Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162 (Johann Sebastian Bach): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2017-06-04}} {{CPDLno|44862}} [http://www.pandolfopaolo.com/bach-js-cantata-bwv162/ {{net}}]  
===Whole work===
*{{PostedDate|2017-06-04}} {{CPDLno|44862}} [http://www.pandolfopaolo.com/bach-js-cantata-bwv162/ {{net}}]
{{Contributor|Paolo Pandolfo|2017-06-04}}{{ScoreInfo|A4|24|1600}}{{Copy|CPDL}}
{{Contributor|Paolo Pandolfo|2017-06-04}}{{ScoreInfo|A4|24|1600}}{{Copy|CPDL}}
:'''Edition notes:''' {{Todt}}
{{EdNotes|{{Todt}}}}


===Individual movements===
#Aria (bass): Ach! ich sehe, itzt, da ich zur Hochzeit gehe
#Recitative (tenor): O großes Hochzeitfest
#Aria (soprano): Jesu, Brunnquell aller Gnaden
#Recitative (alto): Mein Jesu, laß mich nicht
#Duetto Aria (alto, tenor): In meinem Gott bin ich erfreut
#Chorale: Ach, ich habe schon erblicket
==General Information==
==General Information==
'{{Title|''Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162''}}
{{Title|''Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162''}}
{{Composer|Johann Sebastian Bach}}
{{Composer|Johann Sebastian Bach}}
{{Lyricist|Salomon Franck}}
{{Lyricist|Salomon Franck}}


{{Voicing|4|SATB}}<br>
{{Voicing|4|solo SATB}}
{{Genre|Sacred|Cantatas}}
{{Genre|Sacred|Cantatas}}
{{Language|German}}
{{Language|German}}
{{Instruments|Orchestra:| corno da tirarsi, strings, continuo (with bassoon)}}
{{Instruments|Orchestra:| corno da tirarsi [ad lib.], strings, continuo (with bassoon)}}
{{Pub|1|BGA 33 1887}}
{{Pub|1|1887|in ''[[Bach-Gesellschaft Ausgabe]]'' 33}}
 
{{Opus|BWV|0162|mvt=6}}
'''Description:''' For the 20th [[Sunday after Trinity]], probably first performed 3 November 1715 or 25 October 1716. The Gospel corresponds in the Roman calendars to {{Cat|Pentecost XIX}} or {{Cat|Pentecost XXII|OT 28A}}
{{Descr|For the 20th [[Sunday after Trinity]], the Gospel corresponding in the Roman calendars to {{Cat|Pentecost XIX}} or {{Cat|Pentecost XXII|OT 28A}}. The work was probably first performed 3 November 1715 or 25 October 1716, and revived in 1723, when the corno da tirarsi was added (largely doubling the viola). Some performers add a hypothetical 'missing' obligato part to the Soprano aria.}}
 
{{#ExtWeb:
'''External websites:'''
*{{IMSLP2|Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162 (Bach, Johann Sebastian)|''Ach! ich sehe, itzt, da ich zur Hochzeit gehe''}}
*{{IMSLP2|Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162 (Bach, Johann Sebastian)|''Ach! ich sehe, itzt, da ich zur Hochzeit gehe''}}
*{{WikipediaLink|Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162|BWV 162}}
*{{WikipediaLink|Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162|BWV 162}}
*[{{website|bach}}/BWV162.htm Bach-cantatas site, with links to libretto and translations].
*[{{website|bach}}/BWV162.htm Bach-cantatas site, with links to libretto and translations]}}
 
==Original text and translations==
==Original text and translations==
{{ExtText}}
{{ExtText}}

Latest revision as of 01:18, 5 July 2021

Music files

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Whole work

  • (Posted 2017-06-04)  CPDL #44862:  Network.png
Contributor: Paolo Pandolfo (submitted 2017-06-04).  Score information: A4, 24 pages, 1.56 MB   Copyright: CPDL

Edition notes: A scan of the piano-vocal score by Berhard Todt.

Individual movements

  1. Aria (bass): Ach! ich sehe, itzt, da ich zur Hochzeit gehe
  2. Recitative (tenor): O großes Hochzeitfest
  3. Aria (soprano): Jesu, Brunnquell aller Gnaden
  4. Recitative (alto): Mein Jesu, laß mich nicht
  5. Duetto Aria (alto, tenor): In meinem Gott bin ich erfreut
  6. Chorale: Ach, ich habe schon erblicket

General Information

Title: Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162
Composer: Johann Sebastian Bach
Lyricist: Salomon Franck

Number of voices: 4vv   Voicing: SATB soli
Genre: SacredCantata

Language: German
Instruments: Orchestra: corno da tirarsi [ad lib.], strings, continuo (with bassoon)

First published: 1887 in Bach-Gesellschaft Ausgabe 33
Opus: BWV 162, 6 movements
Description: For the 20th Sunday after Trinity, the Gospel corresponding in the Roman calendars to Pentecost XIX or OT 28A. The work was probably first performed 3 November 1715 or 25 October 1716, and revived in 1723, when the corno da tirarsi was added (largely doubling the viola). Some performers add a hypothetical 'missing' obligato part to the Soprano aria.

External websites:

Original text and translations

Visit the external website(s) listed above for the original text and/or translations.