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The manuscript was copied during the reign of the Catholic Kings, possibly between the decades of 1460s to the 1480s. It therefore predates the more famous [[Cancionero de Palacio]]. Its authorship is attributed to a single copyist, but the musical center he might have belonged to is uncertain. It originally comprised 107 folios, 17 of which are lost. Besides that, its general condition is unsatisfactory.
The manuscript was copied during the reign of the Catholic Kings, possibly between the decades of 1460s to the 1480s. It therefore predates the more famous [[Cancionero de Palacio]]. Its authorship is attributed to a single copyist, but the musical center he might have belonged to is uncertain. It originally comprised 107 folios, 17 of which are lost. Besides that, its general condition is unsatisfactory.


In 1534 it was bought by the second son of Christopher Columbus, the bibliophile Fernando Colón, who added it to his rich Sevillian library of more than 15,000 volumes known by the name of "Columbine Library" (in Spanish, ''"Biblioteca de la Colombina"''). After his death, the Library was transferred to the Seville Cathedral, where it still is today.
In 1534 it was bought by the second son of Christopher Columbus, the bibliophile Fernando Colón, who added it to his rich Sevillian library of more than 15,000 volumes known by the name of "Columbine Library" (in Spanish, ''"Biblioteca de la Colombina"''). After his death, the Library was transferred to the Seville Cathedral, where it still is today.


The ''Cancionero'' currently contains 95 musical settings, some of which are incomplete. Of this total, 53 remain anonymous. The composers of many of the works could be identified because their compositions were also found in other ''cancioneros'', especially the [[Cancionero de Palacio]] and the [[Cancionero de Montecassino]].  
{{PubDatePlace|1460|–1490|Manuscript}}.
 
The ''Cancionero'' currently contains 95 musical settings, some of which are incomplete. Of this total, 53 remain anonymous. The composers of many of the works could be identified because their compositions were also found in other ''cancioneros'', especially the [[Cancionero de Palacio]] and the [[Cancionero de Montecassino]].


The repertory in the manuscript is varied. Among the musical genres represented one can find ''canciones'', ''villancicos'', ''romances'' and ''ensaladas''. Many of the ''villancicos'' and ''canciones'' are sacred, mostly Marian. Two of the works are in French and 12 are liturgical compositions in Latin. One can also find two short versions in Castillian of the Song of the Sibyl (''"Canto de la Sibila"''), nos. 73 and 91: ''"Juysio fuerte será dado"''.
The repertory in the manuscript is varied. Among the musical genres represented one can find ''canciones'', ''villancicos'', ''romances'' and ''ensaladas''. Many of the ''villancicos'' and ''canciones'' are sacred, mostly Marian. Two of the works are in French and 12 are liturgical compositions in Latin. One can also find two short versions in Castillian of the Song of the Sibyl (''"Canto de la Sibila"''), nos. 73 and 91: ''"Juysio fuerte será dado"''.
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==List of works==
==List of works==


{|cellpadding="5" cellspacing="0"
{|class="wikitable sortable" style="color:grey"
|-
|- style="color:black"
!width="15" align="left"|Nº
!width="20" align="left"|Nº
!width="240" align="left"|Title
!width="240" align="left"|Title
!width="10" align="left"|Voices
!width="10" align="left"|Voices
Line 22: Line 24:
!width="240" align="left"|Remarks
!width="240" align="left"|Remarks
|-
|-
|  1 || ''Amor de penada gloria'' || 3 || [[Anonymous]] || ||
|  1 || ''Amor de penada gloria'' || 3 || [[Anonymous]] ||
|-
|  2 || ''[[Pues con sobra de tristura (Enrique)|Pues con sobra de tristura]]'' || 4 || [[Enrique]] || ||
|-
|  3 || ''Canten todos bos en grito'' || 1-2 || [[Anonymous]] || ''(incomplete)'' ||
|-
|  4 || ''Gentil dama non se gana'' || 3 || [[Johannes Cornago]] || ||
|-
|  5 || ''O pena que me conbates'' || 1-2 || [[Juan de Triana]] || ''(incomplete)'' ||
|-
|  6 || ''Muy crueles bozes dan'' || 3 || [[Anonymous]] || ||
|-
|  7 || ''Señora, non me culpeys'' || 3 || [[Anonymous]] || ||
|-
|-
|  8 || ''[[Doncella por cuyo amor (J. Rodríguez Torote)|Doncella por cuyo amor]]'' || 3 || [[J. Rodríguez Torote]] || ||
|  2 || ''Pues con sobra de tristura'' || 4 || [[Enrique]] ||
|-
|-
|  9 || ''Nunca fue pena mayor'' || 3 || [[Juan de Urrede]] || Text by García Álvarez de Toledo ||
|  3 || ''Canten todos bos en grito'' || 1-2 || [[Anonymous]] || ''(incomplete)''
|-
|-
|10 || ''Dónde estás, que non te veo'' || 3 || [[Johannes Cornago]] || ||
|  4 || ''Gentil dama non se gana'' || 3 || [[Johannes Cornago]] ||
|-
|-
|11 || ''Muy triste será mi vida'' || 4 || [[Juan de Urrede]] || ||
|  5 || ''O pena que me conbates'' || 1-2 || [[Juan de Triana]] || ''(incomplete)''
|-
|-
|12 || ''Oya tu merçed y crea'' || 3 || [[Anonymous]] || ||
|  6 || ''Muy crueles bozes dan'' || 3 || [[Anonymous]] ||
|-
|-
|13 || ''Tanto quanto me desplase'' || 1-2 || [[Anonymous]] || ''(incomplete)'' ||
|  7 || ''Señora, non me culpeys'' || 3 || [[Anonymous]] ||
|- style="color:black"
|  8 || ''[[Doncella por cuyo amor (J. Rodríguez Torote)|Doncella por cuyo amor]]'' || 3 || [[J. Rodríguez Torote]] ||
|-
|-
|14 || ''Qu'es mi vida, preguntays'' || 4 || [[Johannes Cornago]] /<br>[[Johannes Ockeghem]] || ||
|&nbsp; 9 || ''Nunca fue pena mayor'' || 3 || [[Juan de Urrede]] || Text by García Álvarez de Toledo
|-
|-
|15 || ''Non puedo si non querer'' || 3 || [[Anonymous]] || ||
|10 || ''Dónde estás, que non te veo'' || 3 || [[Johannes Cornago]] ||
|-
|-
|16 || ''Mis tristes, tristes sospiros'' || 3 || [[Anonymous]] || ||
|11 || ''Muy triste será mi vida'' || 4 || [[Juan de Urrede]] ||
|-
|-
|17 || ''Ay que non sé rremediarme'' || 3 || [[Juan de León]] || ||
|12 || ''Oya tu merçed y crea'' || 3 || [[Anonymous]] ||
|-
|-
|18 || ''Pues que Dios te fizo tal'' || 3 || [[Johannes Cornago]] || ||
|13 || ''Tanto quanto me desplase'' || 1-2 || [[Anonymous]] || ''(incomplete)''
|-
|-
|19 || ''Con temor vivo ojos tristes'' || 3 || [[Juan de Triana]] || ||
|14 || ''Qu'es mi vida, preguntays'' || 4 || [[Johannes Cornago]] /<br>[[Johannes Ockeghem]] ||
|-
|-
|20 || ''Siempre creçe mi serviros'' || 3 || [[Juán Fernández de Madrid]] || ||
|15 || ''Non puedo si non querer'' || 3 || [[Anonymous]] ||
|-
|-
|21 || ''Quanto mi vida biviere'' || 3 || [[Anonymous]] || ||
|16 || ''Mis tristes, tristes sospiros'' || 3 || [[Anonymous]] ||
|-
|-
|22 || ''Señora, qual soy venido'' || 3 || [[Johannes Cornago]] / <br/>[[Juan de Triana]] || Text by Íñigo López de Mendoza ||
|17 || ''Ay que non sé rremediarme'' || 3 || [[Juan de León]] ||
|-
|-
|23 || ''De mi perdida esperança'' || 3 || [[Juan de Triana]] || ||
|18 || ''Pues que Dios te fizo tal'' || 3 || [[Johannes Cornago]] ||
|-
|-
|24 || ''Pues mi dicha non consiente'' || 3 || [[Belmonte]] || ||
|19 || ''Con temor vivo ojos tristes'' || 3 || [[Juan de Triana]] ||
|-
|-
|25 || ''Vive leda si podrás'' || 3 || [[Anonymous]] || ||
|20 || ''Siempre creçe mi serviros'' || 3 || [[Juan Fernández de Madrid]] ||
|-
|-
|26 || ''Dama mi grand querer'' || 3 || [[Móxica]] || ||
|21 || ''Quanto mi vida biviere'' || 3 || [[Anonymous]] ||
|-
|-
|27 || ''Porque más sin duda creas'' || 3 || [[Johannes Cornago]] || ||
|22 || ''Señora, qual soy venido'' || 3 || [[Johannes Cornago]] / <br/>[[Juan de Triana]] || Text by Íñigo López de Mendoza
|-
|-
|28 || ''No puedes quexar, amor'' || 3 || [[Juan de Triana]] || ||
|23 || ''De mi perdida esperança'' || 3 || [[Juan de Triana]] ||
|-
|-
|29 || ''Laudate eum omnes angeli'' || 2 || [[Anonymous]] || ||
|24 || ''Pues mi dicha non consiente'' || 3 || [[Belmonte]] ||
|-
|-
|30 || ''[[Mi querer tanto vos quiere (Enrique)|Mi querer tanto vos quiere]]'' || 4 || [[Enrique]] || ||
|25 || ''Vive leda si podrás'' || 3 || [[Anonymous]] ||
|-
|-
|31 || ''Mirando dama fermosa'' || 3 || [[Anonymous]] || ||
|26 || ''Dama mi grand querer'' || 3 || [[Móxica]] ||
|-
|-
|32 || ''De vos y de mi quejoso'' || 3 || [[Juan de Urrede]] || ||
|27 || ''Porque más sin duda creas'' || 3 || [[Johannes Cornago]] ||
|-
|-
|33 || ''Andad, passiones, andad'' || 3 || [[Pedro de Lagarto]] || ||
|28 || ''No puedes quexar, amor'' || 3 || [[Juan de Triana]] ||
|-
|-
|34 || ''Quién vos dio tal señorio'' || 4 || [[Juan de Triana]] || ||
|29 || ''Laudate eum omnes angeli'' || 2 || [[Anonymous]] ||
|- style="color:black"
|30 || ''[[Mi querer tanto vos quiere (Enrique)|Mi querer tanto vos quiere]]'' || 4 || [[Enrique]] ||
|-
|-
|35 || ''Ya de amor era partido'' || 3 || [[Juan de Triana]] || ||
|31 || ''Mirando dama fermosa'' || 3 || [[Anonymous]] ||
|-
|-
|36 || ''De vida que tanto enoja'' || 1-2 || [[Anonymous]] || ||
|32 || ''De vos y de mi quejoso'' || 3 || [[Juan de Urrede]] ||
|-
|-
|37 || ''Pues no mejora mi suerte'' || 1-2 || [[Anonymous]] || ''(incomplete)'' ||
|33 || ''Andad, passiones, andad'' || 3 || [[Pedro de Lagarto]] ||
|-
|-
|38 || ''Al dolor de mi cuydado'' || 3 || [[Juan Pérez de Gijón]] || ||
|34 || ''Quién vos dio tal señorio'' || 4 || [[Juan de Triana]] ||
|-
|-
|39 || ''Omni potentem'' || 2 || [[Anonymous]] || ||
|35 || ''Ya de amor era partido'' || 3 || [[Juan de Triana]] ||
|-
|-
|40 || ''No tenga nadie sperança'' || 3 || [[Hurtado de Xerés]] || ||
|36 || ''De vida que tanto enoja'' || 1-2 || [[Anonymous]] ||
|-
|-
|41 || ''(no title)'' || 2 || [[Anonymous]] || ||
|37 || ''Pues no mejora mi suerte'' || 1-2 || [[Anonymous]] || ''(incomplete)''
|-
|-
|42 || ''Con temor de la mudança'' || 3 || [[Hurtado de Xerés]] || ||
|38 || ''Al dolor de mi cuydado'' || 3 || [[Juan Pérez de Gijón]] ||
|-
|-
|43 || ''No consiento ni me plaze'' || 3 || [[Juan de Triana]] || ||
|39 || ''Omni potentem'' || 2 || [[Anonymous]] ||
|-
|-
|44 || ''Quanta gloria me dio veros'' || 1-2 || [[Anonymous]] || ''(incomplete)'' ||
|40 || ''No tenga nadie sperança'' || 3 || [[Hurtado de Xerés]] ||
|-
|-
|45 || ''(no title)'' || 4 || [[Anonymous]] || ||
|41 || ''(no title)'' || 2 || [[Anonymous]] ||
|-
|-
|46 || ''Agnus'' || 4 || [[Anonymous]] || ||
|42 || ''Con temor de la mudança'' || 3 || [[Hurtado de Xerés]] ||
|-
|-
|47 || ''Sanctus'' || 4 || [[Anonymous]] || ||
|43 || ''No consiento ni me plaze'' || 3 || [[Juan de Triana]] ||
|-
|-
|48 || ''[[Dime, triste coraçón (Francisco de la Torre)|Dime, triste coraçón]]'' || 4 || [[Francisco de la Torre]] || ||
|44 || ''Quanta gloria me dio veros'' || 1-2 || [[Anonymous]] || ''(incomplete)''
|-
|-
|49 || ''Amar es servir'' || 3 || [[Anonymous]] || ||
|45 || ''(no title)'' || 4 || [[Anonymous]] ||
|-
|-
|50 || ''Mortales son los dolores'' || 3 || [[Anonymous]] || ||
|46 || ''Agnus'' || 4 || [[Anonymous]] ||
|-
|-
|51 || ''Pensamiento ve do vas'' || 4 || [[Anonymous]] || ||
|47 || ''Sanctus'' || 4 || [[Anonymous]] ||
|- style="color:black"
|48 || ''[[Dime, triste coraçón (Francisco de la Torre)|Dime, triste coraçón]]'' || 4 || [[Francisco de la Torre]] ||
|-
|-
|52 || ''Olvida tu perdiçión'' || 3 || [[Anonymous]] || ||
|49 || ''Amar es servir'' || 3 || [[Anonymous]] ||
|-
|-
|53 || ''Quien tiene vida en esperança'' || 3 || [[Anonymous]] || ||
|50 || ''Mortales son los dolores'' || 3 || [[Anonymous]] ||
|-
|-
|54 || ''[[Niña y viña (Anonymous)|Niña y viña]]'' || 3 || [[Anonymous]] || ||
|51 || ''Pensamiento ve do vas'' || 4 || [[Anonymous]] ||
|-
|-
|55 || ''O gloriosa Domina'' || 3 || [[Anonymous]] || ||
|52 || ''Olvida tu perdiçión'' || 3 || [[Anonymous]] ||
|-
|-
|56 || ''Es la vida que cobré'' || 3 || [[Anonymous]] || ||
|53 || ''Quien tiene vida en esperança'' || 3 || [[Anonymous]] ||
|- style="color:black"
|54 || ''[[Niña y viña (Anonymous)|Niña y viña]]'' || 3 || [[Anonymous]] ||
|-
|-
|57 || ''Propiñan de Melyor'' || 3 || [[Anonymous]] || Instrumental ||
|55 || ''O gloriosa Domina'' || 3 || [[Anonymous]] ||
|-
|-
|58 || ''A quello trate domingo'' || 3 || [[Anonymous]] || ||
|56 || ''Es la vida que cobré'' || 3 || [[Anonymous]] ||
|-
|-
|59 || ''Nuevas te traygo carillo'' || 3 || [[Anonymous]] /<br>[[Juan del Encina]] || Instrumental ||
|57 || ''Propiñan de Melyor'' || 3 || [[Anonymous]] || Instrumental
|-
|-
|60 || ''(no title)'' || 1 || [[Anonymous]] || ||
|58 || ''A quello trate domingo'' || 3 || [[Anonymous]] ||
|-
|-
|61 || ''Los hombres con gran plazer'' || 3 || [[Anonymous]] || ||
|59 || ''Nuevas te traygo carillo'' || 3 || [[Anonymous]] /<br>[[Juan del Encina]] || Instrumental
|-
|-
|62 || ''Merçed, merçed le pidamos'' || 3 || [[Anonymous]] || ||  
|60 || ''(no title)'' || 1 || [[Anonymous]] ||
|-
|-
|63 || ''Salve, sancta parens'' || 4 || [[Anonymous]] || ||
|61 || ''Los hombres con gran plazer'' || 3 || [[Anonymous]] ||
|-
|-
|64 || ''Reyna muy esclareçida'' || 3 || [[Anonymous]] || ||
|62 || ''Merçed, merçed le pidamos'' || 3 || [[Anonymous]] ||
|-
|-
|65 || ''Buenas nuevas de alegria'' || 3 || [[Anonymous]] || ||
|63 || ''Salve, sancta parens'' || 4 || [[Anonymous]] ||
|-
|-
|66 || ''Deus in adjutorium'' || 3 || [[Juan de Triana]] || ||
|64 || ''Reyna muy esclareçida'' || 3 || [[Anonymous]] ||
|-
|-
|67 || ''Tu valer me da gran guera'' || 3 || [[Juanes]] || ||
|65 || ''Buenas nuevas de alegria'' || 3 || [[Anonymous]] ||
|-
|-
|68 || ''In exitu Israel de Egipto'' || 4 || [[Anonymous]] || ||
|66 || ''Deus in adjutorium'' || 3 || [[Juan de Triana]] ||
|-
|-
|69 || ''Maravillome del syno me del santiguome'' || 3 || [[Juan de Triana]] || ||
|67 || ''Tu valer me da gran guera'' || 3 || [[Juanes]] ||
|-
|-
|70 || ''Pinguele rrespinguete'' || 3 || [[Juan de Triana]] || ||
|68 || ''In exitu Israel de Egipto'' || 4 || [[Anonymous]] ||
|-
|-
|71 || ''La moça que las cabras cría'' || 4 || [[Juan de Triana]] || ||
|69 || ''Maravillome del syno me del santiguome'' || 3 || [[Juan de Triana]] ||
|-
|-
|72 || ''A los maytines era'' || 5 || [[Anonymous]] || ||
|70 || ''Pinguele rrespinguete'' || 3 || [[Juan de Triana]] ||
|-
|-
|73 || ''Juysio fuerte será dado'' || 4 || [[Anonymous]] || ||
|71 || ''La moça que las cabras cría'' || 4 || [[Juan de Triana]] ||
|-
|-
|74 || ''Virgen dina de honor'' || 4 || [[Anonymous]] || ||
|72 || ''[[A los maytines era (Anonymous)|A los maytines era]]'' || 5 || [[Anonymous]] ||
|-
|-
|75 || ''[[Que bonito niño chiquito (Anonymous)|Que bonito niño chiquito]]'' || 4 || [[Anonymous]] || ||
|73 || ''Juysio fuerte será dado'' || 4 || [[Anonymous]] ||
|-
|-
|76 || ''(no title)'' || 3 || [[Anonymous]] || ||
|74 || ''Virgen dina de honor'' || 4 || [[Anonymous]] ||
|- style="color:black"
|75 || ''[[Que bonito niño chiquito (Anonymous)|Que bonito niño chiquito]]'' || 4 || [[Anonymous]] ||
|-
|-
|77 || ''Qui fecit celum'' || 3 || [[Anonymous]] || ||
|76 || ''(no title)'' || 3 || [[Anonymous]] ||
|-
|-
|78 || ''[[Ay, Santa Maria (Anonymous)|Ay, Santa Maria]]'' || 3 || [[Anonymous]] || ||
|77 || ''Qui fecit celum'' || 3 || [[Anonymous]] ||
|- style="color:black"
|78 || ''[[Ay, Santa Maria (Anonymous)|Ay, Santa Maria]]'' || 3 || [[Anonymous]] ||
|-
|-
|79 || ''Dic nobis Maria'' || 4 || [[Anonymous]] || ||
|79 || ''Dic nobis Maria'' || 4 || [[Anonymous]] ||
|-
|-
|80 || ''Benedicamus Domino'' || 3 || [[Juan de Triana]] || ||
|80 || ''Benedicamus Domino'' || 3 || [[Juan de Triana]] ||
|-
|-
|81 || ''Benedicamus Domino'' || 3 || [[Juan de Triana]] || ||
|81 || ''Benedicamus Domino'' || 3 || [[Juan de Triana]] ||
|-
|-
|82 || ''Juste judex Jesu Christe'' || 3 || [[Juan de Triana]] || ||
|82 || ''Juste judex Jesu Christe'' || 3 || [[Juan de Triana]] ||
|-
|-
|83 || ''(no title)'' || 3 || [[Anonymous]] || ||
|83 || ''(no title)'' || 3 || [[Anonymous]] ||
|-
|-
|84 || ''(no title)'' || 4 || [[Anonymous]] || ||
|84 || ''(no title)'' || 4 || [[Anonymous]] ||
|-
|-
|85 || ''Quia'' || 3 || [[Anonymous]] || Instrumental ||
|85 || ''Quia'' || 3 || [[Anonymous]] || Instrumental
|-
|-
|86 || ''¿Querer vieja yo?'' / ''Non puedo dexar'' /<br>''Que non sé filar'' || 3 || [[Juan de Triana]] || ||
|86 || ''¿Querer vieja yo?'' / ''Non puedo dexar'' /<br>''Que non sé filar'' || 3 || [[Juan de Triana]] ||
|-
|-
|87 || ''De la momera je n'estay'' || 4 || [[Johannes Ockeghem]] || ||
|87 || ''De la momera je n'estay'' || 4 || [[Johannes Ockeghem]] ||
|-
|-
|88 || ''Por beber, comadre'' || 3 || [[Juan de Triana]] || ||
|88 || ''Por beber, comadre'' || 3 || [[Juan de Triana]] ||
|-
|-
|89 || ''Aquella buena mujer'' || 3 || [[Juan de Triana]] ||
|89 || ''Aquella buena mujer'' || 3 || [[Juan de Triana]] ||
Line 202: Line 204:
|90 || ''Dinos, madre del donsel'' || 3 || [[Juan de Triana]] ||
|90 || ''Dinos, madre del donsel'' || 3 || [[Juan de Triana]] ||
|-
|-
|91 || ''Juysio fuerte será dado'' || 4 || [[Juan de Triana]] || ||
|91 || ''Juysio fuerte será dado'' || 4 || [[Juan de Triana]] ||
|-
|-
|92 || ''¿Cómo no le andaré yo?'' || 3 || [[Anonymous]] || ||
|92 || ''¿Cómo no le andaré yo?'' || 3 || [[Anonymous]] ||
|-
|-
|93 || ''Pues que non tengo'' || 3 || [[Anonymous]] || ||
|93 || ''Pues que non tengo'' || 3 || [[Anonymous]] ||
|-
|-
|94 || ''Le pure amant qui est'' || 3 || [[Anonymous]] || Instrumental ||
|94 || ''Le pure amant qui est'' || 3 || [[Anonymous]] || Instrumental
|-
|-
|95 || ''No tenga con vos amor'' || 3 || [[Anonymous]] || ||
|95 || ''No tenga con vos amor'' || 3 || [[Anonymous]] ||
|-
|-
|}
|}
==Works at CPDL==
{{MultiPubList|gen,subg,vo,voices|1460}}


[[Category:Music publications|{{PAGENAME}}]]
[[Category:Music publications]]
[[Category:Manuscripts]]
[[Category:Renaissance choral collections]]

Revision as of 15:53, 14 November 2020

The Cancionero de la Colombina or Cancionero Musical de la Colombina (CMC) is a Spanish manuscript containing Renaissance music from the end of the 15th century.

The manuscript was copied during the reign of the Catholic Kings, possibly between the decades of 1460s to the 1480s. It therefore predates the more famous Cancionero de Palacio. Its authorship is attributed to a single copyist, but the musical center he might have belonged to is uncertain. It originally comprised 107 folios, 17 of which are lost. Besides that, its general condition is unsatisfactory.

In 1534 it was bought by the second son of Christopher Columbus, the bibliophile Fernando Colón, who added it to his rich Sevillian library of more than 15,000 volumes known by the name of "Columbine Library" (in Spanish, "Biblioteca de la Colombina"). After his death, the Library was transferred to the Seville Cathedral, where it still is today.

Publication date and place: 1460 –1490. – Manuscript
.

The Cancionero currently contains 95 musical settings, some of which are incomplete. Of this total, 53 remain anonymous. The composers of many of the works could be identified because their compositions were also found in other cancioneros, especially the Cancionero de Palacio and the Cancionero de Montecassino.

The repertory in the manuscript is varied. Among the musical genres represented one can find canciones, villancicos, romances and ensaladas. Many of the villancicos and canciones are sacred, mostly Marian. Two of the works are in French and 12 are liturgical compositions in Latin. One can also find two short versions in Castillian of the Song of the Sibyl ("Canto de la Sibila"), nos. 73 and 91: "Juysio fuerte será dado".

(excerpt translated from the Spanish Wikipedia article)


List of works

Nº Title Voices Composer Remarks
  1 Amor de penada gloria 3 Anonymous
  2 Pues con sobra de tristura 4 Enrique
  3 Canten todos bos en grito 1-2 Anonymous (incomplete)
  4 Gentil dama non se gana 3 Johannes Cornago
  5 O pena que me conbates 1-2 Juan de Triana (incomplete)
  6 Muy crueles bozes dan 3 Anonymous
  7 Señora, non me culpeys 3 Anonymous
  8 Doncella por cuyo amor 3 J. Rodríguez Torote
  9 Nunca fue pena mayor 3 Juan de Urrede Text by García Álvarez de Toledo
10 Dónde estás, que non te veo 3 Johannes Cornago
11 Muy triste será mi vida 4 Juan de Urrede
12 Oya tu merçed y crea 3 Anonymous
13 Tanto quanto me desplase 1-2 Anonymous (incomplete)
14 Qu'es mi vida, preguntays 4 Johannes Cornago /
Johannes Ockeghem
15 Non puedo si non querer 3 Anonymous
16 Mis tristes, tristes sospiros 3 Anonymous
17 Ay que non sé rremediarme 3 Juan de León
18 Pues que Dios te fizo tal 3 Johannes Cornago
19 Con temor vivo ojos tristes 3 Juan de Triana
20 Siempre creçe mi serviros 3 Juan Fernández de Madrid
21 Quanto mi vida biviere 3 Anonymous
22 Señora, qual soy venido 3 Johannes Cornago /
Juan de Triana		 Text by Íñigo López de Mendoza
23 De mi perdida esperança 3 Juan de Triana
24 Pues mi dicha non consiente 3 Belmonte
25 Vive leda si podrás 3 Anonymous
26 Dama mi grand querer 3 Móxica
27 Porque más sin duda creas 3 Johannes Cornago
28 No puedes quexar, amor 3 Juan de Triana
29 Laudate eum omnes angeli 2 Anonymous
30 Mi querer tanto vos quiere 4 Enrique
31 Mirando dama fermosa 3 Anonymous
32 De vos y de mi quejoso 3 Juan de Urrede
33 Andad, passiones, andad 3 Pedro de Lagarto
34 Quién vos dio tal señorio 4 Juan de Triana
35 Ya de amor era partido 3 Juan de Triana
36 De vida que tanto enoja 1-2 Anonymous
37 Pues no mejora mi suerte 1-2 Anonymous (incomplete)
38 Al dolor de mi cuydado 3 Juan Pérez de Gijón
39 Omni potentem 2 Anonymous
40 No tenga nadie sperança 3 Hurtado de Xerés
41 (no title) 2 Anonymous
42 Con temor de la mudança 3 Hurtado de Xerés
43 No consiento ni me plaze 3 Juan de Triana
44 Quanta gloria me dio veros 1-2 Anonymous (incomplete)
45 (no title) 4 Anonymous
46 Agnus 4 Anonymous
47 Sanctus 4 Anonymous
48 Dime, triste coraçón 4 Francisco de la Torre
49 Amar es servir 3 Anonymous
50 Mortales son los dolores 3 Anonymous
51 Pensamiento ve do vas 4 Anonymous
52 Olvida tu perdiçión 3 Anonymous
53 Quien tiene vida en esperança 3 Anonymous
54 Niña y viña 3 Anonymous
55 O gloriosa Domina 3 Anonymous
56 Es la vida que cobré 3 Anonymous
57 Propiñan de Melyor 3 Anonymous Instrumental
58 A quello trate domingo 3 Anonymous
59 Nuevas te traygo carillo 3 Anonymous /
Juan del Encina		 Instrumental
60 (no title) 1 Anonymous
61 Los hombres con gran plazer 3 Anonymous
62 Merçed, merçed le pidamos 3 Anonymous
63 Salve, sancta parens 4 Anonymous
64 Reyna muy esclareçida 3 Anonymous
65 Buenas nuevas de alegria 3 Anonymous
66 Deus in adjutorium 3 Juan de Triana
67 Tu valer me da gran guera 3 Juanes
68 In exitu Israel de Egipto 4 Anonymous
69 Maravillome del syno me del santiguome 3 Juan de Triana
70 Pinguele rrespinguete 3 Juan de Triana
71 La moça que las cabras cría 4 Juan de Triana
72 A los maytines era 5 Anonymous
73 Juysio fuerte será dado 4 Anonymous
74 Virgen dina de honor 4 Anonymous
75 Que bonito niño chiquito 4 Anonymous
76 (no title) 3 Anonymous
77 Qui fecit celum 3 Anonymous
78 Ay, Santa Maria 3 Anonymous
79 Dic nobis Maria 4 Anonymous
80 Benedicamus Domino 3 Juan de Triana
81 Benedicamus Domino 3 Juan de Triana
82 Juste judex Jesu Christe 3 Juan de Triana
83 (no title) 3 Anonymous
84 (no title) 4 Anonymous
85 Quia 3 Anonymous Instrumental
86 ¿Querer vieja yo? / Non puedo dexar /
Que non sé filar		 3 Juan de Triana
87 De la momera je n'estay 4 Johannes Ockeghem
88 Por beber, comadre 3 Juan de Triana
89 Aquella buena mujer 3 Juan de Triana
90 Dinos, madre del donsel 3 Juan de Triana
91 Juysio fuerte será dado 4 Juan de Triana
92 ¿Cómo no le andaré yo? 3 Anonymous
93 Pues que non tengo 3 Anonymous
94 Le pure amant qui est 3 Anonymous Instrumental
95 No tenga con vos amor 3 Anonymous

Works at CPDL

No works at CPDL
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