Cantate Domino a 12 (Hans Leo Hassler): Difference between revisions

From ChoralWiki
Jump to navigation Jump to search
m (Text replace - ".mus|Finale 2005]]" to ".mus|{{mus}}]] (Finale 2005)")
(→‎General Information: Added {{Published|}})
Line 14: Line 14:
{{Language|Latin}}
{{Language|Latin}}
'''Instruments:''' {{acap}}, although parts in the high voice and low voice choirs may be doubled or substituted with cornetti &/or sackbuts
'''Instruments:''' {{acap}}, although parts in the high voice and low voice choirs may be doubled or substituted with cornetti &/or sackbuts
{{Published|}}


'''Description:''' This setting of ''Cantate Domino'', scored for three four-part instrumental and vocal choirs (or for voices alone), is one of Hassler's most ambitious works offered. While certainly stylistically indebted to [[Gabrieli]], the lighter textures of the vocal ensembles recall [[Orlando di Lasso]] and later [[Praetorius]].
'''Description:''' This setting of ''Cantate Domino'', scored for three four-part instrumental and vocal choirs (or for voices alone), is one of Hassler's most ambitious works offered. While certainly stylistically indebted to [[Gabrieli]], the lighter textures of the vocal ensembles recall [[Orlando di Lasso]] and later [[Praetorius]].

Revision as of 13:01, 3 September 2016

Music files

L E G E N D Disclaimer How to download
ICON SOURCE
File details.gif File details
Question.gif Help


  • CPDL #10790:      (Finale 2005)
Editor: Charles H. Giffen (submitted 2005-12-08).   Score information: Letter, 16 pages, 220 kB   Copyright: Personal
Edition notes: Musica ficta clearly indicated.

General Information

Title: Cantate Domino a 12
Composer: Hans Leo Hassler

Number of voices: 12vv   Voicing: SSAT.SATB.ATBB

Genre: SacredMotet

Language: Latin
Instruments: a cappella, although parts in the high voice and low voice choirs may be doubled or substituted with cornetti &/or sackbuts {{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.

Description: This setting of Cantate Domino, scored for three four-part instrumental and vocal choirs (or for voices alone), is one of Hassler's most ambitious works offered. While certainly stylistically indebted to Gabrieli, the lighter textures of the vocal ensembles recall Orlando di Lasso and later Praetorius.

External websites:

Original text and translations

Original text and translations may be found at Psalm 96 vv. 1-4