''The Hymn Tune Index''] | ||
:†. Included in an informal publication (not distributed) by Andrew Law in 1812. | :†. Included in an informal publication (not distributed) by Andrew Law in 1812. |
Revision as of 03:49, 31 August 2019
General Information
Description: This is a list of all works said to be composed by Lucius Chapin or his brother Amzi Chapin.
List of Works
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