A Compilation of Genuine Church Music: Difference between revisions

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{{Volumes|4|Edition
{{Volumes|4|Edition
|1832|1|by Robinson and Hollis in Winchester, Pennsylvania
|1832|1|by Robinson and Hollis in Winchester, Virginia
|1835|2|by Robinson and Hollis in Winchester, Pennsylvania, 224 pp.
|1835|2|by Robinson and Hollis in Winchester, Virginia, 224 pp.
|1842|3|by Henry Wartmann in Harrisonburg, Virginia
|1842|3|by Henry Wartmann in Harrisonburg, Virginia
|1847|4|by Joseph Funk and Sons in Mountain Valley, Pennsylvania}}
|1847|4|by Joseph Funk and Sons in Mountain Valley, Virginia}}
{{Descr|See ''[[Harmonia Sacra (Joseph Funk)]]'' for editions after 1847.}}
{{Descr|Influenced by Wyeth's ''[[Wyeth's Repository, Part Second|Repository]]'' (1813), Patterson's ''[[Patterson's Church Music (Robert Patterson)|Church Music]]'' (1813), Freeman Lewis' ''[[The Beauties of Harmony (Freeman Lewis)|Beauties of Harmony]]'' (1814), Davisson's {{NoComp|Kentucky Harmony|Ananias Davisson}} (1816), and Leavitt's ''[[The Christian Lyre (Joshua Leavitt)|Christian Lyre]]'' (1830). In turn, influenced Walker's ''[[Southern Harmony]]'' (1835) and ''[[Southern and Western Pocket Harmonist]]'' (1846), White and King's ''[[The Sacred Harp (1844)|Sacred Harp]]'' (1844), and Hauser's ''[[The Hesperian Harp (William Hauser)|Hesperian Harp]]'' (1848). See {{NoComp|Harmonia Sacra|Joseph Funk}} for editions after 1847. Winchester, Virginia is about 65 miles up the Shenandoah Valley from Harrisonburg, and Mountain Valley is 12 miles northeast of Harrisonburg. [[Ananias Davisson]] of {{NoComp|Kentucky Harmony|Ananias Davisson}} fame lived in Harrisonburg for most of his adult life until his death in 1847. It is likely that the musical type used in this book's first two editions was borrowed from Davisson.}}
{{#ExtWeb:
{{#ExtWeb:
*[https://archive.org/details/compilationofgen1835funk Scan of 1835 Edition 2 at Archive.org]}}
*[https://archive.org/details/compilationofgen1835funk Scan of 1835 Edition 2 at Archive.org]}}


==References==
==References==
*Doerfler, Amy M. 2011. ''Joseph Funk’s "A Compilation Of Genuine Church Music" (1832): An Analysis of Music and Methods''. Part II of ''Mass for Full Orchestra and SATB Chorus'', Ph. D. Dissertation, Kent State University. 148 pp. (starts on the 113th page of the PDF).
*Eskew, Henry. 1996. ''The Harmonia Sacra handbook: A compilation of genuine information.'' The Hymn 47(2):56.
*Eskew, Henry. 1996. ''The Harmonia Sacra handbook: A compilation of genuine information.'' The Hymn 47(2):56.
==List of works==
==List of works==
{|class="wikitable sortable"
{|class="wikitable sortable"
!1832<br>no.
!1835<br>no.
!1835<br>no.
!1832<br>pg.
!1832<br>pg.
Line 24: Line 27:
!Title
!Title
!Composer
!Composer
!Year
!Pub.<br>Year
!First line
!Author
!Author
!Year
!Meter
!Meter
!Comment
!Comment
|-
|-
|align=right|1||align=right| ||align=right|25||Divinity||||||Anne Steele||||C.M.||
| ||align=right|1|| ||align=right|25||[[Divinity (Joseph Funk)|Divinity]]||[[Joseph Funk]]||1835||Awake, awake the sacred song||[[Anne Steele]]||C.M.||
|-
| ||align=right|2|| ||align=right|26||[[Paradise (Thomas Walker)|Paradise]]||[[Thomas Walker]]||1811||My God, the spring of all my joys||[[Isaac Watts]]||C.M.||
|-
| ||align=right|3|| ||align=right|26||[[Athens (Tommaso Giordani)|Athens]]||[[Tommaso Giordani]]||1800||Beyond the glittering, starry skies||[[James Fanch]]||C.M.||
|-
|align=right|1|| ||align=right|27|| ||Milan||||||Awake, awake the sacred song||[[Anne Steele]]||C.M.||
|-
|align=right|18||align=right|4||align=right|37||align=right|27||[[Brunswick (William Lawrence)|Brunswick]]||[[William Lawrence]]||1719||Why doth the man of riches grow||[[Isaac Watts]]||C.M.||
|-
|align=right|2||align=right|5||align=right|28||align=right|28||Advocate||||1831||Savior, I do feel thy merit||||87.87.D.||
|-
| ||align=right|6|| ||align=right|28||[[Zion's Light (William Nicholson)|Zion's Light]]||[[William Nicholson]]||1820||That glorious day is drawing nigh||[[John Leland]]||C.M.||
|-
|align=right|3||align=right|7||align=right|29||align=right|29||[[London (Scottish Psalter)|London]]||[[Scottish Psalter]]||1635||Now let our cheerful eyes survey||[[Philip Doddridge]]||C.M.||
|-
|align=right|109||align=right|8||align=right|94||align=right|30||[[Gospel Trumpet (John Cole)|Gospel Trumpet]]||[[John Cole]]||1799||Hark, how the gospel trumpet sounds||[[John Cole]]||88.88.84.||
|-
|align=right|4||align=right|9||align=right|30||align=right|30||Sweet Affliction||||1820||In the floods of tribulation||[[Samuel Pearce]]||87.87.47.||
|-
|align=right|6||align=right|10||align=right|31||align=right|31||[[Rockingham (Amzi Chapin)|Rockingham]]||[[Amzi Chapin]]||1813||Come, happy souls, approach your God||[[Isaac Watts]]||C.M.||
|-
|align=right|7|| ||align=right|32|| ||Norfolk||||||Indulgent Father, how divine||[[Sowden]]||C.M.||
|-
| ||align=right|11|| ||align=right|32||[[Missionary Herald (William E. Miller)|Missionary Herald]]||[[William E. Miller]]||1803||Ye messengers of Christ||[[Mrs. Vokes]]||S.M.||
|-
|align=right|8||align=right|12||align=right|32||align=right|32||[[Confidence (Joseph Funk)|Confidence]]||[[Joseph Funk]]||1832||When Hannah, pressed with grief||[[John Newton]]||66.66.88.||
|-
|align=right|9||align=right|13||align=right|33||align=right|33||[[Mount Tabor (Francois Barthelemon)|Mount Tabor]]||[[Francois Barthelemon]]||1790||On Tabor's top the Savior stands||[[William Collyer]]||L.M.||
|-
|-
|align=right|2||align=right| ||align=right|26||Paradise||Walker's Companion||1811||Isaac Watts||1709||C.M.||
|align=right|10||align=right|14||align=right|33||align=right|33||[[Old Hundred (Louis Bourgeois)|Old Hundred]]||[[Louis Bourgeois]]||1561||To God the great, the ever blessed||[[Isaac Watts]]||L.M.||
|-
|-
|align=right|3||align=right| ||align=right|26||Athens||Giordani||1800||James Fanch||1764||C.M.||
|align=right|11||align=right|15||align=right|34||align=right|34||Greenville||||||Amazing grace! How sweet the sound||[[John Newton]]||C.M.||
|-
|-
|align=right|4||align=right|37||align=right|27||Brunswick||Lawrence, A Collection of Tunes||1719||Isaac Watts||1719||C.M.||
| ||align=right|16|| ||align=right|34||[[Illumination (Lowell Mason)|Illumination]]||[[Lowell Mason]]||||Hail to the Lord's anointed||[[James Montgomery]]||76.76.D.||
|-
|-
|align=right|5||align=right|28||align=right|28||Advocate||||||Anonymous||||87.87.D.||
|align=right|13||align=right|17||align=right|35||align=right|35||[[Christmas (George Frederic Handel)|Christmas]]||[[George Frederic Handel]]||1728||Hark! From on high those blissful strains||[[Joseph Funk]]||C.M.||
|-
|-
|align=right|6||align=right| ||align=right|28||Zion's Light||William Nicholson||1820||John Leland||1790||C.M.||
|align=right|15||align=right|18||align=right|36||align=right|36||[[Suffolk (William Billings)|Suffolk]]||[[William Billings]]||1770||Where is my God? Does he retire||[[Anne Steele]]||L.M.||
|-
|-
|align=right|7||align=right|29||align=right|29||London||Millar, The Psalmes of David||1635||Philip Doddridge||1755||C.M.||
|align=right|16||align=right|19||align=right|36||align=right|36||[[Kingwood (R. D. Humphreys)|Kingwood]]||[[R. D. Humphreys]]||1820||When, with my mind devoutly pressed||[[Moses Browne]]||88.68.86.||
|-
|-
|align=right|8||align=right|94||align=right|30||Gospel Trumpet||John Cole||1799||Anonymous||||88.88.84.||
|align=right|12||align=right|20||align=right|34||align=right|37||[[Mear (Em. Mathews)|Mear]]||[[Em. Mathews]]||1720||Sing to the Lord, ye distant lands||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|9||align=right|30||align=right|30||Sweet Affliction||The Beauties of Mozart||1820||Samuel Pearce||1800||87.87.47.||
|align=right|19|| ||align=right|38|| ||Happiness||||||Of all the joys we mortals know||[[Isaac Watts]]||L.M.||
|-
|-
|align=right|10||align=right|31||align=right|31||Rockingham||Amzi Chapin||1813||Isaac Watts||1709||C.M.||
|align=right|20||align=right|21||align=right|38||align=right|38||Adisham||||1793||How pleasant and divinely fair||[[Isaac Watts]]||L.M.||
|-
|-
|align=right|11||align=right| ||align=right|32||Missionary Herald||David's Harp||1803||Mrs. Vokes||1797||S.M.||
|align=right|14||align=right|22||align=right|35||align=right|38||[[Swanwich (John Lucas)|Swanwich]]||[[John Lucas]]||1789||Father of mercies, in thy word||[[Anne Steele]]||C.M.||
|-
|-
|align=right|12||align=right|32||align=right|32||Confidence||||||John Newton||1779||66.66.88.||
|align=right|21||align=right|23||align=right|39||align=right|39||[[Braintree (Thomas Butts)|Braintree]]||[[Thomas Butts]]||1754||This is the day thue Lord hath made||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|13||align=right|33||align=right|33||Mount Tabor||Francois Barthelemon||1790||William Collyer||1812||L.M.||
|align=right|23||align=right|24||align=right|40||align=right|40||[[Peckham (Isaac Smith)|Peckham]]||[[Isaac Smith]]||1775||To God, the only wise||[[Isaac Watts]]||S.M.||
|-
|-
|align=right|14||align=right|33||align=right|33||Old Hundred||Louis Bourgeois||1561||Isaac Watts||1719||L.M.||
|align=right|24||align=right|25||align=right|40||align=right|40||[[Cambridge (John Randall)|Cambridge]]||[[John Randall]]||1786||How did my heart rejoice to hear||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|15||align=right|34||align=right|34||Greenville||||||John Newton||1779||C.M.||
|align=right|25||align=right|26||align=right|41||align=right|41||[[Standish (Robert Bennet)|Standish]]||[[Robert Bennet]]||1699||Come, Holy Spirit, heavenly Dove||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|16||align=right| ||align=right|34||Illumination||||||James Montgomery||1821||76.76.D.||
|align=right|26||align=right|27||align=right|41||align=right|41||[[Stroudwater (Matthew Wilkins)|Stroudwater]]||[[Matthew Wilkins]]||1723||I'll speak the honors of my King||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|17||align=right|35||align=right|35||Christmas||George Handel||1728||Unattrib.||1832||C.M.||
|align=right|27||align=right|28||align=right|42||align=right|42||[[Walsal (Matthew Wilkins)|Walsal]]||[[Matthew Wilkins]]||1723||How shall the young secure their hearts||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|18||align=right|36||align=right|36||Suffolk||William Billings||1770||Anne Steele||1760||L.M.||
|align=right|28||align=right|29||align=right|42||align=right|42||[[Warwick (Samuel Stanley)|Warwick]]||[[Samuel Stanley]]||1800||How sweet the name of Jesus sounds||[[John Newton]]||C.M.||
|-
|-
|align=right|19||align=right|36||align=right|36||Kingwood||R. D. Humphreys||1820||Moses Browne||1739||88.68.86.||
|align=right|29||align=right|30||align=right|43||align=right|43||[[St. Ann’s (William Croft)|St. Ann’s]]||[[William Croft]]||1708||My God, my portion and my love||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|20||align=right|34||align=right|37||Mear||Browne, A Sett of Tunes||1720||Isaac Watts||1719||C.M.||
|align=right|30||align=right|31||align=right|43||align=right|43||[[Winter (Daniel Read)|Winter]]||[[Daniel Read]]||1785||Happy the soul that lives on high||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|21||align=right|38||align=right|38||Adisham||Law, The Musical Primer||1793||Isaac Watts||1719||L.M.||
|align=right|31||align=right|32||align=right|44||align=right|44||[[Pleyel's Hymn (Ignaz Pleyel)|Pleyel's Hymn]]||[[Ignaz Pleyel]]||1788||Sinners turn, why will you die||[[Charles Wesley]]||77.77.||
|-
|-
|align=right|22||align=right|35||align=right|38||Swanwich||John Lucas||1789||Anne Steele||||C.M.||
|align=right|32||align=right|33||align=right|44||align=right|44||[[Egypt (James Leach)|Egypt]]||[[James Leach]]||1794||And must this body die||[[Isaac Watts]]||S.M.||
|-
|-
|align=right|23||align=right|39||align=right|39||Braintree||Harmonia Sacra||1754||Isaac Watts||1719||C.M.||
|align=right|33||align=right|34||align=right|45||align=right|45||[[St. Thomas (Aaron Williams)|St. Thomas]]||[[Aaron Williams]]||1763||Shall wisdom cry aloud||[[Isaac Watts]]||S.M.||
|-
|-
|align=right|24||align=right|40||align=right|40||Peckham||Smith, A Collection of Psalm Tunes||1775||Isaac Watts||1707||S.M.||
|align=right|34||align=right|35||align=right|45||align=right|45||Bloomfield||||1799||My sorrows, like a flood||[[Isaac Watts]]||S.M.||
|-
|-
|align=right|25||align=right|40||align=right|40||Cambridge||John Randall||1786||Isaac Watts||1719||C.M.||
|align=right|35||align=right|36||align=right|46||align=right|46||[[Bedford (William Wheal)|Bedford]]||[[William Wheal]]||1720||Early, my God, without delay||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|26||align=right|41||align=right|41||Standish||The Psalm-Singer's Necessary Companion||1699||Isaac Watts||1709||C.M.||
|align=right|36||align=right|37||align=right|46||align=right|46||[[Stockbridge (Alexander Gillet)|Stockbridge]]||[[Alexander Gillet]]||1792||Though troubles assail, and dangers affright||[[John Newton]]||10 10.11 11.||
|-
|-
|align=right|27||align=right|41||align=right|41||Stroudwater||Wilkins, A Book of Psalmody||1723||Isaac Watts||1719||C.M.||
|align=right|37||align=right|38||align=right|47||align=right|47||Carmarthen||||1778||Arise, my soul, arise||[[Charles Wesley]]||66.66.88.||
|-
|-
|align=right|28||align=right|42||align=right|42||Walsal||Wilkins, A Book of Psalmody||1723||Isaac Watts||1719||C.M.||
|align=right|38||align=right|39||align=right|48||align=right|48||[[Alfreton (W. Beastall)|Alfreton]]||[[W. Beastall]]||1814||O thou, to whose all-searching sight||[[Nicolaus Zinzendorf]]||L.M.||
|-
|-
|align=right|29||align=right|42||align=right|42||Warwick||Samuel Stanley||1800||John Newton||1779||C.M.||
|align=right|39||align=right|40||align=right|48||align=right|48||[[Tamworth (C. Lockhart)|Tamworth]]||[[C. Lockhart]]||1792||O thou God of my salvation||[[Thomas Olivers]]||87.87.87.||
|-
|-
|align=right|30||align=right|43||align=right|43||St. Ann’s||William Croft||1708||Isaac Watts||1709||C.M.||
|align=right|40||align=right|41||align=right|49||align=right|49||[[Oldford (William Rogers)|Oldford]]||[[William Rogers]]||1686||Sure there's a righteous God||[[Isaac Watts]]||S.M.||
|-
|-
|align=right|31||align=right|43||align=right|43||Winter||Daniel Read||1785||Isaac Watts||1707||C.M.||
|align=right|41||align=right|42||align=right|49||align=right|49||[[Suffield (Oliver King)|Suffield]]||[[Oliver King]]||1779||Teach me the measure of my days||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|32||align=right|44||align=right|44||Pleyel's Hymn||Ignaz Pleyel||1788||Charles Wesley||1742||77.77.||
|align=right|42||align=right|43||align=right|50||align=right|50||[[Shoel (Thomas Shoel)|Shoel]]||[[Thomas Shoel]]||1794||Who is this fair one in distress||[[Isaac Watts]]||L.M.||
|-
|-
|align=right|33||align=right|44||align=right|44||Egypt||James Leach||1794||Isaac Watts||1709||S.M.||
|align=right|43||align=right|44||align=right|50||align=right|50||[[Kimbolton (Stephen Addington)|Kimbolton]]||[[Stephen Addington]]||1786||So let our lives and lips express||[[Isaac Watts]]||L.M.||
|-
|-
|align=right|34||align=right|45||align=right|45||St. Thomas||Aaron Williams||1763||Isaac Watts||1707||S.M.||
|align=right|44||align=right|45||align=right|51||align=right|51||[[Condescension (Isaiah Tucker)|Condescension]]||[[Isaiah Tucker]]||1792||There is a house not made with hands||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|35||align=right|45||align=right|45||Bloomfield||Law, The Art of Singing||1799||Isaac Watts||||S.M.||
|align=right|45||align=right|46||align=right|52||align=right|52||[[New Sabbath (Stephen Addington)|New Sabbath]]||[[Stephen Addington]]||1788||Jesus, my Savior, brother, friend||[[Charles Wesley]]||L.M.||
|-
|-
|align=right|36||align=right|46||align=right|46||Bedford||William Wheal||1720||Isaac Watts||1719||C.M.||
|align=right|46||align=right|47||align=right|52||align=right|52||[[Kingsbridge (William Smith)|Kingsbridge]]||[[William Smith]]||1754||Great God, indulge my humble claim||[[Isaac Watts]]||L.M.||
|-
|-
|align=right|37||align=right|46||align=right|46||Stockbridge||Alexander Gillet||1792||John Newton||1779||10 10.11 11.||
|align=right|47||align=right|48||align=right|53||align=right|53||[[Shirland (Samuel Stanley)|Shirland]]||[[Samuel Stanley]]||1799||My God, my life, my love||[[Isaac Watts]]||S.M.||
|-
|-
|align=right|38||align=right|47||align=right|47||Carmarthen||Musica Sacra||1778||Charles Wesley||1742||66.66.88.||
|align=right|48||align=right|49||align=right|54||align=right|54||[[Castle Street (Stephen Addington)|Castle Street]]||[[Stephen Addington]]||1788||Now to the Lord a noble song||[[Isaac Watts]]||L.M.||
|-
|-
|align=right|39||align=right|48||align=right|48||Alfreton||W. Beastall||1814||Nicolaus Zinzendorf||1721||L.M.||
|align=right|49||align=right|50||align=right|54||align=right|54||[[Carr’s Lane (Samuel Stanley)|Carr’s Lane]]||[[Samuel Stanley]]||1800||Ye humble souls that seek the Lord||[[Philip Doddridge]]||C.M.||
|-
|-
|align=right|40||align=right|48||align=right|48||Tamworth||C. Lockhart||1792||Thomas Olivers||1790||87.87.87.||
|align=right|50||align=right|51||align=right|55||align=right|55||[[Dublin (William Daman)|Dublin]]||[[William Daman]]||1591||Out of the deeps of long distress||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|41||align=right|49||align=right|49||Oldford||A New and Easie Method||1686||Isaac Watts||1719||S.M.||
|align=right|51||align=right|52||align=right|56||align=right|56||Dresden||||||Lo, he comes with clouds descending||[[Charles Wesley]]||87.87.87.||
|-
|-
|align=right|42||align=right|49||align=right|49||Suffield||Oliver King||1779||Isaac Watts||1719||C.M.||
|align=right|52||align=right|53||align=right|56||align=right|56||[[St. Olaves (J. Husband)|St. Olaves]]||[[J. Husband]]||1789||Father, I stretch my hands to thee||[[Charles Wesley]]||C.M.||
|-
|-
|align=right|43||align=right|50||align=right|50||Shoel||Thomas Shoel||1794||Isaac Watts||1707||L.M.||
|align=right|54||align=right|54||align=right|58||align=right|57||Isle of Wight||||1711||My God, consider my distress||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|44||align=right|50||align=right|50||Kimbolton||Addington, A Collection of Psalm Tunes||1786||Isaac Watts||1707||L.M.||
|align=right|55||align=right|55||align=right|58||align=right|57||[[Berlin (Thomas Clark)|Berlin]]||[[Thomas Clark]]||1811||I send the joys of earth away||[[Isaac Watts]]||L.M.||
|-
|-
|align=right|45||align=right|51||align=right|51||Condescension||Isaiah Tucker||1792||Isaac Watts||1707||C.M.||
|align=right|56||align=right|56||align=right|59||align=right|58||Burstall||||1761||O for a closer walk with God||[[William Cowper]]||C.M.||
|-
|-
|align=right|46||align=right|52||align=right|52||New Sabbath||Addington, A Collection of Psalm Tunes||1788||Charles Wesley||1742||L.M.||
|align=right|53||align=right|57||align=right|57||align=right|58||Zion||||||House of our God, with cheerful anthems ring||[[Philip Doddridge]]||10 10.10 10.11 11.||
|-
|-
|align=right|47||align=right|52||align=right|52||Kingsbridge||The Divine Musical Miscellany||1754||Isaac Watts||1719||L.M.||
|align=right|57||align=right|58||align=right|59||align=right|59||[[Brewer (John Hall)|Brewer]]||[[John Hall]]||1800||What happy men or angels these||[[Isaac Watts]]||L.M.||
|-
|-
|align=right|48||align=right|53||align=right|53||Shirland||Samuel Stanley||1799||Isaac Watts||1709||S.M.||
|align=right|59||align=right|59||align=right|61||align=right|60||[[Aylesbury (John Chetham)|Aylesbury]]||[[John Chetham]]||1717||I lift my soul to God||[[Isaac Watts]]||S.M.||
|-
|-
|align=right|49||align=right|54||align=right|54||Castle Street||Addington, A Collection of Psalm Tunes||1788||Isaac Watts||1709||L.M.||
|align=right|58||align=right|60||align=right|60||align=right|60||[[Mystery (James Leach)|Mystery]]||[[James Leach]]||1789||Jesus drinks the bitter cup||[[Charles Wesley]]||76.76.77.76.||
|-
|-
|align=right|50||align=right|54||align=right|54||Carr’s Lane||Samuel Stanley||1800||Philip Doddridge||1755||C.M.||
|align=right|60||align=right|61||align=right|61||align=right|61||[[Crowle (James Green)|Crowle]]||[[James Green]]||1724||God of my life, look gently down||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|51||align=right|55||align=right|55||Dublin||William Daman||1591||Isaac Watts||1719||C.M.||
|align=right|61||align=right|62||align=right|62||align=right|62||[[Anxiety (James Leach)|Anxiety]]||[[James Leach]]||1794||Often I seek my Lord by night||[[Isaac Watts]]||L.M.||
|-
|-
|align=right|52||align=right|56||align=right|56||Dresden||||||Charles Wesley||1758||87.87.87.||
|align=right|62||align=right|63||align=right|62||align=right|62||[[Plymouth Dock (William E. Miller)|Plymouth Dock]]||[[William E. Miller]]||1803||Jesus, thy boundless love to me||[[Paul Gerhardt]]||88.88.88.||
|-
|-
|align=right|53||align=right|56||align=right|56||St. Olaves||Psalmodia Evangelica||1789||Charles Wesley||1741||C.M.||
|align=right|63||align=right|64||align=right|63||align=right|63||[[Dunlap’s Creek (Samuel McFarland)|Dunlap’s Creek]]||[[Samuel McFarland]]||1814||Sing to the Lord, ye heavenly hosts||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|54||align=right|58||align=right|57||Isle of Wight||A Collection of Psalm Tunes in Four Parts||1711||Isaac Watts||1719||C.M.||
|align=right|64||align=right|65||align=right|64||align=right|64||[[Mount Ephraim (Benjamin Milgrove)|Mount Ephraim]]||[[Benjamin Milgrove]]||1768||Your harps, ye trembling saints||[[Augustus Toplady]]||S.M.||
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|align=right|55||align=right|58||align=right|57||Berlin||Thomas Clark||1811||Isaac Watts||1709||L.M.||
|align=right|65||align=right|66||align=right|64||align=right|64||[[New Hope (Ananias Davisson)|New Hope]]||[[Ananias Davisson]]||1820||Come, we that love the Lord||[[Isaac Watts]]||S.M.||
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|align=right|56||align=right|59||align=right|58||Burstall||John Wesley's Collection||1761||William Cowper||1772||C.M.||
|align=right|66||align=right|67||align=right|65||align=right|65||New Salem||||1813||O thou in whose presence my soul takes delight||[[Joseph Swain]]||11 8.11 8.||
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|align=right|57||align=right|57||align=right|58||Zion||||||Philip Doddridge||1755||10 10.10 10.11 11.||
| ||align=right|68|| ||align=right|65||[[Tallis' Evening Hymn (Thomas Tallis)|Tallis' Evening Hymn]]||[[Thomas Tallis]]||1567||Glory to thee, my God, this night||[[Thomas Ken]]||L.M.||
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|align=right|58||align=right|59||align=right|59||Brewer||John Hall||1800||Isaac Watts||1707||L.M.||
|align=right|67|| ||align=right|65|| ||Worksop||||||As on the cross the Savior hung||[[Samuel Stennett]]||C.M.||
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|align=right|59||align=right|61||align=right|60||Aylesbury||Chetham, A Book of Psalmpdy||1717||Isaac Watts||1719||S.M.||
|align=right|68||align=right|69||align=right|66||align=right|66||[[Milton (Samuel Arnold)|Milton]]||[[Samuel Arnold]]||1791||On Jordan's stormy banks I stand||[[John Stennett]]||C.M.||
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|align=right|60||align=right|60||align=right|60||Mystery||Leach, A New Sett of Hymns and Psalm Tunes||1789||Charles Wesley||1745||76.76.77.76.||
| ||align=right|70|| ||align=right|66||The Dying Penitent||||||As on the cross the Savior hung||[[Samuel Stennett]]||C.M.||
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|align=right|61||align=right|61||align=right|61||Crowle||Green, A Book of Psalm-Tunes||1724||Isaac Watts||1719||C.M.||
|align=right|70|| ||align=right|67|| ||[[Wantage (Samuel Stanley)|Wantage]]||[[Samuel Stanley]]||||Our days, alas, our mortal days||[[Isaac Watts]]||C.M.||
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|align=right|62||align=right|62||align=right|62||Anxiety||James Leach||1794||Isaac Watts||1707||L.M.||
|align=right|73||align=right|71||align=right|69||align=right|67||[[Bangor (William Tansur)|Bangor]]||[[William Tansur]]||1735||Hark! From the tombs a doleful sound||[[Isaac Watts]]||C.M.||
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|align=right|63||align=right|62||align=right|62||Plymouth Dock||David's Harp||1803||Paul Gerhardt||1653||88.88.88.||
|align=right|71||align=right|72||align=right|68||align=right|68||[[Harmony (James Leach)|Harmony]]||[[James Leach]]||1794||O what shall I do my Savior to praise||[[Charles Wesley]]||10 10.11 11.||
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|align=right|64||align=right|63||align=right|63||Dunlap’s Creek||Samuel McFarland||1814||Isaac Watts||1709||C.M.||
|align=right|72|| ||align=right|68|| ||[[Leeds (William Croft)|Leeds]]||[[William Croft]]||||Shine, mighty God, on our land shine||[[Isaac Watts]]||C.M.||Ps.67
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|align=right|65||align=right|64||align=right|64||Mount Ephraim||Benjamin Milgrove||1768||Augustus Toplady||1772||S.M.||
| ||align=right|73|| ||align=right|68||[[The Band of Love (Edward Miller)|The Band of Love]]||[[Edward Miller]]||1800||Our souls, by love together knit||[[Edward Miller]]||C.M.||
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|align=right|66||align=right|64||align=right|64||New Hope||Ananias Davisson||1820||Isaac Watts||1709||S.M.||
|align=right|74||align=right|74||align=right|70||align=right|70||[[Matthias (Samuel Stanley)|Matthias]]||[[Samuel Stanley]]||1800||Almighty Maker, God||[[Isaac Watts]]||S.M.||
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|align=right|67||align=right|65||align=right|65||New Salem||Wyeth's Repository Part Second||1813||Joseph Swain||||11 8.11 8.||
|align=right|75||align=right|75||align=right|70||align=right|70||Brandenburg||||||O when shall I see Jesus||[[John Leland]]||76.76.D.||
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|align=right|68||align=right| ||align=right|65||Tallis' Evening Hymn||Thomas Tallis||1567||Thomas Ken||1697||L.M.||
|align=right|76||align=right|76||align=right|71||align=right|71||[[St. Brides (Samuel Howard)|St. Brides]]||[[Samuel Howard]]||1762||Blest comforter divine||[[Lydia Sigourney]]||S.M.||
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|align=right|69||align=right|66||align=right|66||Milton||Samuel Arnold||1791||John Stennett||||C.M.||
|align=right|77||align=right|77||align=right|72||align=right|72||[[Falmouth (Martin Madan)|Falmouth]]||[[Martin Madan]]||1769||What are these arrayed in white||[[Charles Wesley]]||77.77.77.||
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|align=right|70||align=right| ||align=right|66||The Dying Penitent||||||Samuel Stennett||||C.M.||
|align=right|78||align=right|78||align=right|73||align=right|73||[[Fairfax (William Smith)|Fairfax]]||[[William Smith]]||1754||Depth of mercy! Can there be||[[Charles Wesley]]||77.77.||
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|align=right|71||align=right|69||align=right|67||Bangor||William Tansur||1735||Isaac Watts||1709||C.M.||
|align=right|79||align=right|79||align=right|73||align=right|73||[[Windham (Daniel Read)|Windham]]||[[Daniel Read]]||1785||Broad is the road that leads to death||[[Isaac Watts]]||L.M.||
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|align=right|72||align=right|68||align=right|68||Harmony||James Leach||1794||Charles Wesley||1742||10 10.11 11.||
|align=right|81||align=right|80||align=right|74||align=right|74||[[Hamilton (James Leach)|Hamilton]]||[[James Leach]]||1789||When at this distance, Lord, we trace||[[Philip Doddridge]]||L.M.||
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|align=right|73||align=right| ||align=right|68||The Band of Love||William Miller||1800||Unattrib.||1802||C.M.||
|align=right|82||align=right|81||align=right|74||align=right|74||[[Mount Calvary (Stephen Jenks)|Mount Calvary]]||[[Stephen Jenks]]||1803||Hearts of stone, relent! Relent!||[[Charles Wesley]]||77.77.||
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|align=right|74||align=right|70||align=right|70||Matthias||Samuel Stanley||1800||Isaac Watts||1706||S.M.||
|align=right|80||align=right|82||align=right|73||align=right|75||Judgment||||1835||Day of judgment! Day of wonders||[[John Newton]]||87.87.87.||
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|align=right|75||align=right|70||align=right|70||Brandenburg||||||John Leland||||76.76.D.||
|align=right|83||align=right|83||align=right|76||align=right|76||[[Armley (Georg Neumark)|Armley]]||[[Georg Neumark]]||1657||Thee whom my soul admires above||[[Isaac Watts]]||L.M.||
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|align=right|76||align=right|71||align=right|71||St. Brides||Samuel Howard||1762||Lydia Sigourney||1824||S.M.||
|align=right|84||align=right|84||align=right|76||align=right|76||[[Shepherd of Israel (H. Phillips)|Shepherd of Israel]]||[[H. Phillips]]||1796||Thou shepherd of Israel and mine||[[Charles Wesley]]||L.M.||
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|align=right|77||align=right|72||align=right|72||Falmouth||Martin Madan||1769||Charles Wesley||1745||77.77.77.||
|align=right|85||align=right|85||align=right|77||align=right|77||[[Alarming Voice (James Boyd)|Alarming Voice]]||[[James Boyd]]||1818||Sinner, art thou still secure||[[John Newton]]||77.77.||
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|align=right|78||align=right|73||align=right|73||Fairfax||The Divine Musical Miscellany||1754||Charles Wesley||1740||77.77.||
|align=right|86||align=right|86||align=right|78||align=right|78||[[Redeeming Love (John Worgan)|Redeeming Love]]||[[John Worgan]]||1765||Now begin the heavenly theme||[[Anonymous]]||77.77.||
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|align=right|79||align=right|73||align=right|73||Windham||Daniel Read||1785||Isaac Watts||1709||L.M.||
|align=right|87||align=right|87||align=right|78||align=right|78||[[Hampton (James Leach)|Hampton]]||[[James Leach]]||1789||Away with our sorrow and fear||[[Charles Wesley]]||L.M.||
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|align=right|80||align=right|74||align=right|74||Hamilton||James Leach||1789||Philip Doddridge||1755||L.M.||
|align=right|88||align=right|88||align=right|79||align=right|79||[[Munich (Ralph Harrison)|Munich]]||[[Ralph Harrison]]||1788||Behold a stranger at the door||[[Joseph Grigg]]||L.M.||
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|align=right|81||align=right|74||align=right|74||Mount Calvary||Stephen Jenks||1803||Charles Wesley||1745||77.77.||
|align=right|89||align=right|89||align=right|80||align=right|80||[[Carlisle (Martin Madan)|Carlisle]]||[[Martin Madan]]||1772||Glorious things of thee are spoken||[[John Newton]]||87.87.D.||
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|align=right|82||align=right|73||align=right|75||Judgment||||1835||John Newton||1779||87.87.87.||
|align=right|90||align=right|90||align=right|81||align=right|81||Bavaria||||||Why shrinks my weak nature||[[Anonymous]]||11 11.11 11.||
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|align=right|83||align=right|76||align=right|76||Armley||Georg Neumark||1657||Isaac Watts||1707||L.M.||
|align=right|91||align=right|91||align=right|81||align=right|81||[[Lisbon (Daniel Read)|Lisbon]]||[[Daniel Read]]||1785||Welcome, sweet day of rest||[[Isaac Watts]]||S.M.||
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|align=right|84||align=right|76||align=right|76||Shepherd of Israel||The Gospel Magazine||1796||Charles Wesley||1762||L.M.||
|align=right|92||align=right|92||align=right|82||align=right|82||[[Vernon (Jeremiah Ingalls)|Vernon]]||[[Jeremiah Ingalls]]||1805||Come, O thou traveler unknown||[[Charles Wesley]]||88.88.88.||
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|align=right|85||align=right|77||align=right|77||Alarming Voice||Virginia Sacred Musical Repository||1818||John Newton||1779||77.77.||
|align=right|93||align=right|93||align=right|82||align=right|82||[[Little Marlborough (Aaron Williams)|Little Marlborough]]||[[Aaron Williams]]||1763||Lord, what a feeble piece||[[Isaac Watts]]||S.M.||
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|align=right|86||align=right|78||align=right|78||Redeeming Love||John Worgan||1765||Anonymous||||77.77.||
|align=right|94||align=right|94||align=right|83||align=right|83||[[Windsor (William Daman)|Windsor]]||[[William Daman]]||1591||That awful day will surely come||[[Isaac Watts]]||C.M.||
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|align=right|87||align=right|78||align=right|78||Hampton||James Leach||1789||Charles Wesley||1746||L.M.||
|align=right|95||align=right|95||align=right|83||align=right|83||[[Bath (James Green)|Bath]]||[[James Green]]||1713||Nature with open volume stands||[[Isaac Watts]]||L.M.||
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|align=right|88||align=right|79||align=right|79||Munich||Harrison, Sacred Harmony||1788||Joseph Grigg||1765||L.M.||
|align=right|97||align=right|96||align=right|84||align=right|84||[[Light Street (William E. Miller)|Light Street]]||[[William E. Miller]]||1813||In songs of sublime adoration||[[Robert Keen]]||11 8.11 8.D.||
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|align=right|89||align=right|80||align=right|80||Carlisle||Martin Madan||1772||John Newton||1779||87.87.D.||
|align=right|98|| ||align=right|85|| ||Jubilation||||||O'er the gloomy hills of darkness||[[John Rippon]]||87.87.47.||H.428
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|align=right|90||align=right|81||align=right|81||Bavaria||||||Unattrib.||1832||11 11.11 11.||
| ||align=right|97|| ||align=right|85||[[Eden of Love (Joseph Funk)|Eden of Love]]||[[Joseph Funk]]||1830||How sweet to reflect on those joys||[[W. C. Tillou]]||12 11.12 11.||
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|align=right|91||align=right|81||align=right|81||Lisbon||Daniel Read||1785||Isaac Watts||1709||S.M.||
|align=right|100||align=right|98||align=right|87||align=right|86||Felicity||||||Earth has engrossed my love too long||[[Augustus Toplady]]||C.M.||
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|align=right|92||align=right|82||align=right|82||Vernon||Jeremiah Ingalls||1805||Charles Wesley||1742||88.88.88.||
|align=right|101||align=right|99||align=right|87||align=right|86||[[Wiltshire (Joseph Stephenson)|Wiltshire]]||[[Joseph Stephenson]]||1740||From thee, my God, my joys shall rise||[[Isaac Watts]]||C.M.||
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|align=right|93||align=right|82||align=right|82||Little Marlborough||Aaron Williams||1763||Isaac Watts||1719||S.M.||
|align=right|96||align=right|100||align=right|83||align=right|87||[[Rochester (Israel Holdroyd)|Rochester]]||[[Israel Holdroyd]]||1722||Come children, learn to fear the Lord||[[Isaac Watts]]||C.M.||
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|align=right|94||align=right|83||align=right|83||Windsor||William Daman||1591||Isaac Watts||1709||C.M.||
|align=right|99||align=right|101||align=right|86||align=right|88||[[Primrose (Amzi Chapin)|Primrose]]||[[Amzi Chapin]]||1812||Hosanna to the Prince of light||[[Isaac Watts]]||C.M.||
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|align=right|95||align=right|83||align=right|83||Bath||Green, A Book of Psalm-Tunes||1713||Isaac Watts||1709||L.M.||
|align=right|17||align=right|102||align=right|36||align=right|88||[[Idumea (Ananias Davisson)|Idumea]]||[[Ananias Davisson]]||1816||Is this the kind return||[[Isaac Watts]]||S.M.||
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|align=right|96||align=right|84||align=right|84||Light Street||David's Harp||1813||Robert Keen||1779||11 8.11 8.D.||
|align=right|102||align=right|103||align=right|89||align=right|89||Magdeburg||||1742||Bless, O my soul, the living God||[[Isaac Watts]]||L.M.||
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|align=right|97||align=right| ||align=right|85||Eden of Love||John Hicks||1830||W. C. Tillou||1830||12 11.12 11.||
|align=right|103||align=right|104||align=right|89||align=right|89||[[Cookham (William Smith)|Cookham]]||[[William Smith]]||1754||Holy Jesus, lovely Lamb||[[Charles Wesley]]||77.77.||
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|align=right|98||align=right|87||align=right|86||Felicity||||||Augustus Toplady||1776||C.M.||
|align=right|104||align=right|105||align=right|90||align=right|90||[[Amsterdam (Johann Hille)|Amsterdam]]||[[Johann Hille]]||1742||Rise, my soul, and stretch thy wings||[[Robert Seagrave]]||76.76.D.||
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|align=right|99||align=right|87||align=right|86||Wiltshire||Joseph Stephenson||1740||Isaac Watts||1709||C.M.||
|align=right|105||align=right|106||align=right|90||align=right|90||[[Olney (James Boyd)|Olney]]||[[James Boyd]]||1818||Hail! Thou once despised Jesus||||87.87.D.||
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|align=right|100||align=right|83||align=right|87||Rochester||Israel Holdroyd||1722||Isaac Watts||1719||C.M.||
|align=right|106||align=right|107||align=right|91||align=right|91||[[Devotion (Alexander Johnson)|Devotion]]||[[Alexander Johnson]]||1818||O for a sweet inspiring ray||[[Anne Steele]]||L.M.||
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|align=right|101||align=right|86||align=right|88||Primrose||Amzi Chapin||1812||Isaac Watts||1709||C.M.||
|align=right|107||align=right|108||align=right|92||align=right|92||[[Devizes (James Tucker)|Devizes]]||[[James Tucker]]||1792||Thrice happy souls who born from heaven||[[Philip Doddridge]]||C.M.||
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|align=right|102||align=right|36||align=right|88||Idumea||Ananias Davisson||1816||Isaac Watts||1709||S.M.||
|align=right|22||align=right|109||align=right|39||align=right|92||[[Newton (Isaac Smith)|Newton]]||[[Isaac Smith]]||1779||Far as thy name is known||[[Isaac Watts]]||S.M.||
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|align=right|103||align=right|89||align=right|89||Magdeburg||John Wesley's Collection||1742||Isaac Watts||1707||L.M.||
|align=right|112||align=right|110||align=right|96||align=right|93||[[Rockbridge (Lucius Chapin)|Rockbridge]]||[[Lucius Chapin]]||1812||Sweet is the work, my God, my King||[[Isaac Watts]]||L.M.||
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|align=right|104||align=right|89||align=right|89||Cookham||The Divine Musical Miscellany||1754||Charles Wesley||1749||77.77.||
| ||align=right|111|| ||align=right|94||[[Conquest ((chorale) Z.6699)|Conquest]]||[[(chorale) Z.6699]]||1790||Dark and thorny is the desert||[[Anonymous]]||87.87.D.||
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|align=right|105||align=right|90||align=right|90||Amsterdam||Johann Hille||1742||Robert Seagrave||||76.76.D.||
|align=right|110||align=right|112||align=right|94||align=right|94||[[Oporto (John Wade)|Oporto]]||[[John Wade]]||1795||Hither, ye faithful, haste with songs of triumph||[[The Christian Lyre]]||11 11.11 10.||
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|align=right|106||align=right|90||align=right|90||Olney||Virginia Sacred Musical Repository||1818||Unattrib.||1757||87.87.D.||
|align=right|111||align=right|113||align=right|95||align=right|95||Georgia||||1786||Lord, if thine eyes survey our faults||[[Isaac Watts]]||C.M.||
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|align=right|107||align=right|91||align=right|91||Devotion||Alexander Johnson||1818||Anne Steele||1760||L.M.||
|align=right|113||align=right|114||align=right|96||align=right|96||[[Brookfield (William Billings)|Brookfield]]||[[William Billings]]||1770||Remember, Lord, our mortal state||[[Isaac Watts]]||L.M.||
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|align=right|108||align=right|92||align=right|92||Devizes||James Tucker||1792||Philip Doddridge||1755||C.M.||
| ||align=right|115|| ||align=right|96||[[Tisbury (J. Husband)|Tisbury]]||[[J. Husband]]||1790||Let every mortal ear attend||[[Isaac Watts]]||C.M.||
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|align=right|109||align=right|39||align=right|92||Newton||Isaac Smith||1779||Isaac Watts||1719||S.M.||
|align=right|114||align=right|116||align=right|97||align=right|97||[[Solemnity (Ananias Davisson)|Solemnity]]||[[Ananias Davisson]]||1817||Twas on that night, that doleful night||[[Isaac Watts]]||L.M.||
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|align=right|110||align=right|96||align=right|93||Rockbridge||Lucius Chapin||1812||Isaac Watts||1719||L.M.||
|align=right|115||align=right|117||align=right|98||align=right|98||Ascension||||||Jesus, our triumphant head||[[Joseph Hart]]||77.77.D.||
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|align=right|111||align=right| ||align=right|94||Conquest||Latrobe, Hymn-Tunes||1790||Anonymous||||87.87.D.||
| ||align=right|118|| ||align=right|100||[[Female Pilgrim (Anonymous)|Female Pilgrim]]||[[Anonymous]]||1813||Whither goest thou, pilgrim stranger||[[The Christian Lyre]]||87.87.D.||
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|align=right|112||align=right|94||align=right|94||Oporto||John Wade||1795||The Christian Lyre||1831||11 11.11 10.||
| ||align=right|119|| ||align=right|100||[[Christian Hope (Joseph Funk)|Christian Hope]]||[[Joseph Funk]]||1835||My soul would fain indulge a hope||[[Joseph Steward]]||C.M.||
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|align=right|113||align=right|95||align=right|95||Georgia||Law, The Rudiments of Music||1786||Isaac Watts||1719||C.M.||
| ||align=right|120|| ||align=right|101||[[Orland (W. Arnold)|Orland]]||[[W. Arnold]]||1807||Awake, Jerusalem, awake||[[Charles Wesley]]||L.M.||
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|align=right|114||align=right|96||align=right|96||Brookfield||William Billings||1770||Isaac Watts||1719||L.M.||
|align=right|117||align=right|121||align=right|101||align=right|102||[[Mendon (William Billings)|Mendon]]||[[William Billings]]||1781||Vain, delusive world, adieu||[[Charles Wesley]]||76.76.78.76.||
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|align=right|115||align=right| ||align=right|96||Tisbury||J. Husband||1790||Isaac Watts||1707||C.M.||
|align=right|118||align=right|122||align=right|102||align=right|102||[[Romaine (Charles Banister)|Romaine]]||[[Charles Banister]]||1792||From Greenland's icy mountains||[[Reginald Heber]]||76.76.D.||
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|align=right|116||align=right|97||align=right|97||Solemnity||Ananias Davisson||1817||Isaac Watts||1709||L.M.||
|align=right|119||align=right|123||align=right|103||align=right|103||Truro||||1778||Great God, let all my tuneful powers||[[Ottiwell Heginbothom]]||L.M.||
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|align=right|117||align=right|98||align=right|98||Ascension||||||Joseph Hart||1759||77.77.D.||
|align=right|120||align=right|124||align=right|104||align=right|104||[[Star in the East (Deodatus Dutton)|Star in the East]]||[[Deodatus Dutton]]||1830||Hail the blest morn, when the great mediator||[[Reginald Heber]]||11 10.11 10.||
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|align=right|118||align=right| ||align=right|100||Female Pilgrim||||||The Christian Lyre||1831||87.87.D.||
|align=right|121||align=right|125||align=right|105||align=right|104||[[Pisgah (James Lowry)|Pisgah]]||[[James Lowry]]||1817||When I can read my title clear||[[Isaac Watts]]||C.M.||
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|align=right|119||align=right| ||align=right|100||Christian Hope||||||Unattrib.||1802||C.M.||
|align=right|122||align=right|126||align=right|105||align=right|105||Solon||||||There is a fountain filled with blood||[[William Cowper]]||C.M.||
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|align=right|120||align=right| ||align=right|101||Orland||W. Arnold||1807||Charles Wesley||1742||L.M.||
|align=right|123|| ||align=right|106|| ||Jacob's Well||||||At Jacob's Well a stranger sought||[[Joseph Grigg]]||C.M.||
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|align=right|121||align=right|101||align=right|102||Mendon||William Billings||1781||Charles Wesley||1742||76.76.78.76.||
|align=right|200||align=right|127||align=right|160||align=right|106||[[Lenox (Lewis Edson)|Lenox]]||[[Lewis Edson]]||1782||Hark, hark! The notes of joy||[[Andrew Reed]]||66.66.88.||
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|align=right|122||align=right|102||align=right|102||Romaine||Charles Banister||1792||Reginald Heber||1819||76.76.D.||
| ||align=right|128|| ||align=right|106||Warning Voice||||||Stop, poor sinners, stop and think||[[John Newton]]||76.76.77.76.||
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|align=right|123||align=right|103||align=right|103||Truro||Musica Sacra||1778||Ottiwell Heginbothom||1794||L.M.||
|align=right|124||align=right|129||align=right|107||align=right|107||[[New Mark (Amos Bull)|New Mark]]||[[Amos Bull]]||1813||Let Zion's watchmen all awake||[[Philip Doddridge]]||C.M.||
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|align=right|124||align=right|104||align=right|104||Star in the East||The Christian Lyre||1830||Reginald Heber||||11 10.11 10.||
|align=right|69||align=right|130||align=right|66||align=right|108||[[Mount Pleasant (James Leach)|Mount Pleasant]]||[[James Leach]]||1789||Those glorious minds, how bright they shine||[[Isaac Watts]]||C.M.||
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|align=right|125||align=right|105||align=right|104||Pisgah||James Lowry||1817||Isaac Watts||1709||C.M.||
|align=right|125||align=right|131||align=right|108||align=right|108||Christ's Invitation||||||Amazing sight! The Savior stands||[[Henry Alline]]||C.M.||
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|align=right|126||align=right|105||align=right|105||Solon||||||William Cowper||1779||C.M.||
|align=right|128||align=right|132||align=right|109||align=right|109||[[Hamburg ((Chorale))|Hamburg]]||[[(Chorale)]]||||Precious Bible! What a treasure||[[John Newton]]||87.87.77.||
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|align=right|127||align=right|160||align=right|106||Lenox||Lewis Edson||1782||Andrew Reed||1842||66.66.88.||
|align=right|129||align=right|133||align=right|110||align=right|110||Dunkirk||||||Lift your eyes of faith, and see||[[Charles Wesley]]||77.77.D.||
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|align=right|128||align=right| ||align=right|106||Warning Voice||||||John Newton||1779||76.76.77.76.||
|align=right|130||align=right|134||align=right|110||align=right|111||[[Supplication (Lucius Chapin)|Supplication]]||[[Lucius Chapin]]||1810||Show pity, Lord, O Lord, forgive||[[Isaac Watts]]||L.M.||
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|align=right|129||align=right|107||align=right|107||New Mark||Amos Bull||1813||Philip Doddridge||1755||C.M.||
|align=right|131||align=right|135||align=right|111||align=right|111||[[Wells (Israel Holdroyd)|Wells]]||[[Israel Holdroyd]]||1722||Ye nations round the earth, rejoice||[[Isaac Watts]]||L.M.||
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|align=right|130||align=right|66||align=right|108||Mount Pleasant||James Leach||1789||Isaac Watts||1707||C.M.||
|align=right|132|| ||align=right|112|| ||Yarmouth||||||Ye simple souls that stray||[[John Wesley]]||S.M.||
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|align=right|131||align=right|108||align=right|108||Christ's Invitation||||||Henry Alline||1786||C.M.||
|align=right|126||align=right|136||align=right|108||align=right|112||[[Barby (William Tansur)|Barby]]||[[William Tansur]]||1742||The Savior! O what endless charms||[[Anne Steele]]||C.M.||
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|align=right|132||align=right|109||align=right|109||Hamburg||(Chorale)||||John Newton||1779||87.87.77.||
|align=right|133||align=right|137||align=right|112||align=right|112||[[Friendship (Charles Woodward)|Friendship]]||[[Charles Woodward]]||1812||Ye simple souls that stray||[[Charles Wesley]]||66.66.86.86.||
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|align=right|133||align=right|110||align=right|110||Dunkirk||||||Charles Wesley||1745||77.77.D.||
|align=right|134||align=right|138||align=right|113||align=right|113||[[Union (Alexander Gillet)|Union]]||[[Alexander Gillet]]||1781||God moves in a mysterious way||[[William Cowper]]||C.M.||
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|align=right|134||align=right|110||align=right|111||Supplication||Chapin||1810||Isaac Watts||1719||L.M.||
|align=right|135||align=right|139||align=right|114||align=right|114||[[New Monmouth (Lucius Chapin)|New Monmouth]]||[[Lucius Chapin]]||1812||Come thou fount of every blessing||[[Robert Robinson]]||87.87.||
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|align=right|135||align=right|111||align=right|111||Wells||Israel Holdroyd||1722||Isaac Watts||1719||L.M.||
|align=right|136||align=right|140||align=right|114||align=right|114||[[Pleyel's Second (Ignaz Pleyel)|Pleyel's Second]]||[[Ignaz Pleyel]]||1786||O joyful sound of gospel grace||[[Charles Wesley]]||C.M.||
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|align=right|136||align=right|108||align=right|112||Barby||William Tansur||1742||Anne Steele||1760||C.M.||
|align=right|137||align=right|141||align=right|115||align=right|115||[[Watchman (James Leach)|Watchman]]||[[James Leach]]||1794||My God, permit my tongue||[[Isaac Watts]]||S.M.||
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|align=right|137||align=right|112||align=right|112||Friendship||Woodward, Sacred Music||1812||Charles Wesley||1747||66.66.86.86.||
|align=right|138||align=right|142||align=right|116||align=right|116||[[St. Dennis (John Whitaker)|St. Dennis]]||[[John Whitaker]]||1819||Thou sweet gliding Kedron, by thy silver streams||[[Maria De Fleury]]||11 11.11 11.||
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|align=right|138||align=right|113||align=right|113||Union||Alexander Gillet||1781||William Cowper||1779||C.M.||
|align=right|139||align=right|143||align=right|116||align=right|116||[[Portugal (Thomas Thorley)|Portugal]]||[[Thomas Thorley]]||1778||How lovely, how divinely sweet||[[Anne Steele]]||L.M.||
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|align=right|139||align=right|114||align=right|114||New Monmouth||Lucius Chapin||1812||Robert Robinson||||87.87.||
| ||align=right|144|| ||align=right|117||Melody||||||Sinners, take the friendly warning||[[Village Hymns]]||87.87.||
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|align=right|140||align=right|114||align=right|114||Pleyel's Second||Ignaz Pleyel||1786||Charles Wesley||1742||C.M.||
|align=right|141||align=right|145||align=right|118||align=right|118||[[New Concord (W. Parkinson)|New Concord]]||[[W. Parkinson]]||||O how happy are they||[[Charles Wesley]]||669.669.||
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|align=right|141||align=right|115||align=right|115||Watchman||James Leach||1794||Isaac Watts||1719||S.M.||
|align=right|142||align=right|146||align=right|118||align=right|118||[[Littleton (Aaron Williams)|Littleton]]||[[Aaron Williams]]||1763||Lo! He cometh; countless trumpets||[[John Cennick]]||87.87.87.||
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|align=right|142||align=right|116||align=right|116||St. Dennis||The Seraph||1819||Maria De Fleury||1791||11 11.11 11.||
|align=right|143||align=right|147||align=right|119||align=right|119||Irish||||1749||I'll bless the Lord from day to day||[[Isaac Watts]]||C.M.||
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|align=right|143||align=right|116||align=right|116||Portugal||Thomas Thorley||1778||Anne Steele||1760||L.M.||
|align=right|144||align=right|148||align=right|120||align=right|120||[[Fiducia (J. Robertson)|Fiducia]]||[[J. Robertson]]||1813||Father, I long, I faint to see||[[Isaac Watts]]||C.M.||
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|align=right|144||align=right| ||align=right|117||Melody||||||Village Hymns||1825||87.87.||
|align=right|145||align=right|149||align=right|120||align=right|120||[[Liberty (William E. Miller)|Liberty]]||[[William E. Miller]]||1813||Lo! God is here, let us adore||[[Gerhardt Tersteegen]]||88.88.88.||
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|align=right|145||align=right|118||align=right|118||New Concord||W. Parkinson||||Charles Wesley||1749||669.669.||
|align=right|146||align=right|150||align=right|121||align=right|121||[[Retirement (Ananias Davisson)|Retirement]]||[[Ananias Davisson]]||1820||When I survey the wondrous cross||[[Isaac Watts]]||L.M.||
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|align=right|146||align=right|118||align=right|118||Littleton||Aaron Williams||1763||John Cennick||1730||87.87.87.||
|align=right|147||align=right|151||align=right|122||align=right|122||[[Miles’ Lane (William Shrubsole)|Miles’ Lane]]||[[William Shrubsole]]||1779||All hail the powers of Jesus' name||[[Edward Perronet]]||C.M.||
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|align=right|147||align=right|119||align=right|119||Irish||A Collection of Hymns and Sacred Poems||1749||Isaac Watts||1719||C.M.||
|align=right|148||align=right|152||align=right|122||align=right|122||[[Dover (Timothy Swan)|Dover]]||[[Timothy Swan]]||1792||My soul, thy great Creator praise||[[Isaac Watts]]||L.M.||
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|align=right|148||align=right|120||align=right|120||Fiducia||J. Robertson||1813||Isaac Watts||1709||C.M.||
|align=right|149||align=right|153||align=right|123||align=right|123||[[Bethel (Lucius Chapin)|Bethel]]||[[Lucius Chapin]]||1812||Let Zion and her sons rejoice||[[Isaac Watts]]||C.M.||
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|align=right|149||align=right|120||align=right|120||Liberty||David's Harp||1813||Gerhardt Tersteegen||1741||88.88.88.||
|align=right|150||align=right|154||align=right|124||align=right|124||[[Salem (Bovelle)|Salem]]||[[Bovelle]]||1817||He dies, the firned of sinners dies||[[Isaac Watts]]||L.M.||
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|align=right|150||align=right|121||align=right|121||Retirement||Ananias Davisson||1820||Isaac Watts||1709||L.M.||
|align=right|151||align=right|155||align=right|124||align=right|124||[[Middleton (Amos Bull)|Middleton]]||[[Amos Bull]]||1778||Hail the day that saw him rise||[[Charles Wesley]]||77.77.D.||
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|align=right|151||align=right|122||align=right|122||Miles’ Lane||William Shrubsole||1779||Edward Perronet||1780||C.M.||
|align=right|152||align=right|156||align=right|125||align=right|125||[[Ninety-Third (Jeremiah Ingalls)|Ninety-Third]]||[[Jeremiah Ingalls]]||1805||My Savior and my King||[[Isaac Watts]]||S.M.||
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|align=right|152||align=right|122||align=right|122||Dover||Timothy Swan||1792||Isaac Watts||1719||L.M.||
|align=right|153||align=right|157||align=right|126||align=right|126||[[Stafford (Daniel Read)|Stafford]]||[[Daniel Read]]||1782||Raise your triumphant songs||[[Isaac Watts]]||S.M.||
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|align=right|153||align=right|123||align=right|123||Bethel||Lucius Chapin||1812||Isaac Watts||1719||C.M.||
|align=right|154||align=right|158||align=right|126||align=right|126||[[Basil ((chorale) Z.4429)|Basil]]||[[(chorale) Z.4429]]||1722||And can it be that I should gain||[[Charles Wesley]]||88.88.88.||
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|align=right|154||align=right|124||align=right|124||Salem||Bovelle||1817||Isaac Watts||||L.M.||
|align=right|155||align=right|159||align=right|127||align=right|127||[[Liberty Hall (Lucius Chapin)|Liberty Hall]]||[[Lucius Chapin]]||1810||Alas! And did my Savior bleed||[[Isaac Watts]]||C.M.||
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|align=right|155||align=right|124||align=right|124||Middleton||Amos Bull||1778||Charles Wesley||1739||77.77.D.||
|align=right|156||align=right|160||align=right|128||align=right|128||[[St. Martin's (William Tansur)|St. Martin's]]||[[William Tansur]]||1748||Behold the glories of the Lamb||[[Isaac Watts]]||C.M.||
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|align=right|156||align=right|125||align=right|125||Ninety-Third||Jeremiah Ingalls||1805||Isaac Watts||1719||S.M.||
|align=right|204||align=right|161||align=right|162||align=right|128||[[Jordan (William Billings)|Jordan]]||[[William Billings]]||1786||There is a land of pure delight||[[Isaac Watts]]||C.M.||
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|align=right|157||align=right|126||align=right|126||Stafford||Daniel Read||1782||Isaac Watts||1709||S.M.||
|align=right|157||align=right|162||align=right|129||align=right|129||[[Consolation (Lucius Chapin)|Consolation]]||[[Lucius Chapin]]||1812||Once more, my soul, the rising day||[[Isaac Watts]]||C.M.||
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|align=right|158||align=right|126||align=right|126||Basil||Psalmodia Germanica||1722||Charles Wesley||1739||88.88.88.||
|align=right|158||align=right|163||align=right|130||align=right|130||[[Easter Anthem (William Billings)|Easter Anthem]]||[[William Billings]]||1787||The Lord is risen indeed||||Anthem||
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|align=right|159||align=right|127||align=right|127||Liberty Hall||Lucius Chapin||1810||Isaac Watts||1709||C.M.||
|align=right|159|| ||align=right|132|| ||Clifton||||||Mortals awake, with angels join||[[Samuel Medley]]||C.M.||
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|align=right|160||align=right|128||align=right|128||St. Martin's||William Tansur||1748||Isaac Watts||1707||C.M.||
|align=right|160||align=right|164||align=right|133||align=right|132||[[Tender Thought (Ananias Davisson)|Tender Thought]]||[[Ananias Davisson]]||1816||Arise, my tenderest thoughts, arise||[[Philip Doddridge]]||L.M.||
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|align=right|161||align=right|162||align=right|128||Jordan||William Billings||1786||Isaac Watts||1709||C.M.||
| ||align=right|165|| ||align=right|132||Disciple||||||Jesus, I my cross have taken||[[Henry Lyte]]||87.87.D.||
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|align=right|162||align=right|129||align=right|129||Consolation||Lucius Chapin||1812||Isaac Watts||1709||C.M.||
|align=right|161||align=right|166||align=right|133||align=right|133||[[New Hundred (John Tufts)|New Hundred]]||[[John Tufts]]||1723||Not to condemn the sons of men||[[Isaac Watts]]||L.M.||
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|align=right|163||align=right|130||align=right|130||Easter Anthem||William Billings||1787||||||Anthem||
|align=right|163||align=right|167||align=right|134||align=right|134||[[Communion (Jeremiah Ingalls)|Communion]]||[[Jeremiah Ingalls]]||1805||How sweet and awful is the place||[[Isaac Watts]]||C.M.||
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|align=right|164||align=right|133||align=right|132||Tender Thought||Ananias Davisson||1816||Philip Doddridge||||L.M.||
|align=right|164||align=right|168||align=right|134||align=right|134||Petersfield||||1808||Savior, prince of Israel's race||[[Charles Wesley]]||77.77.77.||
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|align=right|165||align=right| ||align=right|132||Disciple||||||Henry Lyte||1825||87.87.D.||
|align=right|165||align=right|169||align=right|135||align=right|135||Sovereign Grace||||||Tell me, Savior, from above||||77.77.||
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|align=right|166||align=right|133||align=right|133||New Hundred||An Introduction to the Art of Singing Psalm Tunes||1723||Isaac Watts||1707||L.M.||
|align=right|166||align=right|170||align=right|136||align=right|136||[[Salvation (Robert Boyd)|Salvation]]||[[Robert Boyd]]||1816||Come humble sinner, in whose breast||[[Edmund Jones]]||C.M.||
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|align=right|167||align=right|134||align=right|134||Communion||Jeremiah Ingalls||1805||Isaac Watts||1709||C.M.||
|align=right|167||align=right|171||align=right|136||align=right|136||[[Germany ((chorale?))|Germany]]||[[(chorale?)]]||||Come, Holy Ghost, dispel our sadness||[[Paul Gerhardt]]||87.87.77.88.||
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|align=right|168||align=right|134||align=right|134||Petersfield||Evans, David's Companion||1808||Charles Wesley||1748||77.77.77.||
|align=right|168||align=right|172||align=right|137||align=right|137||[[Liverpool (Robert Wainwright)|Liverpool]]||[[Robert Wainwright]]||1774||Let every tongue thy goodness speak||[[Isaac Watts]]||C.M.||
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|align=right|169||align=right|135||align=right|135||Sovereign Grace||||||Unattrib.||1789||77.77.||
| ||align=right|173|| ||align=right|138||Resurrection||||1835||Angels, roll the rock away||[[Thomas Scott]]||77.77.||
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|align=right|170||align=right|136||align=right|136||Salvation||Robert Boyd||1816||Edmund Jones||1760||C.M.||
|align=right|162||align=right|174||align=right|133||align=right|138||[[Pensford (Thomas Clark)|Pensford]]||[[Thomas Clark]]||1811||Hearken to the solemn voice||[[Charles Wesley]]||76.76.77.76.||
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|align=right|171||align=right|136||align=right|136||Germany||Chorale?||||Paul Gerhardt||||87.87.77.88.||
|align=right|169||align=right|175||align=right|139||align=right|139||[[Exultation (Anonymous)|Exultation]]||[[Anonymous]]||1813||Come away to the skies||[[Charles Wesley]]||669.669.||
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|align=right|172||align=right|137||align=right|137||Liverpool||Robert Wainwright||1774||Isaac Watts||1719||C.M.||
|align=right|170||align=right|176||align=right|140||align=right|140||[[Kershaw (William E. Miller)|Kershaw]]||[[William E. Miller]]||1813||Come ye sinners, poor and needy||[[Joseph Hart]]||87.87.87.||
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|align=right|173||align=right| ||align=right|138||Resurrection||||1835||Thomas Scott||||77.77.||
|align=right|171||align=right|177||align=right|140||align=right|140||[[Lena (Daniel Belknap)|Lena]]||[[Daniel Belknap]]||1794||See the Lord of glory dying||[[Joseph Hart]]||88.78.87.||
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|align=right|174||align=right|133||align=right|138||Pensford||Thomas Clark||1811||Charles Wesley||1742||76.76.77.76.||
|align=right|172||align=right|178||align=right|141||align=right|141||Winchester||||1742||No more, dear Savior, will I boast||[[Samuel Stennett]]||L.M.||
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|align=right|175||align=right|139||align=right|139||Exultation||Wyeth's Repository Part Second||1813||Charles Wesley||1767||669.669.||
|align=right|220||align=right|179||align=right|174||align=right|142||[[Salford (James Leach)|Salford]]||[[James Leach]]||1794||With joy we meditate the grace||[[Isaac Watts]]||C.M.||
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|align=right|176||align=right|140||align=right|140||Kershaw||David's Harp||1813||Joseph Hart||1759||87.87.87.||
|align=right|173||align=right|180||align=right|142||align=right|142||Zion’s Pilgrim||||1821||This is my beloved, his form is divine||[[Joseph Swain]]||11 8.11 8.||
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|align=right|177||align=right|140||align=right|140||Lena||Daniel Belknap||1794||Joseph Hart||1759||88.78.87.||
|align=right|174||align=right|181||align=right|143||align=right|143||[[Medfield (William Mather)|Medfield]]||[[William Mather]]||1797||My Shepherd will supply my need||[[Isaac Watts]]||C.M.||
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|align=right|178||align=right|141||align=right|141||Winchester||John Wesley's Collection||1742||Samuel Stennett||1789||L.M.||
|align=right|175||align=right|182||align=right|144||align=right|144||Greenfields||||1818||How tedious and tasteless the hours||[[John Newton]]||L.M.||
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|align=right|179||align=right|174||align=right|142||Salford||James Leach||1794||Isaac Watts||1707||C.M.||
| ||align=right|183|| ||align=right|144||[[Anticipation (Thomas Clark)|Anticipation]]||[[Thomas Clark]]||1805||On earth the song begins||[[Joseph Swain]]||66.66.88.||
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|align=right|180||align=right|142||align=right|142||Zion’s Pilgrim||Rothbaust, Franklin harmonie||1821||Joseph Swain||1791||11 8.11 8.||
|align=right|177||align=right|184||align=right|145||align=right|145||[[Newry (John Hatton)|Newry]]||[[John Hatton]]||1793||Now let our souls, on wings sublime||[[Thomas Gibbons]]||L.M.||
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|align=right|181||align=right|143||align=right|143||Medfield||William Mather||1797||Isaac Watts||1719||C.M.||
|align=right|176||align=right|185||align=right|144||align=right|146||[[Resignation (Anonymous)|Resignation]]||[[Anonymous]]||1828||And let this feeble body fail||[[Charles Wesley]]||C.M.||
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|align=right|182||align=right|144||align=right|144||Greenfields||Metcalf, Kentucky Harmonist||1818||John Newton||1779||L.M.||
|align=right|178||align=right|186||align=right|146||align=right|146||[[Westford (Daniel Read)|Westford]]||[[Daniel Read]]||1785||Descend from heaven, immortal Dove||[[Isaac Watts]]||L.M.||
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|align=right|183||align=right| ||align=right|144||Anticipation||Thomas Clark||1805||Joseph Swain||1781||66.66.88.||
|align=right|181|| ||align=right|148|| ||Annapolis||||||My soul forsakes her vain delight||[[Isaac Watts]]||C.M.||H.10 B.2
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|align=right|184||align=right|145||align=right|145||Newry||John Hatton||1793||Thomas Gibbons||1784||L.M.||
| ||align=right|187|| ||align=right|148||[[Social Band (Jeremiah Ingalls)|Social Band]]||[[Jeremiah Ingalls]]||1805||Say now, ye lovely social band||[[John Campell]]||L.M.||
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|align=right|185||align=right|144||align=right|146||Resignation||Beauties of Harmony||1828||Charles Wesley||1759||C.M.||
|align=right|182||align=right|188||align=right|148||align=right|148||[[Romney (Johann Haydn)|Romney]]||[[Johann Haydn]]||1806||Sometimes the light surprises||[[William Cowper]]||76.76.D.||
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|align=right|186||align=right|146||align=right|146||Westford||Daniel Read||1785||Isaac Watts||1709||L.M.||
|align=right|183||align=right|189||align=right|149||align=right|149||[[Augusta (James Boyd)|Augusta]]||[[James Boyd]]||1818||While thee I seek, protecting power||[[Helen Williams]]||C.M.||
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|align=right|187||align=right| ||align=right|148||Social Band||Jeremiah Ingalls||1805||John Campell||1806||L.M.||
|align=right|184|| ||align=right|150|| ||Rapture||||||||[[Charles Wesley]]||87.87.D.||
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|align=right|188||align=right|148||align=right|148||Romney||Johann Haydn||1806||William Cowper||1779||76.76.D.||
|align=right|185||align=right|190||align=right|150||align=right|150||[[Triumph (James Leach)|Triumph]]||[[James Leach]]||1789||Lord, what a heaven of saving grace||[[Isaac Watts]]||L.M.||
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|align=right|189||align=right|149||align=right|149||Augusta||Virginia Sacred Music Repository||1818||Helen Williams||1786||C.M.||
| ||align=right|191|| ||align=right|150||Love Divine||||1835||Love divine, all loves excelling||[[Charles Wesley]]||87.87.D.||
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|align=right|190||align=right|150||align=right|150||Triumph||James Leach||1789||Isaac Watts||1709||L.M.||
|align=right|186||align=right|192||align=right|151||align=right|151||[[Luton (G. Burder)|Luton]]||[[G. Burder]]||1777||Bright as the sun's meridian blaze||[[William Shrubsole]]||L.M.||
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|align=right|191||align=right| ||align=right|150||Love Divine||||1835||Charles Wesley||1747||87.87.D.||
|align=right|188||align=right|193||align=right|153||align=right|152||[[Contemplation (Anonymous)|Contemplation]]||[[Anonymous]]||||When quiet in my house I sit||[[Charles Wesley]]||88.88.88.||
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|align=right|192||align=right|151||align=right|151||Luton||G. Burder||1777||William Shrubsole||1795||L.M.||
|align=right|187||align=right|194||align=right|152||align=right|152||Lovest thou me?||||||Hark, my soul! It is the Lord||[[William Cowper]]||77.77.||
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|align=right|193||align=right|153||align=right|152||Contemplation||||||Charles Wesley||1762||88.88.88.||
|align=right|189||align=right|195||align=right|153||align=right|153||[[Sincerity (George Wall)|Sincerity]]||[[George Wall]]||1814||Jesus' precious name excels||||77.77.||
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|align=right|194||align=right|152||align=right|152||Lovest thou me?||||||William Cowper||1779||77.77.||
|align=right|190||align=right|196||align=right|153||align=right|153||Frankfort||||||Lord, I cannot let thee go||[[Charles Wesley]]||77.77.||
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|align=right|195||align=right|153||align=right|153||Sincerity||George Wall||1814||Unattrib.||1831||77.77.||
|align=right|191|| ||align=right|154|| ||Cumberland||||||Who shall ascend thy heavenly place||[[Isaac Watts]]||L.M.||Ps.15
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|align=right|196||align=right|153||align=right|153||Frankfort||||||Charles Wesley||1749||77.77.||
|align=right|192||align=right|197||align=right|154||align=right|154||[[Haddam (Edward Harwood)|Haddam]]||[[Edward Harwood]]||1781||When overwhelmed with grief||[[Isaac Watts]]||S.M.||
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|align=right|197||align=right|154||align=right|154||Haddam||Edward Harwood||1781||Isaac Watts||1719||S.M.||
| ||align=right|198|| ||align=right|154||[[Arlington (Samuel Arne)|Arlington]]||[[Samuel Arne]]||1784||Am I a soldier of the cross||[[Isaac Watts]]||C.M.||
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|align=right|198||align=right| ||align=right|154||Arlington||Samuel Arne||1784||Isaac Watts||||C.M.||
|align=right|193||align=right|199||align=right|155||align=right|155||Archdale||||||Father, how wide thy glories shine||[[Charles Wesley]]||C.M.||
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|align=right|199||align=right|155||align=right|155||Archdale||||||Charles Wesley||1762||C.M.||
|align=right|195|| ||align=right|156|| ||Fraternity||||||When Joseph his brethren beheld||[[John Newton]]||L.M.D.||H.12
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|align=right|200||align=right|155||align=right|156||Shields||James Leach||1794||Isaac Watts||1709||C.M.||
|align=right|194||align=right|200||align=right|155||align=right|156||[[Shields (James Leach)|Shields]]||[[James Leach]]||1794||O, if my soul were formed for woe||[[Isaac Watts]]||C.M.||
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|align=right|201||align=right| ||align=right|156||Joseph's Tenderness||Thomas Clark||1811||John Newton||1779||L.M.||
| ||align=right|201|| ||align=right|156||[[Joseph's Tenderness (Thomas Clark)|Joseph's Tenderness]]||[[Thomas Clark]]||1811||When Joseph his brethren beheld||[[John Newton]]||L.M.||
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|align=right|202||align=right|157||align=right|157||Virginia||Oliver Brownson||1782||Isaac Watts||1719||C.M.||
|align=right|196||align=right|202||align=right|157||align=right|157||[[Virginia (Oliver Brownson)|Virginia]]||[[Oliver Brownson]]||1782||Lord, in the morning thou shalt hear||[[Isaac Watts]]||C.M.||
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|align=right|203||align=right|158||align=right|158||Portsmouth||Knibb, The Psalm-Singer's Help||1765||Charles Wesley||1749||66.66.88.||
|align=right|197||align=right|203||align=right|158||align=right|158||[[Portsmouth (Thomas Knibb)|Portsmouth]]||[[Thomas Knibb]]||1765||Blow ye the trumpets, blow||[[Charles Wesley]]||66.66.88.||
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|align=right|204||align=right|159||align=right|159||All Saints||William Knapp||1738||Isaac Watts||1709||L.M.||
|align=right|198||align=right|204||align=right|159||align=right|159||[[All Saints (William Knapp)|All Saints]]||[[William Knapp]]||1738||Why should we start, and fear to die||[[Isaac Watts]]||L.M.||
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|align=right|205||align=right|159||align=right|159||Bourbon||The Beauties of Harmony||1814||Isaac Watts||1719||L.M.||
|align=right|199||align=right|205||align=right|159||align=right|159||Bourbon||||1814||From deep distress and troubled thoughts||[[Isaac Watts]]||L.M.||
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|align=right|206||align=right|160||align=right|160||Abingdon||Jones||1820||Isaac Watts||1707||L.M.||
|align=right|201||align=right|206||align=right|160||align=right|160||[[Abingdon (Jones)|Abingdon]]||[[Jones]]||1820||The wondering world enquires to know||[[Isaac Watts]]||L.M.||
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|align=right|207||align=right|160||align=right|160||Mount Carmel||Oliver Holden||1803||Isaac Watts||1719||10 10.10 10.11 11.||
|align=right|202||align=right|207||align=right|160||align=right|160||[[Mount Carmel (Oliver Holden)|Mount Carmel]]||[[Oliver Holden]]||1803||I am the Savior, I the almighty God||[[Isaac Watts]]||10 10.10 10.11 11.||
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|align=right|208||align=right|161||align=right|161||Moreton||John Arnold||1757||John Needham||1768||L.M.||
|align=right|203||align=right|208||align=right|161||align=right|161||[[Moreton (John Arnold)|Moreton]]||[[John Arnold]]||1757||Look up, ye saints! Direct your eyes||[[John Needham]]||L.M.||
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|align=right|209||align=right|162||align=right|162||John Street||Law, The Rudiments of Music||1791||Isaac Watts||1719||L.M.||
|align=right|205||align=right|209||align=right|162||align=right|162||John Street||||1791||Jesus shall reign where-e'er the sun||[[Isaac Watts]]||L.M.||
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|align=right|210||align=right|164||align=right|164||Pilgrim's Farewell||Field||1793||Samuel Crossman||||88.88.66.66.48.||
|align=right|207||align=right|210||align=right|164||align=right|164||[[Pilgrim's Farewell (Field)|Pilgrim's Farewell]]||[[Field]]||1793||Farewell my friends, I must be gone||[[Samuel Crossman]]||88.88.66.66.48.||
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|align=right|211||align=right|165||align=right|165||St. Peter's||Edward Harwood||1786||Thomas Kelly||1806||L.M.||
|align=right|208||align=right|211||align=right|165||align=right|165||[[St. Peter's (Edward Harwood)|St. Peter's]]||[[Edward Harwood]]||1786||I hear a voice that comes from far||[[Thomas Kelly]]||L.M.||
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|align=right|212||align=right|165||align=right|165||Kedron||Amos Pilsbury||1799||Charles Wesley||1742||L.M.||
|align=right|209||align=right|212||align=right|165||align=right|165||[[Kedron (Amos Pilsbury)|Kedron]]||[[Amos Pilsbury]]||1799||Ye that pass by, behold the man||[[Charles Wesley]]||L.M.||
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|align=right|213||align=right|166||align=right|166||Greenwood||||1832||John Newton||1779||87.87.||
|align=right|210||align=right|213||align=right|166||align=right|166||[[Greenwood (Joseph Funk)|Greenwood]]||[[Joseph Funk]]||1832||Savior, visit thy plantation||[[John Newton]]||87.87.||
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|align=right|214||align=right|166||align=right|166||Harmonia||Elisha West||1793||Unattrib.||1769||886.886.||
|align=right|211||align=right|214||align=right|166||align=right|166||[[Harmonia (Elisha West)|Harmonia]]||[[Elisha West]]||1793||When thou, my righteous Judge, shall come||||886.886.||
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|align=right|215||align=right|167||align=right|167||Penitence||Eckhard, Choral-book||1816||Daniel Turner||1747||87.87.||
|align=right|212||align=right|215||align=right|167||align=right|167||[[Penitence ((chorale) Z.3749)|Penitence]]||[[(chorale) Z.3749]]||1816||Jesus, full of all compassion||[[Daniel Turner]]||87.87.||
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|align=right|216||align=right|168||align=right|168||Denmark||Martin Madan||1769||Isaac Watts||1719||L.M.||
|align=right|213||align=right|216||align=right|168||align=right|168||[[Denmark (Martin Madan)|Denmark]]||[[Martin Madan]]||1769||Before Jehovah's awful throne||[[Isaac Watts]]||L.M.||
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|align=right|217||align=right|170||align=right|170||Daughter of Zion||||||Unattrib.||1831||11 11.11 11.||
|align=right|214||align=right|217||align=right|170||align=right|170||Daughter of Zion||||||Daughter of Zion, awake from thy sadness||||11 11.11 11.||
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|align=right|218||align=right| ||align=right|171||Christian Farewell||Ananias Davisson||1820||Unattrib.||||11 11.11 11.||
|align=right|215|| ||align=right|171|| ||Kent||||||Come gracious Spirit, heavenly Dove||[[Simon Browne]]||L.M.||
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|align=right|219||align=right|171||align=right|171||Albion||Robert Boyd||1816||Philip Doddridge||1755||S.M.||
| ||align=right|218|| ||align=right|171||[[Christian Farewell (Ananias Davisson)|Christian Farewell]]||[[Ananias Davisson]]||1820||Farewell my dear brethren, the time is at hand||||11 11.11 11.||
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|align=right|220||align=right|172||align=right|172||Leoni||The Gospel Magazine||1775||Thomas Olivers||1770||66.84.D.||
|align=right|216||align=right|219||align=right|171||align=right|171||[[Albion (Robert Boyd)|Albion]]||[[Robert Boyd]]||1816||My soul, with joy attend||[[Philip Doddridge]]||S.M.||
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|align=right|221||align=right|172||align=right|172||Chapel||Johann Lampe||1746||Charles Wesley||1763||886.886.||
|align=right|217||align=right|220||align=right|172||align=right|172||[[Leoni (The Gospel Magazine)|Leoni]]||[[The Gospel Magazine]]||1775||Though nature's strength decay||[[Thomas Olivers]]||66.84.D.||
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|align=right|222||align=right|173||align=right|173||Waterford||Lewis Edson||1790||Isaac Watts||1719||668.668.||
|align=right|218||align=right|221||align=right|172||align=right|172||[[Chapel (Johann Lampe)|Chapel]]||[[Johann Lampe]]||1746||And am I only born to die||[[Charles Wesley]]||886.886.||
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|align=right|223||align=right|174||align=right|174||Baltimore||Cole, Sacred Harmony||1799||Isaac Watts||1709||S.M.||
|align=right|219||align=right|222||align=right|173||align=right|173||[[Waterford (Lewis Edson)|Waterford]]||[[Lewis Edson]]||1790||How pleased and blest was I||[[Isaac Watts]]||668.668.||
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|align=right|224||align=right|174||align=right|174||Bermondsey||Benjamin Milgrove||1781||Isaac Watts||||664.66.64.||
|align=right|221||align=right|223||align=right|174||align=right|174||[[Baltimore (John Cole)|Baltimore]]||[[John Cole]]||1799||Well, the Redeemer's gone||[[Isaac Watts]]||S.M.||
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|align=right|225||align=right|175||align=right|175||Gilgal||Thomas Shoel||1800||Isaac Watts||1709||L.M.||
|align=right|222||align=right|224||align=right|174||align=right|174||[[Bermondsey (Benjamin Milgrove)|Bermondsey]]||[[Benjamin Milgrove]]||1781||Glory to God on high||[[Isaac Watts]]||664.66.64.||
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|align=right|226||align=right|176||align=right|176||Trinity||Felice Giardini||1762||Anonymous||||664.66.64.||
|align=right|223||align=right|225||align=right|175||align=right|175||[[Gilgal (Thomas Shoel)|Gilgal]]||[[Thomas Shoel]]||1800||My dear Redeemer and my Lord||[[Isaac Watts]]||L.M.||
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|align=right|227||align=right|147||align=right|176||Farmington||Guillaume Franc||1557||Anne Steele||1760||L.M.||
|align=right|224|| ||align=right|176|| ||Plymouth||||||Return, O God of love, return||[[Isaac Watts]]||C.M.||Ps.90 Pt.3
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|align=right|228||align=right|177||align=right|177||Hotham||Martin Madan||1769||Charles Wesley||1740||77.77.D.||
|align=right|225||align=right|226||align=right|176||align=right|176||[[Trinity (Felice Giardini)|Trinity]]||[[Felice Giardini]]||1762||Come, thou almighty King||[[Anonymous]]||664.66.64.||
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|align=right|229||align=right|178||align=right|178||Amanda||Justin Morgan||1790||Isaac Watts||1719||L.M.||
|align=right|179||align=right|227||align=right|147||align=right|176||[[Farmington (Guillaume Franc)|Farmington]]||[[Guillaume Franc]]||1557||And is the gospel peace and love||[[Anne Steele]]||L.M.||
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|align=right|230||align=right|178||align=right|178||Alderton||Walker's Companion||1811||Charles Wesley||1747||886.886.||
|align=right|226||align=right|228||align=right|177||align=right|177||[[Hotham (Martin Madan)|Hotham]]||[[Martin Madan]]||1769||Jesus, lover of my soul||[[Charles Wesley]]||77.77.D.||
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|align=right|231||align=right|179||align=right|179||Hanover||Supplement to the New Version||1708||Charles Wesley||1741||10 10.11 11.||
|align=right|227||align=right|229||align=right|178||align=right|178||[[Amanda (Justin Morgan)|Amanda]]||[[Justin Morgan]]||1790||Through every age, eternal God||[[Isaac Watts]]||L.M.||
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|align=right|232||align=right|180||align=right|180||Lime House||Dixon, Psalmodia Christiana||1789||Isaac Watts||1709||L.M.||
|align=right|228||align=right|230||align=right|178||align=right|178||[[Alderton (Thomas Walker)|Alderton]]||[[Thomas Walker]]||1811||How happy is the pilgrim's lot||[[Charles Wesley]]||886.886.||
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|align=right|233||align=right|108||align=right|180||Salisbury||Oliver Brownson||1782||Charles Wesley||1742||76.76.78.76.||
|align=right|229||align=right|231||align=right|179||align=right|179||[[Hanover (Nicholas Brady)|Hanover]]||[[Nicholas Brady]]||1708||O all that pass by, to Jesus draw near||[[Charles Wesley]]||10 10.11 11.||
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|align=right|234||align=right|181||align=right|181||Loving Kindness||||||Samuel Medley||1782||L.M.||
|align=right|230||align=right|232||align=right|180||align=right|180||[[Lime House (J. Husband)|Lime House]]||[[J. Husband]]||1789||O, thou that hearest when sinners cry||[[Isaac Watts]]||L.M.||
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|align=right|235||align=right| ||align=right|182||Infinite Delight||Nikolaus Herman||1554||Isaac Watts||1706||C.M.||
|align=right|127||align=right|233||align=right|108||align=right|180||[[Salisbury (Oliver Brownson)|Salisbury]]||[[Oliver Brownson]]||1782||God of my salvation, hear||[[Charles Wesley]]||76.76.78.76.||
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|align=right|236||align=right|182||align=right|182||Greenwich New||Ralph Harrison||1784||Charles Wesley||1740||66.66.88.||
|align=right|231||align=right|234||align=right|181||align=right|181||Loving Kindness||||||Awake, my soul, in joyful lays||[[Samuel Medley]]||L.M.||
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|align=right|237||align=right|183||align=right|183||Examination||James Leach||1789||John Newton||1779||77.77.||
|align=right|232|| ||align=right|182|| ||Brussels||||||When shall thy lovely face be seen||[[Isaac Watts]]||L.M.||H.574
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|align=right|238||align=right| ||align=right|184||Christian Warfare||The Christian Lyre||1830||Anonymous||||77.75.D.||
| ||align=right|235|| ||align=right|182||[[Infinite Delight (Nikolaus Herman)|Infinite Delight]]||[[Nikolaus Herman]]||1554||Lord, tis an infinite delight||[[Isaac Watts]]||C.M.||
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|align=right|239||align=right|184||align=right|184||Broadmead||Dyer, A New Selection||1817||Gerhardt Tersteegen||1725||88.88.88.||
|align=right|233||align=right|236||align=right|182||align=right|182||[[Greenwich New (Ralph Harrison)|Greenwich New]]||[[Ralph Harrison]]||1784||Let heaven and earth agree||[[Charles Wesley]]||66.66.88.||
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|align=right|240||align=right|185||align=right|185||Day Star||||||Charles Wesley||1749||88.88.88.||
|align=right|234||align=right|237||align=right|183||align=right|183||[[Examination (James Leach)|Examination]]||[[James Leach]]||1789||Tis a point I long to know||[[John Newton]]||77.77.||
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|align=right|241||align=right|187||align=right|186||Unitia||Lucius Chapin||1812||John Newton||||10 10.11 11.||
|align=right|240||align=right|238||align=right|188||align=right|184||[[Christian Warfare (Deodatus Dutton)|Christian Warfare]]||[[Deodatus Dutton]]||1830||Soldiers of the cross, arise||[[Anonymous]]||77.75.D.||
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|align=right|242||align=right|186||align=right|186||St. Paul's||W. Arnold||1807||Charles Wesley||1743||76.76.77.76.||
|align=right|235||align=right|239||align=right|184||align=right|184||[[Broadmead (Thomas Shoel)|Broadmead]]||[[Thomas Shoel]]||1817||Thou hidden love of God, whose height||[[Gerhardt Tersteegen]]||88.88.88.||
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|align=right|243||align=right|186||align=right|187||Fairfield||Hitchcock||1791||Isaac Watts||1719||C.M.||
|align=right|236||align=right|240||align=right|185||align=right|185||Day Star||||||Where is my God, my joy, my hope||[[Charles Wesley]]||88.88.88.||
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|align=right|244||align=right|188||align=right|188||Chilton||Edward Harwood||1786||Charles Wesley||1747||886.886.||
|align=right|239||align=right|241||align=right|187||align=right|186||[[Unitia (Lucius Chapin)|Unitia]]||[[Lucius Chapin]]||1812||Begone, unbelief! My Savior is near||[[John Newton]]||10 10.11 11.||
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|align=right|245||align=right| ||align=right|188||Transport||Supplement Kentucky Harmony||1825||Unattrib.||1828||886.886.||
|align=right|237||align=right|242||align=right|186||align=right|186||[[St. Paul's (W. Arnold)|St. Paul's]]||[[W. Arnold]]||1807||To the hills I lift mine eyes||[[Charles Wesley]]||76.76.77.76.||
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|align=right|246||align=right|189||align=right|189||Wesley||||||||||11 11.11 11.||
|align=right|238||align=right|243||align=right|186||align=right|187||[[Fairfield (Hitchcock)|Fairfield]]||[[Hitchcock]]||1791||With reverence let the saints appear||[[Isaac Watts]]||C.M.||
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|align=right|247||align=right|190||align=right|190||Morning Psalm||Lyon, Urania||1761||Isaac Watts||1719||L.M.||
|align=right|241||align=right|244||align=right|188||align=right|188||[[Chilton (Edward Harwood)|Chilton]]||[[Edward Harwood]]||1786||Rejoicing now in glorious hope||[[Charles Wesley]]||886.886.||
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|align=right|248||align=right|190||align=right|190||Beulah||||||Unattrib.||1801||886.886.||
| ||align=right|245|| ||align=right|188||[[Transport (Benjamin White)|Transport]]||[[Benjamin White]]||1825||One spark, O God of heavenly fire||||886.886.||
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|align=right|249||align=right| ||align=right|191||Heavenly Flight||Brown, Bridgewater Collection||1816||Philip Doddridge||1755||L.M.||
|align=right|243||align=right|246||align=right|189||align=right|189||Wesley||||||Come, children of Zion, and help us to sing||||11 11.11 11.||
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|align=right|250||align=right|147||align=right|192||Straight Gate||Aaron Williams||1763||John Newton||1779||S.M.||
|align=right|244||align=right|247||align=right|190||align=right|190||[[Morning Psalm (James Lyon)|Morning Psalm]]||[[James Lyon]]||1761||My God, accept my early vows||[[Isaac Watts]]||L.M.||
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|align=right|251||align=right|192||align=right|192||Charleston||United States Sacred Harmony||1799||John Wingrove||1793||87.87.||
|align=right|245||align=right|248||align=right|190||align=right|190||Beulah||||||My God, thy boundless love we praise||||886.886.||
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|align=right|252||align=right|193||align=right|193||Scotland||||||Richard Burdsall||1770||12 12.12 12.14 12.||
|align=right|246|| ||align=right|191|| ||Carolan's||||||Young people all, in blooming days||||L.M.||
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|align=right|253||align=right|194||align=right|194||Calvary||Daniel Read||1785||Isaac Watts||||C.M.||
| ||align=right|249|| ||align=right|191||[[Heavenly Flight (John Stickney)|Heavenly Flight]]||[[John Stickney]]||1774||While on the verge of life I stand||[[Philip Doddridge]]||L.M.||
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|align=right|254||align=right|194||align=right|194||Italy||The Massachusetts Compiler||1795||William Tappan||1824||L.M.||
|align=right|247|| ||align=right|192|| ||Effort||||||||||10 10.10 10.||
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|align=right|255||align=right|195||align=right|195||Orramoor||Thomas Firth||1810||Isaac Watts||||L.M.||
|align=right|180||align=right|250||align=right|147||align=right|192||[[Straight Gate (Aaron Williams)|Straight Gate]]||[[Aaron Williams]]||1763||Destruction's dangerous road||[[John Newton]]||S.M.||
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|align=right|256||align=right|196||align=right|196||Protection||||||Robert Keen||||11 11.11 11.||
|align=right|248||align=right|251||align=right|192||align=right|192||[[Charleston (Amos Pilsbury)|Charleston]]||||1799||Hail, my ever-blessed Jesus||[[John Wingrove]]||87.87.||
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|align=right|257||align=right| ||align=right|196||Welch||Knibb, The Psalm-Singer's Help||1760||John Fawcett||1767||87.87.87.||
|align=right|249||align=right|252||align=right|193||align=right|193||Scotland||||||The voice of free grace cries escape to the mountain||[[Richard Burdsall]]||12 12.12 12.14 12.||
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|align=right|258||align=right|197||align=right|197||Conformity||||||Benjamin Beddome||1818||L.M.||
|align=right|250||align=right|253||align=right|194||align=right|194||[[Calvary (Daniel Read)|Calvary]]||[[Daniel Read]]||1785||My thoughts that often mount the skies||[[Isaac Watts]]||C.M.||
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|align=right|259||align=right|198||align=right|198||Broomsgrove||Dixon, Psalmodia Christiana||1789||Isaac Watts||1719||C.M.||
|align=right|251||align=right|254||align=right|194||align=right|194||[[Italy (Antonio Sacchini)|Italy]]||[[Antonio Sacchini]]||1795||The ransomed spirit to her home||[[William Tappan]]||L.M.||
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|align=right|260||align=right|196||align=right|198||Home||Henry Bishop||1823||David Denham||1826||11 11.11 11.5 11.||
|align=right|252||align=right|255||align=right|195||align=right|195||[[Orramoor (Thomas Firth)|Orramoor]]||[[Thomas Firth]]||1810||My God, permit me not to be||[[Isaac Watts]]||L.M.||
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|align=right|261||align=right|199||align=right|199||St. Stephens||||||Augustus Toplady||1776||C.M.||
|align=right|253|| ||align=right|196|| ||Portland||||||||||886.886.||
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|align=right|262||align=right| ||align=right|200||Missionary's Farewell||||||Unattrib.||||88.88.88.||
|align=right|254||align=right|256||align=right|196||align=right|196||[[Protection (FIRST HERE)|Protection]]||[[FIRST HERE]]||1832||How firm a foundation, ye saints of the Lord||[[Robert Keen]]||11 11.11 11.||
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|align=right|263||align=right|200||align=right|200||Peterborough||Seymour, The Musical Instructor||1803||Samuel Stennett||1787||C.M.||
| ||align=right|257|| ||align=right|196||[[Welch (Thomas Knibb)|Welch]]||[[Thomas Knibb]]||1760||O my soul, what means this sadness||[[John Fawcett]]||87.87.87.||
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|align=right|264||align=right| ||align=right|201||Spring||Virginia Sacred Musical Repository||1818||Charles Wesley||1762||88.88.77.||
|align=right|256||align=right|258||align=right|197||align=right|197||Conformity||||||Jesus, my Savior, let me be||[[Benjamin Beddome]]||L.M.||
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|align=right|265||align=right|201||align=right|202||Heavenly Vision||Jacob French||1786||||||Anthem||
|align=right|257||align=right|259||align=right|198||align=right|198||[[Broomsgrove (William Dixon)|Broomsgrove]]||[[William Dixon]]||1789||My Savior, my almighty friend||[[Isaac Watts]]||C.M.||
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|align=right|266||align=right|203||align=right|204||Conversion||||||Stocker||1776||11 11.11 11.||
|align=right|255||align=right|260||align=right|196||align=right|198||[[Home (Henry Bishop)|Home]]||[[Henry Bishop]]||1823||Mid scenes of confusion and creature complaints||[[David Denham]]||11 11.11 11.5 11.||
|-
|-
|align=right|267||align=right|204||align=right|204||Delight||William Markham||1725||Isaac Watts||1719||C.M.||
|align=right|258||align=right|261||align=right|199||align=right|199||St. Stephens||||||When langor and disease invage||[[Augustus Toplady]]||C.M.||
|-
|-
|align=right|268||align=right| ||align=right|205||Hiding Place||Isaac Smith||1796||John AndrΘ||1780||L.M.||
| ||align=right|262|| ||align=right|200||Missionary's Farewell||||||Farewell, my brethren in the Lord||||88.88.88.||
|-
|-
|align=right|269||align=right|188||align=right|206||Canton||Law, The Art of Singing||1799||Isaac Watts||1719||668.668.||
|align=right|259||align=right|263||align=right|200||align=right|200||[[Peterborough (Lewis Seymour)|Peterborough]]||[[Lewis Seymour]]||1803||What wisdom, majesty, and grace||[[Samuel Stennett]]||C.M.||
|-
|-
|align=right|270||align=right|206||align=right|206||Queensborough||Thomas Clark||1805||Josiah Conder||1824||87.87.D.||
| ||align=right|264|| ||align=right|201||[[Spring (James Boyd)|Spring]]||[[James Boyd]]||1818||The voice of my beloved sounds||[[Charles Wesley]]||88.88.77.||
|-
|-
|align=right|271||align=right| ||align=right|207||Tender Mercy||Truman Wetmore||1798||Isaac Watts||1719||S.M.||
|align=right|261||align=right|265||align=right|201||align=right|202||[[Heavenly Vision (Jacob French)|Heavenly Vision]]||[[Jacob French]]||1786||I beheld, and lo! A great multitude||||Anthem||
|-
|-
|align=right|272||align=right|205||align=right|208||Bath Abbey||Benjamin Milgrove||1781||Augustus Toplady||1776||77.77.77.||
|align=right|262||align=right|266||align=right|203||align=right|204||Conversion||||||Thy mercy, O God, is the theme of my song||[[Stocker]]||11 11.11 11.||
|-
|-
|align=right|273||align=right| ||align=right|209||Bridgewater||Lewis Edson||1782||Simon Browne||1720||L.M.||
|align=right|263||align=right|267||align=right|204||align=right|204||[[Delight (William Markham)|Delight]]||[[William Markham]]||1725||O, how I love thy holy law||[[Isaac Watts]]||C.M.||
|-
|-
|align=right|274||align=right| ||align=right|209||Youthful Piety||Amzi Chapin||1813||Jane Taylor||1809||C.M.||
| ||align=right|268|| ||align=right|205||[[Hiding Place (Isaac Smith)|Hiding Place]]||[[Isaac Smith]]||1796||Hail, sovereign love, that first began||[[Jehoiada Brewer]]||L.M.||
|-
|-
|align=right|275||align=right| ||align=right|210||Deliverance||||1832||Charles Wesley||1746||88.88.88.||
|align=right|242||align=right|269||align=right|188||align=right|206||Canton||||1799||How pleasant tis to see||[[Isaac Watts]]||668.668.||
|-
|-
|align=right|276||align=right| ||align=right|210||Wethersfield||||||Isaac Watts||1709||L.M.||
|align=right|265||align=right|270||align=right|206||align=right|206||[[Queensborough (Thomas Clark)|Queensborough]]||[[Thomas Clark]]||1805||O the hour when this material||[[Josiah Conder]]||87.87.D.||
|-
|-
|align=right|277||align=right|30||align=right|212||Invocation||||||Unattrib.||1831||77.76.77.76.||
| ||align=right|271|| ||align=right|207||[[Tender Mercy (Truman Wetmore)|Tender Mercy]]||[[Truman Wetmore]]||1798||My soul, repeat his praise||[[Isaac Watts]]||S.M.||
|-
|-
|align=right|278||align=right| ||align=right|212||Solemn Summons||A. Knapp||1810||Unattrib.||1831||L.M.||
|align=right|264||align=right|272||align=right|205||align=right|208||[[Bath Abbey (Benjamin Milgrove)|Bath Abbey]]||[[Benjamin Milgrove]]||1781||Deathless principle, arise||[[Augustus Toplady]]||77.77.77.||
|-
|-
|align=right|279||align=right|163||align=right|213||Old German||Harmonia Sacra||1754||John Gambold||||55.65.||
| ||align=right|273|| ||align=right|209||[[Bridgewater (Lewis Edson)|Bridgewater]]||[[Lewis Edson]]||1782||Come, gracious Spirit, heavenly Dove||[[Simon Browne]]||L.M.||
|-
|-
|align=right|280||align=right|200||align=right|214||Ganges||Columbian and European Harmony||1802||Samson Occum||1774||886.886.||
| ||align=right|274|| ||align=right|209||[[Youthful Piety (Amzi Chapin)|Youthful Piety]]||[[Amzi Chapin]]||1813||Come, let us now forget our mirth||[[Jane Taylor]]||C.M.||
|-
|-
|align=right|281||align=right| ||align=right|214||Believer's Repose||Zerubbabel Wyvill||1802||Robert Grant||1815||88.88.88.||
| ||align=right|275|| ||align=right|210||Deliverance||||1832||How blest is our brother, bereft||[[Charles Wesley]]||88.88.88.||
|-
|-
|align=right|282||align=right|117||align=right|215||Kirke||||1835||John Fawcett||1780||L.M.||
| ||align=right|276|| ||align=right|210||Wethersfield||||||Far from my thoughts, vain world, begone||[[Isaac Watts]]||L.M.||
|-
|-
|align=right|283||align=right| ||align=right|216||Sublimity||A Collection of Psalm and Hymn Tunes||1802||Isaac Watts||1719||S.M.||
|align=right|5||align=right|277||align=right|30||align=right|212||Invocation||||||Draw nigh to us, Jehovah||||77.76.77.76.||
|-
|-
|align=right|284||align=right|100||align=right|216||Jerusalem||The American Musical Magazine||1787||Isaac Watts||1719||L.M.||
| ||align=right|278|| ||align=right|212||[[Solemn Summons (A. Knapp)|Solemn Summons]]||[[A. Knapp]]||1810||How solemn the signal I hear||||L.M.||
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|align=right|285||align=right|92||align=right|218||New Year||||||Charles Wesley||1749||55.5 11.||
|align=right|206||align=right|279||align=right|163||align=right|213||[[Old German ((chorale) Z.1445)|Old German]]||[[(chorale) Z.1445]]||1754||O tell me no more||[[John Gambold]]||55.65.||
|-
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|align=right|286||align=right| ||align=right|218||Blessed Infancy||Thomas Shoel||1800||Samuel Stennett||1787||C.M.||
|align=right|260||align=right|280||align=right|200||align=right|214||[[Ganges (Batholomew Brown)|Ganges]]||[[Batholomew Brown]]||1802||Awaked by Sinai's awful sound||[[Samson Occum]]||886.886.||
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|align=right|287||align=right| ||align=right|219||Boundless Mercy||||1832||Anonymous||||76.76.D.||
| ||align=right|281|| ||align=right|214||[[Believer's Repose (Zerubbabel Wyvill)|Believer's Repose]]||[[Zerubbabel Wyvill]]||1802||When gathering clouds around I view||[[Robert Grant]]||88.88.88.||
|-
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|align=right|288||align=right| ||align=right|220||Come, Ye Disconsolate||Samuel Webbe||1790||Thomas Moore||1816||11 10.11 10.||
|align=right|140||align=right|282||align=right|117||align=right|215||Kirke||||1835||With melting heart and weeping eyes||[[John Fawcett]]||L.M.||
|-
|-
|align=right|289||align=right| ||align=right|220||Invitation||Benjamin Cuzens||1802||Isaac Watts||1707||L.M.||
| ||align=right|283|| ||align=right|216||Sublimity||||1802||Behold the lofty sky||[[Isaac Watts]]||S.M.||
|-
|align=right|116||align=right|284||align=right|100||align=right|216||[[Jerusalem (Daniel Read)|Jerusalem]]||[[Daniel Read]]||1787||Lord, I am thine, but thou wilt prove||[[Isaac Watts]]||L.M.||
|-
|align=right|108||align=right|285||align=right|92||align=right|218||New Year||||||Come, let us anew||[[Charles Wesley]]||55.5 11.||
|-
| ||align=right|286|| ||align=right|218||[[Blessed Infancy (Thomas Shoel)|Blessed Infancy]]||[[Thomas Shoel]]||1800||Thy life I read, my dearest Lord||[[Samuel Stennett]]||C.M.||
|-
| ||align=right|287|| ||align=right|219||Boundless Mercy||||1832||Drooping souls, no longer grieve||[[Anonymous]]||76.76.D.||
|-
| ||align=right|288|| ||align=right|220||[[Come, Ye Disconsolate (Samuel Webbe)|Come, Ye Disconsolate]]||[[Samuel Webbe]]||1790||Come, ye disconsolate, where-e'er you langish||[[Thomas Moore]]||11 10.11 10.||
|-
| ||align=right|289|| ||align=right|220||[[Invitation (Benjamin Cuzens)|Invitation]]||[[Benjamin Cuzens]]||1802||Come hither, all ye weary souls||[[Isaac Watts]]||L.M.||
|-
|-
|}
|}
==Works at CPDL==
==Works at CPDL==
{{MultiPubList|yr,com,arr,lyr,first,subg,vo,met|1835}}
{{MultiPubList|pg,yr,com,arr,lyr,first,subg,vo,met}}


[[Category:Music publications]]
[[Category:Music publications]]
{{DEFAULTSORT:{{WorkSorter}}}}
{{DEFAULTSORT:{{WorkSorter}}}}

Latest revision as of 01:57, 21 July 2023

General Information

Title: A Compilation of Genuine Church Music

Full Title: A Compilation of Genuine Church Music, Comprising a Variety of Meters, All Harmonized for Three Voices, Together with a Copious Elucidation of the Science of Vocal Music (1832-1847).

Editor - Compiler: Joseph Funk

Publications using VolumesEditions

1 – Published 1832 – by Robinson and Hollis in Winchester, Virginia
2 – Published 1835 – by Robinson and Hollis in Winchester, Virginia, 224 pp.
3 – Published 1842 – by Henry Wartmann in Harrisonburg, Virginia
4 – Published 1847 – by Joseph Funk and Sons in Mountain Valley, Virginia

Description: Influenced by Wyeth's Repository (1813), Patterson's Church Music (1813), Freeman Lewis' Beauties of Harmony (1814), Davisson's Kentucky Harmony (1816), and Leavitt's Christian Lyre (1830). In turn, influenced Walker's Southern Harmony (1835) and Southern and Western Pocket Harmonist (1846), White and King's Sacred Harp (1844), and Hauser's Hesperian Harp (1848). See Harmonia Sacra for editions after 1847. Winchester, Virginia is about 65 miles up the Shenandoah Valley from Harrisonburg, and Mountain Valley is 12 miles northeast of Harrisonburg. Ananias Davisson of Kentucky Harmony fame lived in Harrisonburg for most of his adult life until his death in 1847. It is likely that the musical type used in this book's first two editions was borrowed from Davisson.

External websites:

References

  • Doerfler, Amy M. 2011. Joseph Funk’s "A Compilation Of Genuine Church Music" (1832): An Analysis of Music and Methods. Part II of Mass for Full Orchestra and SATB Chorus, Ph. D. Dissertation, Kent State University. 148 pp. (starts on the 113th page of the PDF).
  • Eskew, Henry. 1996. The Harmonia Sacra handbook: A compilation of genuine information. The Hymn 47(2):56.

List of works

1832
no.
1835
no.
1832
pg.
1835
pg.
Title Composer Pub.
Year
First line Author Meter Comment
1 25 Divinity Joseph Funk 1835 Awake, awake the sacred song Anne Steele C.M.
2 26 Paradise Thomas Walker 1811 My God, the spring of all my joys Isaac Watts C.M.
3 26 Athens Tommaso Giordani 1800 Beyond the glittering, starry skies James Fanch C.M.
1 27 Milan Awake, awake the sacred song Anne Steele C.M.
18 4 37 27 Brunswick William Lawrence 1719 Why doth the man of riches grow Isaac Watts C.M.
2 5 28 28 Advocate 1831 Savior, I do feel thy merit 87.87.D.
6 28 Zion's Light William Nicholson 1820 That glorious day is drawing nigh John Leland C.M.
3 7 29 29 London Scottish Psalter 1635 Now let our cheerful eyes survey Philip Doddridge C.M.
109 8 94 30 Gospel Trumpet John Cole 1799 Hark, how the gospel trumpet sounds John Cole 88.88.84.
4 9 30 30 Sweet Affliction 1820 In the floods of tribulation Samuel Pearce 87.87.47.
6 10 31 31 Rockingham Amzi Chapin 1813 Come, happy souls, approach your God Isaac Watts C.M.
7 32 Norfolk Indulgent Father, how divine Sowden C.M.
11 32 Missionary Herald William E. Miller 1803 Ye messengers of Christ Mrs. Vokes S.M.
8 12 32 32 Confidence Joseph Funk 1832 When Hannah, pressed with grief John Newton 66.66.88.
9 13 33 33 Mount Tabor Francois Barthelemon 1790 On Tabor's top the Savior stands William Collyer L.M.
10 14 33 33 Old Hundred Louis Bourgeois 1561 To God the great, the ever blessed Isaac Watts L.M.
11 15 34 34 Greenville Amazing grace! How sweet the sound John Newton C.M.
16 34 Illumination Lowell Mason Hail to the Lord's anointed James Montgomery 76.76.D.
13 17 35 35 Christmas George Frederic Handel 1728 Hark! From on high those blissful strains Joseph Funk C.M.
15 18 36 36 Suffolk William Billings 1770 Where is my God? Does he retire Anne Steele L.M.
16 19 36 36 Kingwood R. D. Humphreys 1820 When, with my mind devoutly pressed Moses Browne 88.68.86.
12 20 34 37 Mear Em. Mathews 1720 Sing to the Lord, ye distant lands Isaac Watts C.M.
19 38 Happiness Of all the joys we mortals know Isaac Watts L.M.
20 21 38 38 Adisham 1793 How pleasant and divinely fair Isaac Watts L.M.
14 22 35 38 Swanwich John Lucas 1789 Father of mercies, in thy word Anne Steele C.M.
21 23 39 39 Braintree Thomas Butts 1754 This is the day thue Lord hath made Isaac Watts C.M.
23 24 40 40 Peckham Isaac Smith 1775 To God, the only wise Isaac Watts S.M.
24 25 40 40 Cambridge John Randall 1786 How did my heart rejoice to hear Isaac Watts C.M.
25 26 41 41 Standish Robert Bennet 1699 Come, Holy Spirit, heavenly Dove Isaac Watts C.M.
26 27 41 41 Stroudwater Matthew Wilkins 1723 I'll speak the honors of my King Isaac Watts C.M.
27 28 42 42 Walsal Matthew Wilkins 1723 How shall the young secure their hearts Isaac Watts C.M.
28 29 42 42 Warwick Samuel Stanley 1800 How sweet the name of Jesus sounds John Newton C.M.
29 30 43 43 St. Ann’s William Croft 1708 My God, my portion and my love Isaac Watts C.M.
30 31 43 43 Winter Daniel Read 1785 Happy the soul that lives on high Isaac Watts C.M.
31 32 44 44 Pleyel's Hymn Ignaz Pleyel 1788 Sinners turn, why will you die Charles Wesley 77.77.
32 33 44 44 Egypt James Leach 1794 And must this body die Isaac Watts S.M.
33 34 45 45 St. Thomas Aaron Williams 1763 Shall wisdom cry aloud Isaac Watts S.M.
34 35 45 45 Bloomfield 1799 My sorrows, like a flood Isaac Watts S.M.
35 36 46 46 Bedford William Wheal 1720 Early, my God, without delay Isaac Watts C.M.
36 37 46 46 Stockbridge Alexander Gillet 1792 Though troubles assail, and dangers affright John Newton 10 10.11 11.
37 38 47 47 Carmarthen 1778 Arise, my soul, arise Charles Wesley 66.66.88.
38 39 48 48 Alfreton W. Beastall 1814 O thou, to whose all-searching sight Nicolaus Zinzendorf L.M.
39 40 48 48 Tamworth C. Lockhart 1792 O thou God of my salvation Thomas Olivers 87.87.87.
40 41 49 49 Oldford William Rogers 1686 Sure there's a righteous God Isaac Watts S.M.
41 42 49 49 Suffield Oliver King 1779 Teach me the measure of my days Isaac Watts C.M.
42 43 50 50 Shoel Thomas Shoel 1794 Who is this fair one in distress Isaac Watts L.M.
43 44 50 50 Kimbolton Stephen Addington 1786 So let our lives and lips express Isaac Watts L.M.
44 45 51 51 Condescension Isaiah Tucker 1792 There is a house not made with hands Isaac Watts C.M.
45 46 52 52 New Sabbath Stephen Addington 1788 Jesus, my Savior, brother, friend Charles Wesley L.M.
46 47 52 52 Kingsbridge William Smith 1754 Great God, indulge my humble claim Isaac Watts L.M.
47 48 53 53 Shirland Samuel Stanley 1799 My God, my life, my love Isaac Watts S.M.
48 49 54 54 Castle Street Stephen Addington 1788 Now to the Lord a noble song Isaac Watts L.M.
49 50 54 54 Carr’s Lane Samuel Stanley 1800 Ye humble souls that seek the Lord Philip Doddridge C.M.
50 51 55 55 Dublin William Daman 1591 Out of the deeps of long distress Isaac Watts C.M.
51 52 56 56 Dresden Lo, he comes with clouds descending Charles Wesley 87.87.87.
52 53 56 56 St. Olaves J. Husband 1789 Father, I stretch my hands to thee Charles Wesley C.M.
54 54 58 57 Isle of Wight 1711 My God, consider my distress Isaac Watts C.M.
55 55 58 57 Berlin Thomas Clark 1811 I send the joys of earth away Isaac Watts L.M.
56 56 59 58 Burstall 1761 O for a closer walk with God William Cowper C.M.
53 57 57 58 Zion House of our God, with cheerful anthems ring Philip Doddridge 10 10.10 10.11 11.
57 58 59 59 Brewer John Hall 1800 What happy men or angels these Isaac Watts L.M.
59 59 61 60 Aylesbury John Chetham 1717 I lift my soul to God Isaac Watts S.M.
58 60 60 60 Mystery James Leach 1789 Jesus drinks the bitter cup Charles Wesley 76.76.77.76.
60 61 61 61 Crowle James Green 1724 God of my life, look gently down Isaac Watts C.M.
61 62 62 62 Anxiety James Leach 1794 Often I seek my Lord by night Isaac Watts L.M.
62 63 62 62 Plymouth Dock William E. Miller 1803 Jesus, thy boundless love to me Paul Gerhardt 88.88.88.
63 64 63 63 Dunlap’s Creek Samuel McFarland 1814 Sing to the Lord, ye heavenly hosts Isaac Watts C.M.
64 65 64 64 Mount Ephraim Benjamin Milgrove 1768 Your harps, ye trembling saints Augustus Toplady S.M.
65 66 64 64 New Hope Ananias Davisson 1820 Come, we that love the Lord Isaac Watts S.M.
66 67 65 65 New Salem 1813 O thou in whose presence my soul takes delight Joseph Swain 11 8.11 8.
68 65 Tallis' Evening Hymn Thomas Tallis 1567 Glory to thee, my God, this night Thomas Ken L.M.
67 65 Worksop As on the cross the Savior hung Samuel Stennett C.M.
68 69 66 66 Milton Samuel Arnold 1791 On Jordan's stormy banks I stand John Stennett C.M.
70 66 The Dying Penitent As on the cross the Savior hung Samuel Stennett C.M.
70 67 Wantage Samuel Stanley Our days, alas, our mortal days Isaac Watts C.M.
73 71 69 67 Bangor William Tansur 1735 Hark! From the tombs a doleful sound Isaac Watts C.M.
71 72 68 68 Harmony James Leach 1794 O what shall I do my Savior to praise Charles Wesley 10 10.11 11.
72 68 Leeds William Croft Shine, mighty God, on our land shine Isaac Watts C.M. Ps.67
73 68 The Band of Love Edward Miller 1800 Our souls, by love together knit Edward Miller C.M.
74 74 70 70 Matthias Samuel Stanley 1800 Almighty Maker, God Isaac Watts S.M.
75 75 70 70 Brandenburg O when shall I see Jesus John Leland 76.76.D.
76 76 71 71 St. Brides Samuel Howard 1762 Blest comforter divine Lydia Sigourney S.M.
77 77 72 72 Falmouth Martin Madan 1769 What are these arrayed in white Charles Wesley 77.77.77.
78 78 73 73 Fairfax William Smith 1754 Depth of mercy! Can there be Charles Wesley 77.77.
79 79 73 73 Windham Daniel Read 1785 Broad is the road that leads to death Isaac Watts L.M.
81 80 74 74 Hamilton James Leach 1789 When at this distance, Lord, we trace Philip Doddridge L.M.
82 81 74 74 Mount Calvary Stephen Jenks 1803 Hearts of stone, relent! Relent! Charles Wesley 77.77.
80 82 73 75 Judgment 1835 Day of judgment! Day of wonders John Newton 87.87.87.
83 83 76 76 Armley Georg Neumark 1657 Thee whom my soul admires above Isaac Watts L.M.
84 84 76 76 Shepherd of Israel H. Phillips 1796 Thou shepherd of Israel and mine Charles Wesley L.M.
85 85 77 77 Alarming Voice James Boyd 1818 Sinner, art thou still secure John Newton 77.77.
86 86 78 78 Redeeming Love John Worgan 1765 Now begin the heavenly theme Anonymous 77.77.
87 87 78 78 Hampton James Leach 1789 Away with our sorrow and fear Charles Wesley L.M.
88 88 79 79 Munich Ralph Harrison 1788 Behold a stranger at the door Joseph Grigg L.M.
89 89 80 80 Carlisle Martin Madan 1772 Glorious things of thee are spoken John Newton 87.87.D.
90 90 81 81 Bavaria Why shrinks my weak nature Anonymous 11 11.11 11.
91 91 81 81 Lisbon Daniel Read 1785 Welcome, sweet day of rest Isaac Watts S.M.
92 92 82 82 Vernon Jeremiah Ingalls 1805 Come, O thou traveler unknown Charles Wesley 88.88.88.
93 93 82 82 Little Marlborough Aaron Williams 1763 Lord, what a feeble piece Isaac Watts S.M.
94 94 83 83 Windsor William Daman 1591 That awful day will surely come Isaac Watts C.M.
95 95 83 83 Bath James Green 1713 Nature with open volume stands Isaac Watts L.M.
97 96 84 84 Light Street William E. Miller 1813 In songs of sublime adoration Robert Keen 11 8.11 8.D.
98 85 Jubilation O'er the gloomy hills of darkness John Rippon 87.87.47. H.428
97 85 Eden of Love Joseph Funk 1830 How sweet to reflect on those joys W. C. Tillou 12 11.12 11.
100 98 87 86 Felicity Earth has engrossed my love too long Augustus Toplady C.M.
101 99 87 86 Wiltshire Joseph Stephenson 1740 From thee, my God, my joys shall rise Isaac Watts C.M.
96 100 83 87 Rochester Israel Holdroyd 1722 Come children, learn to fear the Lord Isaac Watts C.M.
99 101 86 88 Primrose Amzi Chapin 1812 Hosanna to the Prince of light Isaac Watts C.M.
17 102 36 88 Idumea Ananias Davisson 1816 Is this the kind return Isaac Watts S.M.
102 103 89 89 Magdeburg 1742 Bless, O my soul, the living God Isaac Watts L.M.
103 104 89 89 Cookham William Smith 1754 Holy Jesus, lovely Lamb Charles Wesley 77.77.
104 105 90 90 Amsterdam Johann Hille 1742 Rise, my soul, and stretch thy wings Robert Seagrave 76.76.D.
105 106 90 90 Olney James Boyd 1818 Hail! Thou once despised Jesus 87.87.D.
106 107 91 91 Devotion Alexander Johnson 1818 O for a sweet inspiring ray Anne Steele L.M.
107 108 92 92 Devizes James Tucker 1792 Thrice happy souls who born from heaven Philip Doddridge C.M.
22 109 39 92 Newton Isaac Smith 1779 Far as thy name is known Isaac Watts S.M.
112 110 96 93 Rockbridge Lucius Chapin 1812 Sweet is the work, my God, my King Isaac Watts L.M.
111 94 Conquest (chorale) Z.6699 1790 Dark and thorny is the desert Anonymous 87.87.D.
110 112 94 94 Oporto John Wade 1795 Hither, ye faithful, haste with songs of triumph The Christian Lyre 11 11.11 10.
111 113 95 95 Georgia 1786 Lord, if thine eyes survey our faults Isaac Watts C.M.
113 114 96 96 Brookfield William Billings 1770 Remember, Lord, our mortal state Isaac Watts L.M.
115 96 Tisbury J. Husband 1790 Let every mortal ear attend Isaac Watts C.M.
114 116 97 97 Solemnity Ananias Davisson 1817 Twas on that night, that doleful night Isaac Watts L.M.
115 117 98 98 Ascension Jesus, our triumphant head Joseph Hart 77.77.D.
118 100 Female Pilgrim Anonymous 1813 Whither goest thou, pilgrim stranger The Christian Lyre 87.87.D.
119 100 Christian Hope Joseph Funk 1835 My soul would fain indulge a hope Joseph Steward C.M.
120 101 Orland W. Arnold 1807 Awake, Jerusalem, awake Charles Wesley L.M.
117 121 101 102 Mendon William Billings 1781 Vain, delusive world, adieu Charles Wesley 76.76.78.76.
118 122 102 102 Romaine Charles Banister 1792 From Greenland's icy mountains Reginald Heber 76.76.D.
119 123 103 103 Truro 1778 Great God, let all my tuneful powers Ottiwell Heginbothom L.M.
120 124 104 104 Star in the East Deodatus Dutton 1830 Hail the blest morn, when the great mediator Reginald Heber 11 10.11 10.
121 125 105 104 Pisgah James Lowry 1817 When I can read my title clear Isaac Watts C.M.
122 126 105 105 Solon There is a fountain filled with blood William Cowper C.M.
123 106 Jacob's Well At Jacob's Well a stranger sought Joseph Grigg C.M.
200 127 160 106 Lenox Lewis Edson 1782 Hark, hark! The notes of joy Andrew Reed 66.66.88.
128 106 Warning Voice Stop, poor sinners, stop and think John Newton 76.76.77.76.
124 129 107 107 New Mark Amos Bull 1813 Let Zion's watchmen all awake Philip Doddridge C.M.
69 130 66 108 Mount Pleasant James Leach 1789 Those glorious minds, how bright they shine Isaac Watts C.M.
125 131 108 108 Christ's Invitation Amazing sight! The Savior stands Henry Alline C.M.
128 132 109 109 Hamburg (Chorale) Precious Bible! What a treasure John Newton 87.87.77.
129 133 110 110 Dunkirk Lift your eyes of faith, and see Charles Wesley 77.77.D.
130 134 110 111 Supplication Lucius Chapin 1810 Show pity, Lord, O Lord, forgive Isaac Watts L.M.
131 135 111 111 Wells Israel Holdroyd 1722 Ye nations round the earth, rejoice Isaac Watts L.M.
132 112 Yarmouth Ye simple souls that stray John Wesley S.M.
126 136 108 112 Barby William Tansur 1742 The Savior! O what endless charms Anne Steele C.M.
133 137 112 112 Friendship Charles Woodward 1812 Ye simple souls that stray Charles Wesley 66.66.86.86.
134 138 113 113 Union Alexander Gillet 1781 God moves in a mysterious way William Cowper C.M.
135 139 114 114 New Monmouth Lucius Chapin 1812 Come thou fount of every blessing Robert Robinson 87.87.
136 140 114 114 Pleyel's Second Ignaz Pleyel 1786 O joyful sound of gospel grace Charles Wesley C.M.
137 141 115 115 Watchman James Leach 1794 My God, permit my tongue Isaac Watts S.M.
138 142 116 116 St. Dennis John Whitaker 1819 Thou sweet gliding Kedron, by thy silver streams Maria De Fleury 11 11.11 11.
139 143 116 116 Portugal Thomas Thorley 1778 How lovely, how divinely sweet Anne Steele L.M.
144 117 Melody Sinners, take the friendly warning Village Hymns 87.87.
141 145 118 118 New Concord W. Parkinson O how happy are they Charles Wesley 669.669.
142 146 118 118 Littleton Aaron Williams 1763 Lo! He cometh; countless trumpets John Cennick 87.87.87.
143 147 119 119 Irish 1749 I'll bless the Lord from day to day Isaac Watts C.M.
144 148 120 120 Fiducia J. Robertson 1813 Father, I long, I faint to see Isaac Watts C.M.
145 149 120 120 Liberty William E. Miller 1813 Lo! God is here, let us adore Gerhardt Tersteegen 88.88.88.
146 150 121 121 Retirement Ananias Davisson 1820 When I survey the wondrous cross Isaac Watts L.M.
147 151 122 122 Miles’ Lane William Shrubsole 1779 All hail the powers of Jesus' name Edward Perronet C.M.
148 152 122 122 Dover Timothy Swan 1792 My soul, thy great Creator praise Isaac Watts L.M.
149 153 123 123 Bethel Lucius Chapin 1812 Let Zion and her sons rejoice Isaac Watts C.M.
150 154 124 124 Salem Bovelle 1817 He dies, the firned of sinners dies Isaac Watts L.M.
151 155 124 124 Middleton Amos Bull 1778 Hail the day that saw him rise Charles Wesley 77.77.D.
152 156 125 125 Ninety-Third Jeremiah Ingalls 1805 My Savior and my King Isaac Watts S.M.
153 157 126 126 Stafford Daniel Read 1782 Raise your triumphant songs Isaac Watts S.M.
154 158 126 126 Basil (chorale) Z.4429 1722 And can it be that I should gain Charles Wesley 88.88.88.
155 159 127 127 Liberty Hall Lucius Chapin 1810 Alas! And did my Savior bleed Isaac Watts C.M.
156 160 128 128 St. Martin's William Tansur 1748 Behold the glories of the Lamb Isaac Watts C.M.
204 161 162 128 Jordan William Billings 1786 There is a land of pure delight Isaac Watts C.M.
157 162 129 129 Consolation Lucius Chapin 1812 Once more, my soul, the rising day Isaac Watts C.M.
158 163 130 130 Easter Anthem William Billings 1787 The Lord is risen indeed Anthem
159 132 Clifton Mortals awake, with angels join Samuel Medley C.M.
160 164 133 132 Tender Thought Ananias Davisson 1816 Arise, my tenderest thoughts, arise Philip Doddridge L.M.
165 132 Disciple Jesus, I my cross have taken Henry Lyte 87.87.D.
161 166 133 133 New Hundred John Tufts 1723 Not to condemn the sons of men Isaac Watts L.M.
163 167 134 134 Communion Jeremiah Ingalls 1805 How sweet and awful is the place Isaac Watts C.M.
164 168 134 134 Petersfield 1808 Savior, prince of Israel's race Charles Wesley 77.77.77.
165 169 135 135 Sovereign Grace Tell me, Savior, from above 77.77.
166 170 136 136 Salvation Robert Boyd 1816 Come humble sinner, in whose breast Edmund Jones C.M.
167 171 136 136 Germany (chorale?) Come, Holy Ghost, dispel our sadness Paul Gerhardt 87.87.77.88.
168 172 137 137 Liverpool Robert Wainwright 1774 Let every tongue thy goodness speak Isaac Watts C.M.
173 138 Resurrection 1835 Angels, roll the rock away Thomas Scott 77.77.
162 174 133 138 Pensford Thomas Clark 1811 Hearken to the solemn voice Charles Wesley 76.76.77.76.
169 175 139 139 Exultation Anonymous 1813 Come away to the skies Charles Wesley 669.669.
170 176 140 140 Kershaw William E. Miller 1813 Come ye sinners, poor and needy Joseph Hart 87.87.87.
171 177 140 140 Lena Daniel Belknap 1794 See the Lord of glory dying Joseph Hart 88.78.87.
172 178 141 141 Winchester 1742 No more, dear Savior, will I boast Samuel Stennett L.M.
220 179 174 142 Salford James Leach 1794 With joy we meditate the grace Isaac Watts C.M.
173 180 142 142 Zion’s Pilgrim 1821 This is my beloved, his form is divine Joseph Swain 11 8.11 8.
174 181 143 143 Medfield William Mather 1797 My Shepherd will supply my need Isaac Watts C.M.
175 182 144 144 Greenfields 1818 How tedious and tasteless the hours John Newton L.M.
183 144 Anticipation Thomas Clark 1805 On earth the song begins Joseph Swain 66.66.88.
177 184 145 145 Newry John Hatton 1793 Now let our souls, on wings sublime Thomas Gibbons L.M.
176 185 144 146 Resignation Anonymous 1828 And let this feeble body fail Charles Wesley C.M.
178 186 146 146 Westford Daniel Read 1785 Descend from heaven, immortal Dove Isaac Watts L.M.
181 148 Annapolis My soul forsakes her vain delight Isaac Watts C.M. H.10 B.2
187 148 Social Band Jeremiah Ingalls 1805 Say now, ye lovely social band John Campell L.M.
182 188 148 148 Romney Johann Haydn 1806 Sometimes the light surprises William Cowper 76.76.D.
183 189 149 149 Augusta James Boyd 1818 While thee I seek, protecting power Helen Williams C.M.
184 150 Rapture Charles Wesley 87.87.D.
185 190 150 150 Triumph James Leach 1789 Lord, what a heaven of saving grace Isaac Watts L.M.
191 150 Love Divine 1835 Love divine, all loves excelling Charles Wesley 87.87.D.
186 192 151 151 Luton G. Burder 1777 Bright as the sun's meridian blaze William Shrubsole L.M.
188 193 153 152 Contemplation Anonymous When quiet in my house I sit Charles Wesley 88.88.88.
187 194 152 152 Lovest thou me? Hark, my soul! It is the Lord William Cowper 77.77.
189 195 153 153 Sincerity George Wall 1814 Jesus' precious name excels 77.77.
190 196 153 153 Frankfort Lord, I cannot let thee go Charles Wesley 77.77.
191 154 Cumberland Who shall ascend thy heavenly place Isaac Watts L.M. Ps.15
192 197 154 154 Haddam Edward Harwood 1781 When overwhelmed with grief Isaac Watts S.M.
198 154 Arlington Samuel Arne 1784 Am I a soldier of the cross Isaac Watts C.M.
193 199 155 155 Archdale Father, how wide thy glories shine Charles Wesley C.M.
195 156 Fraternity When Joseph his brethren beheld John Newton L.M.D. H.12
194 200 155 156 Shields James Leach 1794 O, if my soul were formed for woe Isaac Watts C.M.
201 156 Joseph's Tenderness Thomas Clark 1811 When Joseph his brethren beheld John Newton L.M.
196 202 157 157 Virginia Oliver Brownson 1782 Lord, in the morning thou shalt hear Isaac Watts C.M.
197 203 158 158 Portsmouth Thomas Knibb 1765 Blow ye the trumpets, blow Charles Wesley 66.66.88.
198 204 159 159 All Saints William Knapp 1738 Why should we start, and fear to die Isaac Watts L.M.
199 205 159 159 Bourbon 1814 From deep distress and troubled thoughts Isaac Watts L.M.
201 206 160 160 Abingdon Jones 1820 The wondering world enquires to know Isaac Watts L.M.
202 207 160 160 Mount Carmel Oliver Holden 1803 I am the Savior, I the almighty God Isaac Watts 10 10.10 10.11 11.
203 208 161 161 Moreton John Arnold 1757 Look up, ye saints! Direct your eyes John Needham L.M.
205 209 162 162 John Street 1791 Jesus shall reign where-e'er the sun Isaac Watts L.M.
207 210 164 164 Pilgrim's Farewell Field 1793 Farewell my friends, I must be gone Samuel Crossman 88.88.66.66.48.
208 211 165 165 St. Peter's Edward Harwood 1786 I hear a voice that comes from far Thomas Kelly L.M.
209 212 165 165 Kedron Amos Pilsbury 1799 Ye that pass by, behold the man Charles Wesley L.M.
210 213 166 166 Greenwood Joseph Funk 1832 Savior, visit thy plantation John Newton 87.87.
211 214 166 166 Harmonia Elisha West 1793 When thou, my righteous Judge, shall come 886.886.
212 215 167 167 Penitence (chorale) Z.3749 1816 Jesus, full of all compassion Daniel Turner 87.87.
213 216 168 168 Denmark Martin Madan 1769 Before Jehovah's awful throne Isaac Watts L.M.
214 217 170 170 Daughter of Zion Daughter of Zion, awake from thy sadness 11 11.11 11.
215 171 Kent Come gracious Spirit, heavenly Dove Simon Browne L.M.
218 171 Christian Farewell Ananias Davisson 1820 Farewell my dear brethren, the time is at hand 11 11.11 11.
216 219 171 171 Albion Robert Boyd 1816 My soul, with joy attend Philip Doddridge S.M.
217 220 172 172 Leoni The Gospel Magazine 1775 Though nature's strength decay Thomas Olivers 66.84.D.
218 221 172 172 Chapel Johann Lampe 1746 And am I only born to die Charles Wesley 886.886.
219 222 173 173 Waterford Lewis Edson 1790 How pleased and blest was I Isaac Watts 668.668.
221 223 174 174 Baltimore John Cole 1799 Well, the Redeemer's gone Isaac Watts S.M.
222 224 174 174 Bermondsey Benjamin Milgrove 1781 Glory to God on high Isaac Watts 664.66.64.
223 225 175 175 Gilgal Thomas Shoel 1800 My dear Redeemer and my Lord Isaac Watts L.M.
224 176 Plymouth Return, O God of love, return Isaac Watts C.M. Ps.90 Pt.3
225 226 176 176 Trinity Felice Giardini 1762 Come, thou almighty King Anonymous 664.66.64.
179 227 147 176 Farmington Guillaume Franc 1557 And is the gospel peace and love Anne Steele L.M.
226 228 177 177 Hotham Martin Madan 1769 Jesus, lover of my soul Charles Wesley 77.77.D.
227 229 178 178 Amanda Justin Morgan 1790 Through every age, eternal God Isaac Watts L.M.
228 230 178 178 Alderton Thomas Walker 1811 How happy is the pilgrim's lot Charles Wesley 886.886.
229 231 179 179 Hanover Nicholas Brady 1708 O all that pass by, to Jesus draw near Charles Wesley 10 10.11 11.
230 232 180 180 Lime House J. Husband 1789 O, thou that hearest when sinners cry Isaac Watts L.M.
127 233 108 180 Salisbury Oliver Brownson 1782 God of my salvation, hear Charles Wesley 76.76.78.76.
231 234 181 181 Loving Kindness Awake, my soul, in joyful lays Samuel Medley L.M.
232 182 Brussels When shall thy lovely face be seen Isaac Watts L.M. H.574
235 182 Infinite Delight Nikolaus Herman 1554 Lord, tis an infinite delight Isaac Watts C.M.
233 236 182 182 Greenwich New Ralph Harrison 1784 Let heaven and earth agree Charles Wesley 66.66.88.
234 237 183 183 Examination James Leach 1789 Tis a point I long to know John Newton 77.77.
240 238 188 184 Christian Warfare Deodatus Dutton 1830 Soldiers of the cross, arise Anonymous 77.75.D.
235 239 184 184 Broadmead Thomas Shoel 1817 Thou hidden love of God, whose height Gerhardt Tersteegen 88.88.88.
236 240 185 185 Day Star Where is my God, my joy, my hope Charles Wesley 88.88.88.
239 241 187 186 Unitia Lucius Chapin 1812 Begone, unbelief! My Savior is near John Newton 10 10.11 11.
237 242 186 186 St. Paul's W. Arnold 1807 To the hills I lift mine eyes Charles Wesley 76.76.77.76.
238 243 186 187 Fairfield Hitchcock 1791 With reverence let the saints appear Isaac Watts C.M.
241 244 188 188 Chilton Edward Harwood 1786 Rejoicing now in glorious hope Charles Wesley 886.886.
245 188 Transport Benjamin White 1825 One spark, O God of heavenly fire 886.886.
243 246 189 189 Wesley Come, children of Zion, and help us to sing 11 11.11 11.
244 247 190 190 Morning Psalm James Lyon 1761 My God, accept my early vows Isaac Watts L.M.
245 248 190 190 Beulah My God, thy boundless love we praise 886.886.
246 191 Carolan's Young people all, in blooming days L.M.
249 191 Heavenly Flight John Stickney 1774 While on the verge of life I stand Philip Doddridge L.M.
247 192 Effort 10 10.10 10.
180 250 147 192 Straight Gate Aaron Williams 1763 Destruction's dangerous road John Newton S.M.
248 251 192 192 Charleston 1799 Hail, my ever-blessed Jesus John Wingrove 87.87.
249 252 193 193 Scotland The voice of free grace cries escape to the mountain Richard Burdsall 12 12.12 12.14 12.
250 253 194 194 Calvary Daniel Read 1785 My thoughts that often mount the skies Isaac Watts C.M.
251 254 194 194 Italy Antonio Sacchini 1795 The ransomed spirit to her home William Tappan L.M.
252 255 195 195 Orramoor Thomas Firth 1810 My God, permit me not to be Isaac Watts L.M.
253 196 Portland 886.886.
254 256 196 196 Protection FIRST HERE 1832 How firm a foundation, ye saints of the Lord Robert Keen 11 11.11 11.
257 196 Welch Thomas Knibb 1760 O my soul, what means this sadness John Fawcett 87.87.87.
256 258 197 197 Conformity Jesus, my Savior, let me be Benjamin Beddome L.M.
257 259 198 198 Broomsgrove William Dixon 1789 My Savior, my almighty friend Isaac Watts C.M.
255 260 196 198 Home Henry Bishop 1823 Mid scenes of confusion and creature complaints David Denham 11 11.11 11.5 11.
258 261 199 199 St. Stephens When langor and disease invage Augustus Toplady C.M.
262 200 Missionary's Farewell Farewell, my brethren in the Lord 88.88.88.
259 263 200 200 Peterborough Lewis Seymour 1803 What wisdom, majesty, and grace Samuel Stennett C.M.
264 201 Spring James Boyd 1818 The voice of my beloved sounds Charles Wesley 88.88.77.
261 265 201 202 Heavenly Vision Jacob French 1786 I beheld, and lo! A great multitude Anthem
262 266 203 204 Conversion Thy mercy, O God, is the theme of my song Stocker 11 11.11 11.
263 267 204 204 Delight William Markham 1725 O, how I love thy holy law Isaac Watts C.M.
268 205 Hiding Place Isaac Smith 1796 Hail, sovereign love, that first began Jehoiada Brewer L.M.
242 269 188 206 Canton 1799 How pleasant tis to see Isaac Watts 668.668.
265 270 206 206 Queensborough Thomas Clark 1805 O the hour when this material Josiah Conder 87.87.D.
271 207 Tender Mercy Truman Wetmore 1798 My soul, repeat his praise Isaac Watts S.M.
264 272 205 208 Bath Abbey Benjamin Milgrove 1781 Deathless principle, arise Augustus Toplady 77.77.77.
273 209 Bridgewater Lewis Edson 1782 Come, gracious Spirit, heavenly Dove Simon Browne L.M.
274 209 Youthful Piety Amzi Chapin 1813 Come, let us now forget our mirth Jane Taylor C.M.
275 210 Deliverance 1832 How blest is our brother, bereft Charles Wesley 88.88.88.
276 210 Wethersfield Far from my thoughts, vain world, begone Isaac Watts L.M.
5 277 30 212 Invocation Draw nigh to us, Jehovah 77.76.77.76.
278 212 Solemn Summons A. Knapp 1810 How solemn the signal I hear L.M.
206 279 163 213 Old German (chorale) Z.1445 1754 O tell me no more John Gambold 55.65.
260 280 200 214 Ganges Batholomew Brown 1802 Awaked by Sinai's awful sound Samson Occum 886.886.
281 214 Believer's Repose Zerubbabel Wyvill 1802 When gathering clouds around I view Robert Grant 88.88.88.
140 282 117 215 Kirke 1835 With melting heart and weeping eyes John Fawcett L.M.
283 216 Sublimity 1802 Behold the lofty sky Isaac Watts S.M.
116 284 100 216 Jerusalem Daniel Read 1787 Lord, I am thine, but thou wilt prove Isaac Watts L.M.
108 285 92 218 New Year Come, let us anew Charles Wesley 55.5 11.
286 218 Blessed Infancy Thomas Shoel 1800 Thy life I read, my dearest Lord Samuel Stennett C.M.
287 219 Boundless Mercy 1832 Drooping souls, no longer grieve Anonymous 76.76.D.
288 220 Come, Ye Disconsolate Samuel Webbe 1790 Come, ye disconsolate, where-e'er you langish Thomas Moore 11 10.11 10.
289 220 Invitation Benjamin Cuzens 1802 Come hither, all ye weary souls Isaac Watts L.M.

Works at CPDL

Edition 1 (1832)

Title Page Year Composer Arranger Lyricist First Line Subgenre Vo. Meter
Charleston 192 1799 Amos Pilsbury Robert Robinson Come, thou fount of every blessing

Mercy, O thou son of David

4 87. 87
Confidence 32 1832 Joseph Funk John Newton (hymnwriter) When Hannah, pressed with grief Psalm-tunes 4 66. 66. 88
Contemplation 153 1832 Anonymous Joseph Funk Charles Wesley When quiet in my house I sit Psalm-tunes 3 88. 88. 88
Davis 65 1813 Anonymous Joseph Swain O thou in whose presence my soul takes delight 3 11 8. 11 8
Dunlap's Creek 63 1814 S. McFarland Isaac Watts Think, O my soul, the dreadful day Folk hymns 4 86. 86 (C.M.)
Friendship 112 1812 Anonymous Charles Wesley Ye simple souls, that stray 3 66. 66. 86. 86
Greenwood 166 1832 Joseph Funk John Newton (hymnwriter) Savior, visit thy plantation Psalm-tunes 4 87. 87
Happiness 38 1813 Anonymous Charles Wesley O how happy are they Who their Savior obey 2 669. 669
Liberty Hall 127 1810 Lucius Chapin Isaac Watts Alas! And did my Savior bleed 3 86. 86 (C.M.)
New Monmouth 114 1813 Lucius Chapin Robert Robinson Come thou fount of every blessing 4 87. 87
Pilgrim's Farewell 164 1793 Jacob French Samuel Crossman Fare you well, my friends Psalm-tunes 4
Protection 196 1832 Joseph Funk Robert Keen How firm a foundation, ye saints of the Lord 4 11 11. 11 11
Resignation 144 1828 Anonymous William Walker Isaac Watts My shepherd will supply my need 4 86. 86. D (C.M.D.)
Rockbridge 96 1813 Lucius Chapin Isaac Watts Sweet is the work, my God, my King Psalm-tunes 4 88. 88 (L.M.)
Wallace 188 1830 Deodatus Dutton Jared Waterbury Soldiers of the cross, arise / Lo, your Captain 2 77. 76. D

Edition 2 (1835)

Title Page Year Composer Arranger Lyricist First Line Subgenre Vo. Meter
Bridgewater 209 1782 Lewis Edson Tate and Brady O come, loud anthems let us sing Psalm-tunes 4 86. 86 (C.M.)
Christian Hope 100 1835 Joseph Funk Joseph Steward My soul would fain indulge a hope Psalm-tunes 3 86. 86 (C.M.)
Confidence 32 1832 Joseph Funk John Newton (hymnwriter) When Hannah, pressed with grief Psalm-tunes 4 66. 66. 88
Contemplation 152 1832 Anonymous Joseph Funk Charles Wesley When quiet in my house I sit Psalm-tunes 3 88. 88. 88
Divinity 25 1835 Joseph Funk Anne Steele Awake, awake the sacred song Psalm-tunes 4 86. 86 (C.M.)
Eden of Love 85 1835 Joseph Funk E. C. Tillou How sweet to reflect on these joys that await me 4 12 11. 12 11. D
Greenwood 166 1832 Joseph Funk John Newton (hymnwriter) Savior, visit thy plantation Psalm-tunes 4 87. 87
Hallelujah 135 1813 Anonymous Robert Robinson Come, thou fount of every blessing Hymn tunes 2 87. 87. D
The Band of Love 68 1800 Edward Miller Edward Miller Our souls by love together knit Set pieces 3 86. 86. D (C.M.D.)
Wallace 184 1830 Deodatus Dutton Jared Waterbury Soldiers of the cross, arise / Lo, your Captain 2 77. 76. D