Cancionero de Medinaceli: Difference between revisions
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The '''Cancionero de Medinaceli''' or ''Cancionero Musical de Medinaceli'' (CMM) is a manuscript containing | The '''Cancionero de Medinaceli''' or ''Cancionero Musical de Medinaceli'' (CMM) is a manuscript containing 177 pieces of music from the Spanish Renaissance. It was copied during the second half of the 16th century and rediscovered in the 19c in the Library of the Duke of Medinaceli, whence its name. With 100 examples of Spanish secular polyphony, it is probably the most important compilation of its kind after the [[Cancionero de Palacio]]. (excerpt translated from the [http://es.wikipedia.org/wiki/Cancionero_de_Medinaceli Spanish Wikipedia article]) | ||
{{PubDatePlace|post 1550||Manuscript}}. | |||
*{{WikipediaLink}} | *{{WikipediaLink}} | ||
==List of choral works== | ==List of choral works== | ||
{|cellpadding=" | {|cellpadding="1" cellspacing="0" width=500 | ||
|'''Title''' | |'''Title''' | ||
|'''Composer''' | |'''Composer''' | ||
|- | |- | ||
|''[[A bente y siete de março (Anonymous)|A bente y siete de março]]'' | |''[[A bente y siete de março (Anonymous)|A bente y siete de março]]'' || [[Anonymous]] | ||
|[[Anonymous]] | |- | ||
|''[[Aquella fuerça grande (Anonymous)|Aquella fuerça grande]]'' || [[Anonymous]] | |||
|- | |- | ||
|''[[ | |''[[Cavallero si a Francia ides (Anonymous)|Cavallero, si a Francia ides]]'' || [[Anonymous]] | ||
|[[Anonymous]] | |||
|- | |- | ||
|''[[ | |''[[Corten espadas afiladas (Anonymous)|Corten espadas afiladas]]'' || [[Anonymous]] | ||
|[[Anonymous]] | |||
|- | |- | ||
|''[[ | |''[[Di perra mora (Anonymous)|Dí, perra mora]]'' || [[Anonymous]] | ||
|[[ | |||
|- | |- | ||
|''[[ | |''[[Lágrimas de mi consuelo (Antonio Cebrián)|Lágrimas de mi consuelo]]'' || [[Antonio Cebrián]] | ||
|[[ | |||
|- | |- | ||
|''[[ | |''[[Llaman a Teresica (Anonymous)|Llaman a Teresica]]'' || [[Anonymous]] | ||
|[[Anonymous]] | |||
|- | |- | ||
|''[[ | |''[[Por ese mar d'Helesponto (Anonymous)|Por ese mar d'Helesponto]]'' || [[Anonymous]] | ||
|[[ | |||
|- | |- | ||
|''[[Pues que no puedo olvidarte (Ginés de Morata)|Pués que no puedo olvidarte]]'' | |''[[Prado verde y florido (Francisco Guerrero)|Prado verde y florido]]'' || [[Francisco Guerrero]] | ||
|[[Ginés de Morata]] | |- | ||
|''[[Pues que no puedo olvidarte (Ginés de Morata)|Pués que no puedo olvidarte]]'' || [[Ginés de Morata]] | |||
|- | |||
|''[[Puse mis amores (Anonymous)|Puse mis amores en Fernandillo]]'' || [[Anonymous]] | |||
|} | |} | ||
==Works at CPDL== | |||
{{MultiPubList|com,gen,subg,vo,voices,lan|1550}} | |||
[[Category:Music publications]] | [[Category:Music publications]] | ||
[[Category:Manuscripts]] | |||
[[Category:Renaissance choral collections]] |
Revision as of 00:20, 19 October 2019
The Cancionero de Medinaceli or Cancionero Musical de Medinaceli (CMM) is a manuscript containing 177 pieces of music from the Spanish Renaissance. It was copied during the second half of the 16th century and rediscovered in the 19c in the Library of the Duke of Medinaceli, whence its name. With 100 examples of Spanish secular polyphony, it is probably the most important compilation of its kind after the Cancionero de Palacio. (excerpt translated from the Spanish Wikipedia article)
Publication date and place: post 1550 . – Manuscript
.
View the Wikipedia article on Cancionero de Medinaceli.
List of choral works
Works at CPDL
- No works at CPDL