The Evangelical Harmony (Daniel Belknap)
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General Information
Title: The Evangelical Harmony
Full Title: The Evangelical Harmony, Containing a Great Variety of Airs, Suitable for Divine Worship: Besides a Number of Favorite Pieces of Music, Selected from Different Authors, Chiefly Original, To which is Prefixed a Concise Introduction to the Grounds of Music.
Composer – Compiler: Daniel Belknap
Publication date and place: 1800 by Isaiah Thomas and Ebenezer T. Andrews in Boston, 76 pp.
Description:
External Links
References
Works at CPDL
| Title | Year | Composer | Arranger | Lyricist | First Line | Subgenre | Vo. | Meter |
|---|---|---|---|---|---|---|---|---|
| Acton | 1800 | Daniel Belknap | Isaac Watts | Farewell, bright soul, a short farewell | 4 | 88. 88 (L.M.) | ||
| Autumn | 1800 | Daniel Belknap | Samuel Johnson | Twas spring, twas summer, all was gay | 4 | 88. 88 (L.M.) | ||
| Berlin | 1800 | Daniel Belknap | Isaac Watts | The Lord Jehovah reigns | 4 | 66. 66. 88 | ||
| Brevity | 1800 | Abraham Wood | Anonymous | Man, born of woman, like a flower | 4 | 86. 86 (C.M.) | ||
| Carlisle | 1800 | Daniel Belknap | Isaac Watts | Now shall my inward joys arise | 4 | 86. 86 (C.M.) | ||
| Dissolution | 1800 | Daniel Belknap | Isaac Watts | And must my body faint and die | Set pieces | 4 | 86. 86 (C.M.) | |
| East Needham | 1800 | Daniel Belknap | Isaac Watts | The little hills, on every side | 4 | 86. 86 (C.M.) | ||
| Goshen | 1800 | Daniel Belknap | Philip Doddridge | He comes, the royal Conqueror comes | 4 | 86. 86 (C.M.) | ||
| Hampton | 1800 | Daniel Belknap | Isaac Watts | Dearest of all the names above | Set pieces | 4 | 86. 86 (C.M.) | |
| Keene | 1800 | Daniel Belknap | Tate and Brady | Since I have placed my trust in God | 4 | 86. 86 (C.M.) | ||
| Kingston | 1800 | Daniel Belknap | Joel Barlow | Along the banks where Babel's current flows | 4 | 10 10. 10 10 | ||
| Milton | 1800 | Daniel Belknap | Isaac Watts | Our moments fly apace | 4 | 66. 86 (S.M.) | ||
| Morning Hymn | 1800 | Samuel Babcock | Isaac Watts | Once more, my soul, the rising day | Set pieces | 3 | 86. 86 (C.M.) | |
| Newport | 1800 | Daniel Belknap | Anne Steele | Life is a span, a fleeting hour | 4 | 86. 86 (C.M.) | ||
| Norfolk | 1800 | Samuel Babcock | Isaac Watts | Now for a tune of lofty praise | Set pieces | 4 | 88. 88 (L.M.) | |
| Northborough | 1800 | Daniel Belknap | Isaac Watts | Why do we mourn departing friends | 4 | 86. 86 (C.M.) | ||
| Shrewsbury | 1800 | Daniel Belknap | Isaac Watts | Saved from the ocean and tempestuous skies | 4 | 10 10. 10 10. 10 10 | ||
| Sunday | 1800 | Samuel Babcock | Tate and Brady | This day is God's, let all the land | Set pieces | 3 | 86. 86 (C.M.) | |
| Valediction | 1800 | Daniel Belknap | Samuel Crossman | Farewell, my friends, I must be gone | 4 | 88. 88 (L.M.) | ||
| Weary Pilgrim | 1800 | Daniel Belknap | Anna Barbauld | Come, said Jesus' sacred voice | 4 | 77. 77 | ||
| Winter | 1800 | Daniel Belknap | David Humphreys | Now clouds the wintry skies deform | 4 | 88. 88 (L.M.) |