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Resignation (William Walker) (← links | edit) | |||
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Protection (Joseph Funk) (← links | edit) | |||
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Revision as of 03:24, 10 October 2021
General Information
Title: A Compilation of Genuine Church Music
Full Title: A Compilation of Genuine Church Music, Comprising a Variety of Meters, All Harmonized for Three Voices, Together with a Copious Elucidation of the Science of Vocal Music (1832-1847).
Editor - Compiler: Joseph Funk
Editions
- 1 – Published 1832 – by Robinson and Hollis in Winchester, Pennsylvania
- 2 – Published 1835 – by Robinson and Hollis in Winchester, Pennsylvania, 224 pp.
- 3 – Published 1842 – by Henry Wartmann in Harrisonburg, Virginia
- 4 – Published 1847 – by Joseph Funk and Sons in Mountain Valley, Pennsylvania
Description: See Harmonia Sacra (Joseph Funk) for editions after 1847.
External websites:
References
- Eskew, Henry. 1996. The Harmonia Sacra handbook: A compilation of genuine information. The Hymn 47(2):56.
List of works
1835 no. |
1832 pg. |
1835 pg. |
Title | Composer | Year | Author | Year | Meter | Comment |
---|---|---|---|---|---|---|---|---|---|
1 | 25 | Divinity | Anne Steele | C.M. | |||||
2 | 26 | Paradise | Walker's Companion | 1811 | Isaac Watts | 1709 | C.M. | ||
3 | 26 | Athens | Giordani | 1800 | James Fanch | 1764 | C.M. | ||
4 | 37 | 27 | Brunswick | Lawrence, A Collection of Tunes | 1719 | Isaac Watts | 1719 | C.M. | |
5 | 28 | 28 | Advocate | Anonymous | 87.87.D. | ||||
6 | 28 | Zion's Light | William Nicholson | 1820 | John Leland | 1790 | C.M. | ||
7 | 29 | 29 | London | Millar, The Psalmes of David | 1635 | Philip Doddridge | 1755 | C.M. | |
8 | 94 | 30 | Gospel Trumpet | John Cole | 1799 | Anonymous | 88.88.84. | ||
9 | 30 | 30 | Sweet Affliction | The Beauties of Mozart | 1820 | Samuel Pearce | 1800 | 87.87.47. | |
10 | 31 | 31 | Rockingham | Amzi Chapin | 1813 | Isaac Watts | 1709 | C.M. | |
11 | 32 | Missionary Herald | David's Harp | 1803 | Mrs. Vokes | 1797 | S.M. | ||
12 | 32 | 32 | Confidence | John Newton | 1779 | 66.66.88. | |||
13 | 33 | 33 | Mount Tabor | Francois Barthelemon | 1790 | William Collyer | 1812 | L.M. | |
14 | 33 | 33 | Old Hundred | Louis Bourgeois | 1561 | Isaac Watts | 1719 | L.M. | |
15 | 34 | 34 | Greenville | John Newton | 1779 | C.M. | |||
16 | 34 | Illumination | James Montgomery | 1821 | 76.76.D. | ||||
17 | 35 | 35 | Christmas | George Handel | 1728 | Unattrib. | 1832 | C.M. | |
18 | 36 | 36 | Suffolk | William Billings | 1770 | Anne Steele | 1760 | L.M. | |
19 | 36 | 36 | Kingwood | R. D. Humphreys | 1820 | Moses Browne | 1739 | 88.68.86. | |
20 | 34 | 37 | Mear | Browne, A Sett of Tunes | 1720 | Isaac Watts | 1719 | C.M. | |
21 | 38 | 38 | Adisham | Law, The Musical Primer | 1793 | Isaac Watts | 1719 | L.M. | |
22 | 35 | 38 | Swanwich | John Lucas | 1789 | Anne Steele | C.M. | ||
23 | 39 | 39 | Braintree | Harmonia Sacra | 1754 | Isaac Watts | 1719 | C.M. | |
24 | 40 | 40 | Peckham | Smith, A Collection of Psalm Tunes | 1775 | Isaac Watts | 1707 | S.M. | |
25 | 40 | 40 | Cambridge | John Randall | 1786 | Isaac Watts | 1719 | C.M. | |
26 | 41 | 41 | Standish | The Psalm-Singer's Necessary Companion | 1699 | Isaac Watts | 1709 | C.M. | |
27 | 41 | 41 | Stroudwater | Wilkins, A Book of Psalmody | 1723 | Isaac Watts | 1719 | C.M. | |
28 | 42 | 42 | Walsal | Wilkins, A Book of Psalmody | 1723 | Isaac Watts | 1719 | C.M. | |
29 | 42 | 42 | Warwick | Samuel Stanley | 1800 | John Newton | 1779 | C.M. | |
30 | 43 | 43 | St. Ann’s | William Croft | 1708 | Isaac Watts | 1709 | C.M. | |
31 | 43 | 43 | Winter | Daniel Read | 1785 | Isaac Watts | 1707 | C.M. | |
32 | 44 | 44 | Pleyel's Hymn | Ignaz Pleyel | 1788 | Charles Wesley | 1742 | 77.77. | |
33 | 44 | 44 | Egypt | James Leach | 1794 | Isaac Watts | 1709 | S.M. | |
34 | 45 | 45 | St. Thomas | Aaron Williams | 1763 | Isaac Watts | 1707 | S.M. | |
35 | 45 | 45 | Bloomfield | Law, The Art of Singing | 1799 | Isaac Watts | S.M. | ||
36 | 46 | 46 | Bedford | William Wheal | 1720 | Isaac Watts | 1719 | C.M. | |
37 | 46 | 46 | Stockbridge | Alexander Gillet | 1792 | John Newton | 1779 | 10 10.11 11. | |
38 | 47 | 47 | Carmarthen | Musica Sacra | 1778 | Charles Wesley | 1742 | 66.66.88. | |
39 | 48 | 48 | Alfreton | W. Beastall | 1814 | Nicolaus Zinzendorf | 1721 | L.M. | |
40 | 48 | 48 | Tamworth | C. Lockhart | 1792 | Thomas Olivers | 1790 | 87.87.87. | |
41 | 49 | 49 | Oldford | A New and Easie Method | 1686 | Isaac Watts | 1719 | S.M. | |
42 | 49 | 49 | Suffield | Oliver King | 1779 | Isaac Watts | 1719 | C.M. | |
43 | 50 | 50 | Shoel | Thomas Shoel | 1794 | Isaac Watts | 1707 | L.M. | |
44 | 50 | 50 | Kimbolton | Addington, A Collection of Psalm Tunes | 1786 | Isaac Watts | 1707 | L.M. | |
45 | 51 | 51 | Condescension | Isaiah Tucker | 1792 | Isaac Watts | 1707 | C.M. | |
46 | 52 | 52 | New Sabbath | Addington, A Collection of Psalm Tunes | 1788 | Charles Wesley | 1742 | L.M. | |
47 | 52 | 52 | Kingsbridge | The Divine Musical Miscellany | 1754 | Isaac Watts | 1719 | L.M. | |
48 | 53 | 53 | Shirland | Samuel Stanley | 1799 | Isaac Watts | 1709 | S.M. | |
49 | 54 | 54 | Castle Street | Addington, A Collection of Psalm Tunes | 1788 | Isaac Watts | 1709 | L.M. | |
50 | 54 | 54 | Carr’s Lane | Samuel Stanley | 1800 | Philip Doddridge | 1755 | C.M. | |
51 | 55 | 55 | Dublin | William Daman | 1591 | Isaac Watts | 1719 | C.M. | |
52 | 56 | 56 | Dresden | Charles Wesley | 1758 | 87.87.87. | |||
53 | 56 | 56 | St. Olaves | Psalmodia Evangelica | 1789 | Charles Wesley | 1741 | C.M. | |
54 | 58 | 57 | Isle of Wight | A Collection of Psalm Tunes in Four Parts | 1711 | Isaac Watts | 1719 | C.M. | |
55 | 58 | 57 | Berlin | Thomas Clark | 1811 | Isaac Watts | 1709 | L.M. | |
56 | 59 | 58 | Burstall | John Wesley's Collection | 1761 | William Cowper | 1772 | C.M. | |
57 | 57 | 58 | Zion | Philip Doddridge | 1755 | 10 10.10 10.11 11. | |||
58 | 59 | 59 | Brewer | John Hall | 1800 | Isaac Watts | 1707 | L.M. | |
59 | 61 | 60 | Aylesbury | Chetham, A Book of Psalmpdy | 1717 | Isaac Watts | 1719 | S.M. | |
60 | 60 | 60 | Mystery | Leach, A New Sett of Hymns and Psalm Tunes | 1789 | Charles Wesley | 1745 | 76.76.77.76. | |
61 | 61 | 61 | Crowle | Green, A Book of Psalm-Tunes | 1724 | Isaac Watts | 1719 | C.M. | |
62 | 62 | 62 | Anxiety | James Leach | 1794 | Isaac Watts | 1707 | L.M. | |
63 | 62 | 62 | Plymouth Dock | David's Harp | 1803 | Paul Gerhardt | 1653 | 88.88.88. | |
64 | 63 | 63 | Dunlap’s Creek | Samuel McFarland | 1814 | Isaac Watts | 1709 | C.M. | |
65 | 64 | 64 | Mount Ephraim | Benjamin Milgrove | 1768 | Augustus Toplady | 1772 | S.M. | |
66 | 64 | 64 | New Hope | Ananias Davisson | 1820 | Isaac Watts | 1709 | S.M. | |
67 | 65 | 65 | New Salem | Wyeth's Repository Part Second | 1813 | Joseph Swain | 11 8.11 8. | ||
68 | 65 | Tallis' Evening Hymn | Thomas Tallis | 1567 | Thomas Ken | 1697 | L.M. | ||
69 | 66 | 66 | Milton | Samuel Arnold | 1791 | John Stennett | C.M. | ||
70 | 66 | The Dying Penitent | Samuel Stennett | C.M. | |||||
71 | 69 | 67 | Bangor | William Tansur | 1735 | Isaac Watts | 1709 | C.M. | |
72 | 68 | 68 | Harmony | James Leach | 1794 | Charles Wesley | 1742 | 10 10.11 11. | |
73 | 68 | The Band of Love | William Miller | 1800 | Unattrib. | 1802 | C.M. | ||
74 | 70 | 70 | Matthias | Samuel Stanley | 1800 | Isaac Watts | 1706 | S.M. | |
75 | 70 | 70 | Brandenburg | John Leland | 76.76.D. | ||||
76 | 71 | 71 | St. Brides | Samuel Howard | 1762 | Lydia Sigourney | 1824 | S.M. | |
77 | 72 | 72 | Falmouth | Martin Madan | 1769 | Charles Wesley | 1745 | 77.77.77. | |
78 | 73 | 73 | Fairfax | The Divine Musical Miscellany | 1754 | Charles Wesley | 1740 | 77.77. | |
79 | 73 | 73 | Windham | Daniel Read | 1785 | Isaac Watts | 1709 | L.M. | |
80 | 74 | 74 | Hamilton | James Leach | 1789 | Philip Doddridge | 1755 | L.M. | |
81 | 74 | 74 | Mount Calvary | Stephen Jenks | 1803 | Charles Wesley | 1745 | 77.77. | |
82 | 73 | 75 | Judgment | 1835 | John Newton | 1779 | 87.87.87. | ||
83 | 76 | 76 | Armley | Georg Neumark | 1657 | Isaac Watts | 1707 | L.M. | |
84 | 76 | 76 | Shepherd of Israel | The Gospel Magazine | 1796 | Charles Wesley | 1762 | L.M. | |
85 | 77 | 77 | Alarming Voice | Virginia Sacred Musical Repository | 1818 | John Newton | 1779 | 77.77. | |
86 | 78 | 78 | Redeeming Love | John Worgan | 1765 | Anonymous | 77.77. | ||
87 | 78 | 78 | Hampton | James Leach | 1789 | Charles Wesley | 1746 | L.M. | |
88 | 79 | 79 | Munich | Harrison, Sacred Harmony | 1788 | Joseph Grigg | 1765 | L.M. | |
89 | 80 | 80 | Carlisle | Martin Madan | 1772 | John Newton | 1779 | 87.87.D. | |
90 | 81 | 81 | Bavaria | Unattrib. | 1832 | 11 11.11 11. | |||
91 | 81 | 81 | Lisbon | Daniel Read | 1785 | Isaac Watts | 1709 | S.M. | |
92 | 82 | 82 | Vernon | Jeremiah Ingalls | 1805 | Charles Wesley | 1742 | 88.88.88. | |
93 | 82 | 82 | Little Marlborough | Aaron Williams | 1763 | Isaac Watts | 1719 | S.M. | |
94 | 83 | 83 | Windsor | William Daman | 1591 | Isaac Watts | 1709 | C.M. | |
95 | 83 | 83 | Bath | Green, A Book of Psalm-Tunes | 1713 | Isaac Watts | 1709 | L.M. | |
96 | 84 | 84 | Light Street | David's Harp | 1813 | Robert Keen | 1779 | 11 8.11 8.D. | |
97 | 85 | Eden of Love | John Hicks | 1830 | W. C. Tillou | 1830 | 12 11.12 11. | ||
98 | 87 | 86 | Felicity | Augustus Toplady | 1776 | C.M. | |||
99 | 87 | 86 | Wiltshire | Joseph Stephenson | 1740 | Isaac Watts | 1709 | C.M. | |
100 | 83 | 87 | Rochester | Israel Holdroyd | 1722 | Isaac Watts | 1719 | C.M. | |
101 | 86 | 88 | Primrose | Amzi Chapin | 1812 | Isaac Watts | 1709 | C.M. | |
102 | 36 | 88 | Idumea | Ananias Davisson | 1816 | Isaac Watts | 1709 | S.M. | |
103 | 89 | 89 | Magdeburg | John Wesley's Collection | 1742 | Isaac Watts | 1707 | L.M. | |
104 | 89 | 89 | Cookham | The Divine Musical Miscellany | 1754 | Charles Wesley | 1749 | 77.77. | |
105 | 90 | 90 | Amsterdam | Johann Hille | 1742 | Robert Seagrave | 76.76.D. | ||
106 | 90 | 90 | Olney | Virginia Sacred Musical Repository | 1818 | Unattrib. | 1757 | 87.87.D. | |
107 | 91 | 91 | Devotion | Alexander Johnson | 1818 | Anne Steele | 1760 | L.M. | |
108 | 92 | 92 | Devizes | James Tucker | 1792 | Philip Doddridge | 1755 | C.M. | |
109 | 39 | 92 | Newton | Isaac Smith | 1779 | Isaac Watts | 1719 | S.M. | |
110 | 96 | 93 | Rockbridge | Lucius Chapin | 1812 | Isaac Watts | 1719 | L.M. | |
111 | 94 | Conquest | Latrobe, Hymn-Tunes | 1790 | Anonymous | 87.87.D. | |||
112 | 94 | 94 | Oporto | John Wade | 1795 | The Christian Lyre | 1831 | 11 11.11 10. | |
113 | 95 | 95 | Georgia | Law, The Rudiments of Music | 1786 | Isaac Watts | 1719 | C.M. | |
114 | 96 | 96 | Brookfield | William Billings | 1770 | Isaac Watts | 1719 | L.M. | |
115 | 96 | Tisbury | J. Husband | 1790 | Isaac Watts | 1707 | C.M. | ||
116 | 97 | 97 | Solemnity | Ananias Davisson | 1817 | Isaac Watts | 1709 | L.M. | |
117 | 98 | 98 | Ascension | Joseph Hart | 1759 | 77.77.D. | |||
118 | 100 | Female Pilgrim | The Christian Lyre | 1831 | 87.87.D. | ||||
119 | 100 | Christian Hope | Unattrib. | 1802 | C.M. | ||||
120 | 101 | Orland | W. Arnold | 1807 | Charles Wesley | 1742 | L.M. | ||
121 | 101 | 102 | Mendon | William Billings | 1781 | Charles Wesley | 1742 | 76.76.78.76. | |
122 | 102 | 102 | Romaine | Charles Banister | 1792 | Reginald Heber | 1819 | 76.76.D. | |
123 | 103 | 103 | Truro | Musica Sacra | 1778 | Ottiwell Heginbothom | 1794 | L.M. | |
124 | 104 | 104 | Star in the East | The Christian Lyre | 1830 | Reginald Heber | 11 10.11 10. | ||
125 | 105 | 104 | Pisgah | James Lowry | 1817 | Isaac Watts | 1709 | C.M. | |
126 | 105 | 105 | Solon | William Cowper | 1779 | C.M. | |||
127 | 160 | 106 | Lenox | Lewis Edson | 1782 | Andrew Reed | 1842 | 66.66.88. | |
128 | 106 | Warning Voice | John Newton | 1779 | 76.76.77.76. | ||||
129 | 107 | 107 | New Mark | Amos Bull | 1813 | Philip Doddridge | 1755 | C.M. | |
130 | 66 | 108 | Mount Pleasant | James Leach | 1789 | Isaac Watts | 1707 | C.M. | |
131 | 108 | 108 | Christ's Invitation | Henry Alline | 1786 | C.M. | |||
132 | 109 | 109 | Hamburg | (Chorale) | John Newton | 1779 | 87.87.77. | ||
133 | 110 | 110 | Dunkirk | Charles Wesley | 1745 | 77.77.D. | |||
134 | 110 | 111 | Supplication | Chapin | 1810 | Isaac Watts | 1719 | L.M. | |
135 | 111 | 111 | Wells | Israel Holdroyd | 1722 | Isaac Watts | 1719 | L.M. | |
136 | 108 | 112 | Barby | William Tansur | 1742 | Anne Steele | 1760 | C.M. | |
137 | 112 | 112 | Friendship | Woodward, Sacred Music | 1812 | Charles Wesley | 1747 | 66.66.86.86. | |
138 | 113 | 113 | Union | Alexander Gillet | 1781 | William Cowper | 1779 | C.M. | |
139 | 114 | 114 | New Monmouth | Lucius Chapin | 1812 | Robert Robinson | 87.87. | ||
140 | 114 | 114 | Pleyel's Second | Ignaz Pleyel | 1786 | Charles Wesley | 1742 | C.M. | |
141 | 115 | 115 | Watchman | James Leach | 1794 | Isaac Watts | 1719 | S.M. | |
142 | 116 | 116 | St. Dennis | The Seraph | 1819 | Maria De Fleury | 1791 | 11 11.11 11. | |
143 | 116 | 116 | Portugal | Thomas Thorley | 1778 | Anne Steele | 1760 | L.M. | |
144 | 117 | Melody | Village Hymns | 1825 | 87.87. | ||||
145 | 118 | 118 | New Concord | W. Parkinson | Charles Wesley | 1749 | 669.669. | ||
146 | 118 | 118 | Littleton | Aaron Williams | 1763 | John Cennick | 1730 | 87.87.87. | |
147 | 119 | 119 | Irish | A Collection of Hymns and Sacred Poems | 1749 | Isaac Watts | 1719 | C.M. | |
148 | 120 | 120 | Fiducia | J. Robertson | 1813 | Isaac Watts | 1709 | C.M. | |
149 | 120 | 120 | Liberty | David's Harp | 1813 | Gerhardt Tersteegen | 1741 | 88.88.88. | |
150 | 121 | 121 | Retirement | Ananias Davisson | 1820 | Isaac Watts | 1709 | L.M. | |
151 | 122 | 122 | Miles’ Lane | William Shrubsole | 1779 | Edward Perronet | 1780 | C.M. | |
152 | 122 | 122 | Dover | Timothy Swan | 1792 | Isaac Watts | 1719 | L.M. | |
153 | 123 | 123 | Bethel | Lucius Chapin | 1812 | Isaac Watts | 1719 | C.M. | |
154 | 124 | 124 | Salem | Bovelle | 1817 | Isaac Watts | L.M. | ||
155 | 124 | 124 | Middleton | Amos Bull | 1778 | Charles Wesley | 1739 | 77.77.D. | |
156 | 125 | 125 | Ninety-Third | Jeremiah Ingalls | 1805 | Isaac Watts | 1719 | S.M. | |
157 | 126 | 126 | Stafford | Daniel Read | 1782 | Isaac Watts | 1709 | S.M. | |
158 | 126 | 126 | Basil | Psalmodia Germanica | 1722 | Charles Wesley | 1739 | 88.88.88. | |
159 | 127 | 127 | Liberty Hall | Lucius Chapin | 1810 | Isaac Watts | 1709 | C.M. | |
160 | 128 | 128 | St. Martin's | William Tansur | 1748 | Isaac Watts | 1707 | C.M. | |
161 | 162 | 128 | Jordan | William Billings | 1786 | Isaac Watts | 1709 | C.M. | |
162 | 129 | 129 | Consolation | Lucius Chapin | 1812 | Isaac Watts | 1709 | C.M. | |
163 | 130 | 130 | Easter Anthem | William Billings | 1787 | Anthem | |||
164 | 133 | 132 | Tender Thought | Ananias Davisson | 1816 | Philip Doddridge | L.M. | ||
165 | 132 | Disciple | Henry Lyte | 1825 | 87.87.D. | ||||
166 | 133 | 133 | New Hundred | An Introduction to the Art of Singing Psalm Tunes | 1723 | Isaac Watts | 1707 | L.M. | |
167 | 134 | 134 | Communion | Jeremiah Ingalls | 1805 | Isaac Watts | 1709 | C.M. | |
168 | 134 | 134 | Petersfield | Evans, David's Companion | 1808 | Charles Wesley | 1748 | 77.77.77. | |
169 | 135 | 135 | Sovereign Grace | Unattrib. | 1789 | 77.77. | |||
170 | 136 | 136 | Salvation | Robert Boyd | 1816 | Edmund Jones | 1760 | C.M. | |
171 | 136 | 136 | Germany | Chorale? | Paul Gerhardt | 87.87.77.88. | |||
172 | 137 | 137 | Liverpool | Robert Wainwright | 1774 | Isaac Watts | 1719 | C.M. | |
173 | 138 | Resurrection | 1835 | Thomas Scott | 77.77. | ||||
174 | 133 | 138 | Pensford | Thomas Clark | 1811 | Charles Wesley | 1742 | 76.76.77.76. | |
175 | 139 | 139 | Exultation | Wyeth's Repository Part Second | 1813 | Charles Wesley | 1767 | 669.669. | |
176 | 140 | 140 | Kershaw | David's Harp | 1813 | Joseph Hart | 1759 | 87.87.87. | |
177 | 140 | 140 | Lena | Daniel Belknap | 1794 | Joseph Hart | 1759 | 88.78.87. | |
178 | 141 | 141 | Winchester | John Wesley's Collection | 1742 | Samuel Stennett | 1789 | L.M. | |
179 | 174 | 142 | Salford | James Leach | 1794 | Isaac Watts | 1707 | C.M. | |
180 | 142 | 142 | Zion’s Pilgrim | Rothbaust, Franklin harmonie | 1821 | Joseph Swain | 1791 | 11 8.11 8. | |
181 | 143 | 143 | Medfield | William Mather | 1797 | Isaac Watts | 1719 | C.M. | |
182 | 144 | 144 | Greenfields | Metcalf, Kentucky Harmonist | 1818 | John Newton | 1779 | L.M. | |
183 | 144 | Anticipation | Thomas Clark | 1805 | Joseph Swain | 1781 | 66.66.88. | ||
184 | 145 | 145 | Newry | John Hatton | 1793 | Thomas Gibbons | 1784 | L.M. | |
185 | 144 | 146 | Resignation | Beauties of Harmony | 1828 | Charles Wesley | 1759 | C.M. | |
186 | 146 | 146 | Westford | Daniel Read | 1785 | Isaac Watts | 1709 | L.M. | |
187 | 148 | Social Band | Jeremiah Ingalls | 1805 | John Campell | 1806 | L.M. | ||
188 | 148 | 148 | Romney | Johann Haydn | 1806 | William Cowper | 1779 | 76.76.D. | |
189 | 149 | 149 | Augusta | Virginia Sacred Music Repository | 1818 | Helen Williams | 1786 | C.M. | |
190 | 150 | 150 | Triumph | James Leach | 1789 | Isaac Watts | 1709 | L.M. | |
191 | 150 | Love Divine | 1835 | Charles Wesley | 1747 | 87.87.D. | |||
192 | 151 | 151 | Luton | G. Burder | 1777 | William Shrubsole | 1795 | L.M. | |
193 | 153 | 152 | Contemplation | Charles Wesley | 1762 | 88.88.88. | |||
194 | 152 | 152 | Lovest thou me? | William Cowper | 1779 | 77.77. | |||
195 | 153 | 153 | Sincerity | George Wall | 1814 | Unattrib. | 1831 | 77.77. | |
196 | 153 | 153 | Frankfort | Charles Wesley | 1749 | 77.77. | |||
197 | 154 | 154 | Haddam | Edward Harwood | 1781 | Isaac Watts | 1719 | S.M. | |
198 | 154 | Arlington | Samuel Arne | 1784 | Isaac Watts | C.M. | |||
199 | 155 | 155 | Archdale | Charles Wesley | 1762 | C.M. | |||
200 | 155 | 156 | Shields | James Leach | 1794 | Isaac Watts | 1709 | C.M. | |
201 | 156 | Joseph's Tenderness | Thomas Clark | 1811 | John Newton | 1779 | L.M. | ||
202 | 157 | 157 | Virginia | Oliver Brownson | 1782 | Isaac Watts | 1719 | C.M. | |
203 | 158 | 158 | Portsmouth | Knibb, The Psalm-Singer's Help | 1765 | Charles Wesley | 1749 | 66.66.88. | |
204 | 159 | 159 | All Saints | William Knapp | 1738 | Isaac Watts | 1709 | L.M. | |
205 | 159 | 159 | Bourbon | The Beauties of Harmony | 1814 | Isaac Watts | 1719 | L.M. | |
206 | 160 | 160 | Abingdon | Jones | 1820 | Isaac Watts | 1707 | L.M. | |
207 | 160 | 160 | Mount Carmel | Oliver Holden | 1803 | Isaac Watts | 1719 | 10 10.10 10.11 11. | |
208 | 161 | 161 | Moreton | John Arnold | 1757 | John Needham | 1768 | L.M. | |
209 | 162 | 162 | John Street | Law, The Rudiments of Music | 1791 | Isaac Watts | 1719 | L.M. | |
210 | 164 | 164 | Pilgrim's Farewell | Field | 1793 | Samuel Crossman | 88.88.66.66.48. | ||
211 | 165 | 165 | St. Peter's | Edward Harwood | 1786 | Thomas Kelly | 1806 | L.M. | |
212 | 165 | 165 | Kedron | Amos Pilsbury | 1799 | Charles Wesley | 1742 | L.M. | |
213 | 166 | 166 | Greenwood | 1832 | John Newton | 1779 | 87.87. | ||
214 | 166 | 166 | Harmonia | Elisha West | 1793 | Unattrib. | 1769 | 886.886. | |
215 | 167 | 167 | Penitence | Eckhard, Choral-book | 1816 | Daniel Turner | 1747 | 87.87. | |
216 | 168 | 168 | Denmark | Martin Madan | 1769 | Isaac Watts | 1719 | L.M. | |
217 | 170 | 170 | Daughter of Zion | Unattrib. | 1831 | 11 11.11 11. | |||
218 | 171 | Christian Farewell | Ananias Davisson | 1820 | Unattrib. | 11 11.11 11. | |||
219 | 171 | 171 | Albion | Robert Boyd | 1816 | Philip Doddridge | 1755 | S.M. | |
220 | 172 | 172 | Leoni | The Gospel Magazine | 1775 | Thomas Olivers | 1770 | 66.84.D. | |
221 | 172 | 172 | Chapel | Johann Lampe | 1746 | Charles Wesley | 1763 | 886.886. | |
222 | 173 | 173 | Waterford | Lewis Edson | 1790 | Isaac Watts | 1719 | 668.668. | |
223 | 174 | 174 | Baltimore | Cole, Sacred Harmony | 1799 | Isaac Watts | 1709 | S.M. | |
224 | 174 | 174 | Bermondsey | Benjamin Milgrove | 1781 | Isaac Watts | 664.66.64. | ||
225 | 175 | 175 | Gilgal | Thomas Shoel | 1800 | Isaac Watts | 1709 | L.M. | |
226 | 176 | 176 | Trinity | Felice Giardini | 1762 | Anonymous | 664.66.64. | ||
227 | 147 | 176 | Farmington | Guillaume Franc | 1557 | Anne Steele | 1760 | L.M. | |
228 | 177 | 177 | Hotham | Martin Madan | 1769 | Charles Wesley | 1740 | 77.77.D. | |
229 | 178 | 178 | Amanda | Justin Morgan | 1790 | Isaac Watts | 1719 | L.M. | |
230 | 178 | 178 | Alderton | Walker's Companion | 1811 | Charles Wesley | 1747 | 886.886. | |
231 | 179 | 179 | Hanover | Supplement to the New Version | 1708 | Charles Wesley | 1741 | 10 10.11 11. | |
232 | 180 | 180 | Lime House | Dixon, Psalmodia Christiana | 1789 | Isaac Watts | 1709 | L.M. | |
233 | 108 | 180 | Salisbury | Oliver Brownson | 1782 | Charles Wesley | 1742 | 76.76.78.76. | |
234 | 181 | 181 | Loving Kindness | Samuel Medley | 1782 | L.M. | |||
235 | 182 | Infinite Delight | Nikolaus Herman | 1554 | Isaac Watts | 1706 | C.M. | ||
236 | 182 | 182 | Greenwich New | Ralph Harrison | 1784 | Charles Wesley | 1740 | 66.66.88. | |
237 | 183 | 183 | Examination | James Leach | 1789 | John Newton | 1779 | 77.77. | |
238 | 184 | Christian Warfare | The Christian Lyre | 1830 | Anonymous | 77.75.D. | |||
239 | 184 | 184 | Broadmead | Dyer, A New Selection | 1817 | Gerhardt Tersteegen | 1725 | 88.88.88. | |
240 | 185 | 185 | Day Star | Charles Wesley | 1749 | 88.88.88. | |||
241 | 187 | 186 | Unitia | Lucius Chapin | 1812 | John Newton | 10 10.11 11. | ||
242 | 186 | 186 | St. Paul's | W. Arnold | 1807 | Charles Wesley | 1743 | 76.76.77.76. | |
243 | 186 | 187 | Fairfield | Hitchcock | 1791 | Isaac Watts | 1719 | C.M. | |
244 | 188 | 188 | Chilton | Edward Harwood | 1786 | Charles Wesley | 1747 | 886.886. | |
245 | 188 | Transport | Supplement Kentucky Harmony | 1825 | Unattrib. | 1828 | 886.886. | ||
246 | 189 | 189 | Wesley | 11 11.11 11. | |||||
247 | 190 | 190 | Morning Psalm | Lyon, Urania | 1761 | Isaac Watts | 1719 | L.M. | |
248 | 190 | 190 | Beulah | Unattrib. | 1801 | 886.886. | |||
249 | 191 | Heavenly Flight | Brown, Bridgewater Collection | 1816 | Philip Doddridge | 1755 | L.M. | ||
250 | 147 | 192 | Straight Gate | Aaron Williams | 1763 | John Newton | 1779 | S.M. | |
251 | 192 | 192 | Charleston | United States Sacred Harmony | 1799 | John Wingrove | 1793 | 87.87. | |
252 | 193 | 193 | Scotland | Richard Burdsall | 1770 | 12 12.12 12.14 12. | |||
253 | 194 | 194 | Calvary | Daniel Read | 1785 | Isaac Watts | C.M. | ||
254 | 194 | 194 | Italy | The Massachusetts Compiler | 1795 | William Tappan | 1824 | L.M. | |
255 | 195 | 195 | Orramoor | Thomas Firth | 1810 | Isaac Watts | L.M. | ||
256 | 196 | 196 | Protection | Robert Keen | 11 11.11 11. | ||||
257 | 196 | Welch | Knibb, The Psalm-Singer's Help | 1760 | John Fawcett | 1767 | 87.87.87. | ||
258 | 197 | 197 | Conformity | Benjamin Beddome | 1818 | L.M. | |||
259 | 198 | 198 | Broomsgrove | Dixon, Psalmodia Christiana | 1789 | Isaac Watts | 1719 | C.M. | |
260 | 196 | 198 | Home | Henry Bishop | 1823 | David Denham | 1826 | 11 11.11 11.5 11. | |
261 | 199 | 199 | St. Stephens | Augustus Toplady | 1776 | C.M. | |||
262 | 200 | Missionary's Farewell | Unattrib. | 88.88.88. | |||||
263 | 200 | 200 | Peterborough | Seymour, The Musical Instructor | 1803 | Samuel Stennett | 1787 | C.M. | |
264 | 201 | Spring | Virginia Sacred Musical Repository | 1818 | Charles Wesley | 1762 | 88.88.77. | ||
265 | 201 | 202 | Heavenly Vision | Jacob French | 1786 | Anthem | |||
266 | 203 | 204 | Conversion | Stocker | 1776 | 11 11.11 11. | |||
267 | 204 | 204 | Delight | William Markham | 1725 | Isaac Watts | 1719 | C.M. | |
268 | 205 | Hiding Place | Isaac Smith | 1796 | John AndrΘ | 1780 | L.M. | ||
269 | 188 | 206 | Canton | Law, The Art of Singing | 1799 | Isaac Watts | 1719 | 668.668. | |
270 | 206 | 206 | Queensborough | Thomas Clark | 1805 | Josiah Conder | 1824 | 87.87.D. | |
271 | 207 | Tender Mercy | Truman Wetmore | 1798 | Isaac Watts | 1719 | S.M. | ||
272 | 205 | 208 | Bath Abbey | Benjamin Milgrove | 1781 | Augustus Toplady | 1776 | 77.77.77. | |
273 | 209 | Bridgewater | Lewis Edson | 1782 | Simon Browne | 1720 | L.M. | ||
274 | 209 | Youthful Piety | Amzi Chapin | 1813 | Jane Taylor | 1809 | C.M. | ||
275 | 210 | Deliverance | 1832 | Charles Wesley | 1746 | 88.88.88. | |||
276 | 210 | Wethersfield | Isaac Watts | 1709 | L.M. | ||||
277 | 30 | 212 | Invocation | Unattrib. | 1831 | 77.76.77.76. | |||
278 | 212 | Solemn Summons | A. Knapp | 1810 | Unattrib. | 1831 | L.M. | ||
279 | 163 | 213 | Old German | Harmonia Sacra | 1754 | John Gambold | 55.65. | ||
280 | 200 | 214 | Ganges | Columbian and European Harmony | 1802 | Samson Occum | 1774 | 886.886. | |
281 | 214 | Believer's Repose | Zerubbabel Wyvill | 1802 | Robert Grant | 1815 | 88.88.88. | ||
282 | 117 | 215 | Kirke | 1835 | John Fawcett | 1780 | L.M. | ||
283 | 216 | Sublimity | A Collection of Psalm and Hymn Tunes | 1802 | Isaac Watts | 1719 | S.M. | ||
284 | 100 | 216 | Jerusalem | The American Musical Magazine | 1787 | Isaac Watts | 1719 | L.M. | |
285 | 92 | 218 | New Year | Charles Wesley | 1749 | 55.5 11. | |||
286 | 218 | Blessed Infancy | Thomas Shoel | 1800 | Samuel Stennett | 1787 | C.M. | ||
287 | 219 | Boundless Mercy | 1832 | Anonymous | 76.76.D. | ||||
288 | 220 | Come, Ye Disconsolate | Samuel Webbe | 1790 | Thomas Moore | 1816 | 11 10.11 10. | ||
289 | 220 | Invitation | Benjamin Cuzens | 1802 | Isaac Watts | 1707 | L.M. |
Works at CPDL
Edition 1 (1832)
Title | Year | Composer | Arranger | Lyricist | First Line | Subgenre | Vo. | Meter |
---|---|---|---|---|---|---|---|---|
Charleston | 1799 | Amos Pilsbury | Robert Robinson | Come, thou fount of every blessing Mercy, O thou son of David |
4 | 87. 87 | ||
Confidence | 1832 | Joseph Funk | John Newton (hymnwriter) | When Hannah, pressed with grief | Psalm-tunes | 4 | 66. 66. 88 | |
Contemplation | 1832 | Anonymous | Joseph Funk | Charles Wesley | When quiet in my house I sit | Psalm-tunes | 3 | 88. 88. 88 |
Davis | 1813 | Anonymous | Joseph Swain | O thou in whose presence my soul takes delight | 3 | 11 8. 11 8 | ||
Dunlap's Creek | 1814 | S. McFarland | Isaac Watts | Think, O my soul, the dreadful day | Folk hymns | 4 | 86. 86 (C.M.) | |
Friendship | 1812 | Anonymous | Charles Wesley | Ye simple souls, that stray | 3 | 66. 66. 86. 86 | ||
Greenwood | 1832 | Joseph Funk | John Newton (hymnwriter) | Savior, visit thy plantation | Psalm-tunes | 4 | 87. 87 | |
Happiness | 1813 | Anonymous | Charles Wesley | O how happy are they Who their Savior obey | 2 | 669. 669 | ||
Liberty Hall | 1810 | Lucius Chapin | Isaac Watts | Alas! And did my Savior bleed | 3 | 86. 86 (C.M.) | ||
New Monmouth | 1813 | Lucius Chapin | Robert Robinson | Come thou fount of every blessing | 4 | 87. 87 | ||
Pilgrim's Farewell | 1793 | Jacob French | Samuel Crossman | Fare you well, my friends | Psalm-tunes | 4 | ||
Protection | 1832 | Joseph Funk | Robert Keen | How firm a foundation, ye saints of the Lord | 4 | 11 11. 11 11 | ||
Resignation | 1828 | Anonymous | William Walker | Isaac Watts | My shepherd will supply my need | 4 | 86. 86. D (C.M.D.) | |
Rockbridge | 1813 | Lucius Chapin | Isaac Watts | Sweet is the work, my God, my King | Psalm-tunes | 4 | 88. 88 (L.M.) | |
Wallace | 1830 | Deodatus Dutton | Jared Waterbury | Soldiers of the cross, arise / Lo, your Captain | 2 | 77. 76. D |
Edition 2 (1835)
Title | Year | Composer | Arranger | Lyricist | First Line | Subgenre | Vo. | Meter |
---|---|---|---|---|---|---|---|---|
Bridgewater | 1782 | Lewis Edson | Tate and Brady | O come, loud anthems let us sing | Psalm-tunes | 4 | 86. 86 (C.M.) | |
Christian Hope | 1835 | Joseph Funk | Joseph Steward | My soul would fain indulge a hope | Psalm-tunes | 3 | 86. 86 (C.M.) | |
Confidence | 1832 | Joseph Funk | John Newton (hymnwriter) | When Hannah, pressed with grief | Psalm-tunes | 4 | 66. 66. 88 | |
Contemplation | 1832 | Anonymous | Joseph Funk | Charles Wesley | When quiet in my house I sit | Psalm-tunes | 3 | 88. 88. 88 |
Divinity | 1835 | Joseph Funk | Anne Steele | Awake, awake the sacred song | Psalm-tunes | 4 | 86. 86 (C.M.) | |
Dunlap's Creek | 1814 | S. McFarland | Isaac Watts | Think, O my soul, the dreadful day | Folk hymns | 4 | 86. 86 (C.M.) | |
Eden of Love | 1835 | Joseph Funk | E. C. Tillou | How sweet to reflect on these joys that await me | 4 | 12 11. 12 11. D | ||
Greenwood | 1832 | Joseph Funk | John Newton (hymnwriter) | Savior, visit thy plantation | Psalm-tunes | 4 | 87. 87 | |
Hallelujah | 1813 | Anonymous | Robert Robinson | Come, thou fount of every blessing | Hymn tunes | 2 | 87. 87. D | |
The Band of Love | 1800 | Edward Miller | Edward Miller | Our souls by love together knit | Set pieces | 3 | 86. 86. D (C.M.D.) | |
Wallace | 1830 | Deodatus Dutton | Jared Waterbury | Soldiers of the cross, arise / Lo, your Captain | 2 | 77. 76. D |