User:Philip Legge
May 2009 update
I might be doing a little bit of Wiki cleanup tasks again here at CPDL, but probably not at a very high rate of turnover. One thing I am determined to get done over the next month or so is the update of various scores in my extensive back catalogue of unfinished scores here:
- links to Berlioz full scores I've finally gotten done;
- tidy-up of the Mozart Great Mass in C (the vocal score is still rather shambolic);
- migration of wso.williams.edu scores to the choralwiki;
- some cross-fertilisation of useful templates from IMSLP, and vice versa.
I will of course attempt to answer the usual crop of e-mails that I receive as promptly as I can (address below).
Best regards, Philip Legge@ Φ 13:00, 9 May 2009 (AEST)
General information
Country of origin: Australia
Contributor since: 22 September 2000
Number of scores on CPDL: 53 distinct works, but somewhere in the vicinity of 146 scores or so...
Works with editions by this editor: 88 (see list)
Contact information
E-mail: Philip·M·Legge AT gmail·com
Website: PML Music Editions: music prepared by Philip Legge
Education
Bachelor of Science (Physics, Mathematics), University of Tasmania
Background
Philip Legge is an amateur musician based in Melbourne. Although always interested in music from an early age, he took up singing as an adult with the Tasmania University Musical Society thanks to the lure of performing in Beethoven's Choral Symphony. He sings mainly as a tenor or counter-tenor, and has performed a wide variety of repertoire with a number of choirs around Australia. He has from time to time conducted choirs, composed some choral music, and on several occasions unwillingly played as a repetiteur, despite not being a pianist!
Philip's interests range across seven centuries of Western art music, from the notational complexities of Guillaume Dufay, to modern composers such as György Ligeti, and as a musicologist he is particularly interested in notations pre-dating the modern era. He is especially knowledgeable in the music of Hector Berlioz and the English symphonist Havergal Brian, and has edited the latter's Symphony No. 7 in C (1948) for publication by United Music Publishing Ltd. Philip intends to eventually have public domain editions of Berlioz's Te Deum and Requiem available for download as full scores, vocal scores, and instrumental parts.
Other ongoing projects include performing editions of Mozart's Great Mass in C supplemented by suitable movements from two other Mozart masses; and Monteverdi's Mass and Vespers of 1610.
Scores
Key: FS = full score; VS = vocal score; Px = instrumental parts
| CPDL# | Composer | Work |  |
 |
Source | Scorch | Notes |
|---|---|---|---|---|---|---|---|
| 1391 | Handel | Dixit Dominus, HWV 232 | FS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
| 1392 | Handel | Laudate pueri Dominum, HWV 237 | FS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
| 1393 | Handel | Nisi Dominus, HWV 238 | FS | MIDI | Sibelius 1 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
| 1404 | Berlioz | Grande messe des morts, H 75: I. Introït et Kyrie | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |
| 1430 | Berlioz | Grande messe des morts, H 75: III. Quid sum miser | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |
| 1431 | Berlioz | Grande messe des morts, H 75: V. Quærens me | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |
| 1432 | Berlioz | Grande messe des morts, H 75: VIII. Hostias | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |
| 1433 | Berlioz | Grande messe des morts, H 75: X. Agnus Dei | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |
| 1436 | Berlioz | Te Deum: II. Tibi omnes | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |
| 1437 | Berlioz | Te Deum: VI. Judex crederis | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |
| 1470 | Josquin | Praeter rerum seriem | VS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Kalmus reprint No. 702, editorial copyright expired 1998 at latest |
| 1473 | Berlioz | La menace des Francs, H 117 | VS FS [IMSLP] |
Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 41 (Leipzig, 1903) | |
| 1474 | Berlioz | Hymne à la France, H 97 | VS FS [IMSLP] |
Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 40 (Leipzig, 1903) | |
| 1475 | Berlioz | Vox populi, H 120 | VS | Typeset from Malherbe & Weingartener, H.B. 40 & 41 (Leipzig, 1903) | |||
| 1999 | Berlioz | Te Deum: I. Te Deum laudamus | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |
| 2000 | Berlioz | Te Deum: IV. Christe, rex gloriæ | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |
| 2686 | Berlioz | Te Deum: V. Te ergo quæsumus | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |
| 3142 3271 |
Berlioz | Te Deum: III. Dignare | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |
| 3272 | Berlioz | Te Deum, H 118: complete | FS I–V FS VI–VII [IMSLP] |
Work page | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | ||
| 3273 | Berlioz | La mort d'Ophélie, Op. 18, No. 2 | FS+Px+VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 38 (Leipzig, 1903) | |
| 3274 | Berlioz | La mort d'Ophélie, Op. 18, No. 2 | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 38 (Leipzig, 1903) | |
| 3349 | Mozart | Great Mass in C minor: [1] Kyrie | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
| 3432 | Mozart | Great Mass in C minor: [2] Gloria in excelsis Deo | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
| 3564 | Berlioz | Le Dépit de la bergère, H 7 | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 79 (Leipzig, 1904) | |
| 3565 | Berlioz | Ecot des joyeux compagnons: Histoire d'un rat (from 'Faust') | FS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903) | |
| 3566 | Berlioz | Chanson de Méphistophélès: Histoire d'une puce (No. 5 from 'Faust') | FS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903) | |
| 3567 | Berlioz | Sérénade de Méphistophélès (No. 8 from 'Faust') | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903) | |
| 3568 | Berlioz | La Captive, orientale: Version A | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 91 (Leipzig, 1904) | |
| 3569 | Berlioz | La Captive, orientale: Version C | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 92 (Leipzig, 1904) | |
| 3570 | Berlioz | Chant des Chemins de fer | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 37 (Leipzig, 1903) | |
| 3571 | Berlioz | Nessun maggior piacere | VS | Sibelius 1 | Scorch 1 | Typeset from albumleaf facsimile | |
| 3572 | Bach | Cantata BWV 50 - Nun ist das Heil und die Kraft | VS | Sibelius 1 | Scorch 1 | Typeset from BGA | |
| 3573 3573bis |
Brumel | Missa Et ecce terræ motus: Agnus Dei à 12, completion | VS [WIMA] VS |
Sibelius 1 | Scorch 1 | Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1 | |
| 3835 | Handel | Dixit Dominus, HWV 232 | Px | MIDI | Violins 1 & 2 Violas 1 & 2 Cello Bass Continuo |
Typeset from Chrysander, HG Band 38 (1872) | |
| 3836 | Bach | Cantata BWV 50 - Nun ist das Heil und die Kraft | FS+Px+VS | Sibelius 1 | Scorch 1 | Typeset from BGA | |
| 4948 | Mozart | Great Mass in C minor: [3] Laudamus te | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
| 4949 | Mozart | Great Mass in C minor: [4] Gratias | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
| 4950 | Mozart | Great Mass in C minor: [5] Domine Deus | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
| 4951 | Mozart | Great Mass in C minor: [6] Qui tollis | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
| 4952 | Mozart | Great Mass in C minor: [7] Quoniam | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
| 4953 | Mozart | Great Mass in C minor: [8] Jesu Christe – Cum sancto spiritu | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
| 4954 | Mozart | Great Mass in C minor: [11] Sanctus – Osanna | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
| 6158 | Mozart | Great Mass in C minor, KV 427: complete work | VS FS [IMSLP] |
Sibelius 3 | Work page | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
| 6495 | Mahler | Symphony No. 2 in C Minor ('Resurrection') - choral score | VS | Typeset from Universal Edition, plate U.E. 2933 (Vienna, 1910) | |||
| 6607 | Purcell | If music be the food of love, Z 379 | VS | Sibelius 3 | Retypeset; source unknown. | ||
| 6608 | Anonymous | Pase el agoa | VS | Sibelius 3 | Retypeset; urtext | ||
| 6951 | Horsley | Hail to thee, Sound! | VS | Scorch 1 | Edited from composer’s autograph FS and VS; Px and FS available on hire from RMP | ||
| 8489 | Handel | Laudate pueri Dominum, HWV 237 | Px | MIDI | Oboes 1 & 2 Violins 1 & 2 Violas 1 & 2 Continuo |
Typeset from Chrysander, HG Band 38 (1872) | |
| 8553 | Tallis | Spem in alium nunquam habui: Soprano partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
| 8554 | Tallis | Spem in alium nunquam habui: Alto partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
| 8555 | Tallis | Spem in alium nunquam habui: Tenor partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
| 8556 | Tallis | Spem in alium nunquam habui: Baritone partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
| 8557 | Tallis | Spem in alium nunquam habui: Bass partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
| 8558 | Tallis | Spem in alium nunquam habui à 40: Full score | FS | Scorch 1 | Typeset from Tudor Church Music VI (1928) | ||
| 10522 | Handel | Zadok the Priest, HWV 258 | FS | MIDI | Sibelius 3 Sibelius 4 |
Typeset from Chrysander, HG Band 14 (1863) | |
| 10530 | Allegri | Miserere mei | VS | Sibelius 3 | Re-typeset after Guest | ||
| 10587 | Dufay | Nuper rosarum flores | VS | MIDI | Sibelius 3 | Scorch 3 | Typeset from facsimile |
| 10604 | Eccles | My man John | VS | Typeset from facsimile | |||
| 10605 | Schütz | Das ist je gewißlich wahr | VS | Retypeset from complete works | |||
| 10611 | Lassus | Missa Quand'io pens'al martire | VS | Sibelius 3 | Typeset from Kalmus reprint | ||
| 10612 | Palestrina | Missa Iste Confessor à 4 | VS | Sibelius 3 | Typeset from Haberl (edition does not contain Credo) | ||
| 10613 | Palestrina | Missa O Rex gloriae à 4 | VS | Sibelius 1 | Typeset from Haberl (edition does not contain Credo) | ||
| 10614 | Ockeghem | Deo Gratias: Parts | Px | Realisation of CPDL #4065 | |||
| 10615 | Ockeghem | Deo gratias à 36: Full score | FS | Scorch | Realisation of CPDL #4065 | ||
| 10646 | Charpentier | Messe, H 1: Kyrie, Gloria | FS | Typeset from facsimile | |||
| 10735 | Dowland | Come again! | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
| 10736 | Henry VIII | Pastime with good company | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
| 10737 | Tye | Laudate nomen Domini | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
| 10738 | Purcell | Come, ye Sons of Art, Z 323 | VS | Sibelius 3 | Re-edited from Shaw, Birthday Odes, Purcell Society (1926), included in CPDL #10760 | ||
| 10739 10740 10741 |
Anonymous after Wilder Legge Dowland |
Non nobis Domine Non nobis, Domine Fine knacks for Ladies, cheap, choise, braue and new |
VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
| 10742 | Anonymous | Dona nobis pacem | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
| 10743 | Bennet | Weep, O mine eyes | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
| 10744 10746 |
Anonymous | Alle psallite cum luya Drink to me only |
VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
| 10745 | Anonymous | Gaudeamus igitur | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
| 10747 | Morley | Now is the month of maying | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
| 10748 10755 |
Anonymous/Henry VIII Ellyard |
Greensleeves Round on a well-known text |
VS | Sibelius 3 | Typeset from facsimile, included in CPDL #10760 | ||
| 10749 | Josquin | El Grillo | VS | Sibelius 3 | Typeset from facsimile, included in CPDL #10760 | ||
| 10750 | Legge | Kubla Khan, Op. 1 | VS FS [IMSLP] |
MIDI | Scorch | ||
| 10760 | Various | TUMS Busking Book | VS | Sibelius 3 | Re-edited from various sources | ||
| 10787 | Handel | Zadok the Priest, HWV 258 | Px | MIDI | Oboe 1 & 2 Bassoons 1 & 2 Trumpets 1, 2 & 3 Timpani Violins 1, 2 & 3 Viola, Cello, Bass [Continuo] |
Typeset from Chrysander, HG Band 14 (1863) | |
| 11088 | Mozart | Requiem, KV 626 | FS | Re-typeset from autograph facsimile | |||
| 11117 | Fauré | Requiem in D minor, Op. 48: Full score | FS | Typeset from Hamelle [@IMSLP] (Paris, 1900) | |||
| 11222 | Monteverdi | Domine ad adiuvandum, SV 318 | FS+Px | MIDI | Typeset from Amadino, Sanctissimae Virgini (Venice, 1610) | ||
| 11232 | Schütz | Alleluja! Lobet den Herren à 16, SWV 38: Full score | FS | MIDI | Sibelius 3 | Scorch | Typeset from complete works |
| 11233 | Schütz | Alleluja! Lobet den Herren: Vocal score | VS | Typeset from complete works | |||
| 11234 | Schütz | Alleluja! Lobet den Herren: Extra choirs | VS | Typeset from complete works | |||
| 11235 | Schütz | Alleluja! Lobet den Herren: Parts | Px | Typeset from complete works | |||
| 11409 | Mozart | Great Mass in C minor: [9] Credo in unum Deum | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 11410 | Mozart | Great Mass in C minor: [10] Et incarnatus est | VS | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
| 11411 | Mozart | Great Mass in C minor: [12] Benedictus – Osanna | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 11412 | Mozart | Great Mass in C minor: [A1] Crucifixus – [A2] Et in Spiritum | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 262, B&H (1878) | |
| 11421 | Monteverdi | L'Orfeo, Favola in Musica, SV 318 | FS+Px | Typeset from Amadino, L’Orfeo [@IMSLP] (Venice, 1615) | |||
| 11578 | Legge | Ave atque vale | VS | Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible) | |||
| 11784 | Mozart | Ave verum corpus, KV 618 | VS | MIDI | Sibelius 3 | Re-typeset after NMA | |
| 11825 | Brahms | Ein deutsches Requiem: 1. Selig sind, die da Leid tragen | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11826 | Brahms | Ein deutsches Requiem: 2. Denn alles Fleisch, wie est Gras | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11827 | Brahms | Ein deutsches Requiem: 3. Herr, lehre doch mich | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11828 | Brahms | Ein deutsches Requiem: 4. Wie lieblich sind deine Wohnungen | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11829 | Brahms | Ein deutsches Requiem: 5. Ihr habt nun Traurigkeit | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11830 | Brahms | Ein deutsches Requiem: 6. Denn wir haben hie keine bleibende Statt | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11831 | Brahms | Ein deutsches Requiem: 7. Selig sind die Toten | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11832 | Brahms | Ein deutsches Requiem, Op. 45: complete | VS | Re-typeset after complete works ed. E. Mandyczewski | |||
| 11932 | Josquin | Qui habitat in adjutorio altissimi à 24 | Px | Sibelius 3 | Scorch 3 | Individual canons derived from CPDL #5915, edited by Sabine Cassola | |
| 12709 | Carver | O bone Jesu à 19 | FS | Arranged from CPDL #7869, edited by Sabine Cassola | |||
| 13611 | Fauré | Requiem in D minor, Op. 48: Vocal score | FS | Typeset from Hamelle [@IMSLP] (Paris, 1900) | |||
| 13637 | Fauré | Cantique de Jean Racine, Op. 11: Full score, Parts | FS, Px | Arranged from CPDL #130/#2745, edited by Rafael Ornes/Denis Mason | |||
| 13638 | Purcell | Come, ye Sons of Art, Z 323: Full score | FS | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
| 13665 | Borodin | Polovetsian Dances (from Prince Igor) | VS | Re-edited from M.P. Belaieff (Leipzig, 1888) | |||
| 15250 | Brumel | Missa Et ecce terræ motus à 12: complete | VS | Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1 | |||
| 15467 | Purcell | Come, ye Sons of Art, Z 323: Vocal score | VS | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
| 15527 | Biber | Plaudite tympana, C App. 104: Vocal score | VS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
| 15540 | Biber | Plaudite tympana à 54, C App. 104: Full score | FS | Sibelius 5 | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | ||
| 15541 | Biber | Plaudite tympana, C App. 104: Parts | Px | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
| 15737 | Biber | Missa Salisburgensis, C App. 101: Kyrie, Vocal score | VS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
| 15742 | Anonymous | Sumer is Icumen In | VS | Typeset from autograph facsimile | |||
| 15750 | Biber | Requiem in f, C 8: Vocal score | VS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923) | |||
| 15751 | Biber | Requiem in f à 14, C 8: Full score | FS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923) | |||
| 15752 | Legge | I hear the land, Op. 4 | VS | Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible) | |||
| 15754 | Winikoff | This is Australia | VS | Winning entry in the ROCS Occasional Choral Competition | |||
| 15804 | Tallis | Spem in alium nunquam habui: Choirs I and II | VS | Typeset from Tudor Church Music VI (1928) | |||
| 15805 | Tallis | Spem in alium nunquam habui: Choirs III and IV | VS | Typeset from Tudor Church Music VI (1928) | |||
| 15806 | Tallis | Spem in alium nunquam habui: Choirs V and VI | VS | Typeset from Tudor Church Music VI (1928) | |||
| 15807 | Tallis | Spem in alium nunquam habui: Choirs VII and VIII | VS | Typeset from Tudor Church Music VI (1928) | |||
| 16368 | Purcell | Come, ye Sons of Art, Z 323: Parts | Px | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
| 16369 | Biber | Missa Salisburgensis, C App. 101: Kyrie, Parts | Px | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
| 16370 | Biber | Missa Salisburgensis à 54, C App. 101: Kyrie, Full score | FS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
| 16491 | Striggio | Ecce beatam lucem: Choir 1 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 16492 | Striggio | Ecce beatam lucem: Choir 2 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 16493 | Striggio | Ecce beatam lucem: Choir 3 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 16494 | Striggio | Ecce beatam lucem: Choir 4 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 16495 | Striggio | Ecce beatam lucem: Choir 5 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 16496 | Striggio | Ecce beatam lucem: Continuo | Px | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 16497 | Striggio | Ecce beatam lucem à 40: Full score | FS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 19156 | Mozart | Great Mass in C minor: [B1] Agnus Dei – [B2] Dona nobis pacem | VS | Sibelius 3 Sibelius 3 |
Scorch 3 Scorch 3 |
Editorial additions to Ph. Spitta, W.A.M. 337, B&H (1878) | |
| 19592 | Legge | Ite, missa est, Op. 6 | FS+VS+Px | ||||
| 19690 | Biber | Requiem in f, C 8: Parts | Px | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923) | |||
| 19694 | Uitdenbogerd | Space Tale: Vocal score | VS | ||||
| 19695 | Uitdenbogerd | Space Tale: Full score and parts | FS+Px | ||||
| 19696 | Uitdenbogerd | Who's in the Next Room: Vocal score | VS | Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible) | |||
| 19697 | Uitdenbogerd | I Wandered Lonely as a Cloud: Full score and parts | VS | Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible) | |||
| 19805 | Tallis | Spem in alium nunquam habui: Choirs I and II, large format | VS | Typeset from Tudor Church Music VI (1928) | |||
| 19806 | Tallis | Spem in alium nunquam habui: Choirs III and IV, large format | VS | Typeset from Tudor Church Music VI (1928) | |||
| 19807 | Tallis | Spem in alium nunquam habui: Choirs V and VI, large format | VS | Typeset from Tudor Church Music VI (1928) | |||
| 19808 | Tallis | Spem in alium nunquam habui: Choirs VII and VIII, large format | VS | Typeset from Tudor Church Music VI (1928) | |||
| 19871 | Rachmaninov | Bogorodĩtsẽ Dẽvo | VS | Typeset from Muzyka edition | |||
| 20094 | Monteverdi | Iste confessor, SV 279 | FS+Px | Typeset from Magni, Selva morale e spirituale (Venice, 1641) |
Works in progress
- Gesualdo: Tenebræ responses for Holy Saturday (another edition is available)
- Monteverdi: Missa In illo tempore, Vespro della beata Vergine (1610) full and vocal scores, and parts: hopefully in time for 2010!
The PML Music Editions page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL).
Publications
The TUMS Busking Book, a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society. Edition 2 of the book is currently in planning, and will include several additional pieces (e.g. Bruckner Locus iste, Rachmaninov Bogorodĩtsẽ Dẽvo).
Index by composer:
- Anonymous: Alle psallite, Dona nobis pacem, Drink to me only, Gaudeamus igitur, Non nobis Domine, Pase el agoa
- Bateson: Your shining eyes
- Bennet: Weep O mine eyes
- Dowland: Come again!, Fine knacks
- Ellyard: Round on a well-known text
- Farmer: Faire Phyllis
- Ford: Since first
- Henry VIII: Greensleeves, Pastyme
- Josquin Desprez: El Grillo
- Legge: Non nobis, Domine
- Morley: Now is the month of maying
- Passereau: Il est bel et bon
- Purcell: Come ye Sons of Art, If music be the food of love
- Tye: Laudate
- Vecchi: Fa una canzona
- Vulpius: Lo, how a rose
- Weelkes: All at once well met
- Wheeler: Old Mother Hubbard