Missa pro defunctis, 1576 (Giovanni Matteo Asola)

From ChoralWiki
Jump to navigation Jump to search

Music files

L E G E N D Disclaimer How to download
ICON SOURCE
Icon_pdf.gif Pdf
Icon_snd.gif Midi
Icon_ly.gif LilyPond
File details.gif File details
Question.gif Help

Complete work

  • (Posted 2020-06-30)  CPDL #59424:   
Editor: Andreas Stenberg (submitted 2020-06-30).   Score information: A4, 47 pages, 440 kB   Copyright: CPDL
Edition notes: A semi-diplomatoric edition of the entire Missa pro defunctis.

The Mass-parts separately

Introitus

  • (Posted 2020-06-30)  CPDL #59425:       
Editor: Andreas Stenberg (submitted 2020-06-30).   Score information: A4, 5 pages, 130 kB   Copyright: CPDL
Edition notes:

Kyrie

  • (Posted 2020-06-30)  CPDL #59426:       
Editor: Andreas Stenberg (submitted 2020-06-30).   Score information: A4, 5 pages, 135 kB   Copyright: CPDL
Edition notes:

Sequentia

  • (Posted 2020-06-30)  CPDL #59427:       
Editor: Andreas Stenberg (submitted 2020-06-30).   Score information: A4, 19 pages, 239 kB   Copyright: CPDL
Edition notes:

Offertorio

  • (Posted 2020-06-30)  CPDL #59428:       
Editor: Andreas Stenberg (submitted 2020-06-30).   Score information: A4, 9 pages, 167 kB   Copyright: CPDL
Edition notes:

Sanctus & Benedictus

  • (Posted 2020-06-30)  CPDL #59429:       
Editor: Andreas Stenberg (submitted 2020-06-30).   Score information: A4, 4 pages, 123 kB   Copyright: CPDL
Edition notes:

Agnus Dei

  • (Posted 2020-06-30)  CPDL #59431:       
Editor: Andreas Stenberg (submitted 2020-06-30).   Score information: A4, 4 pages, 119 kB   Copyright: CPDL
Edition notes:

Communio

  • (Posted 2020-06-30)  CPDL #59433:       
Editor: Andreas Stenberg (submitted 2020-06-30).   Score information: A4, 4 pages, 124 kB   Copyright: CPDL
Edition notes:

General Information

Title: Missa pro defunctis, 1576
Composer: Giovanni Matteo Asola
Lyricist:

Number of voices: 4vv   Voicing: SATB
Genre: SacredRequiem

Language: Latin
Instruments: A cappella

First published: 1576

Description: A different setting of the Mass for the departed than the setting published in the Collection Misse a quatro voci pari sopra li otto toni... This setting was published as a separate print by A. Gardano in 1576 and reprinted by G. Vincezi and R.Amadini 1585. In style and general conception, these two Requiem masses are close. There is apart from the voicing one major difference. Whereas the Missa pro defunctis in the collection of masses in all eight tones setts the even verses of the sequence Dies irae the 1576 missa sets the odd verses polyphonically leaving the even verses to be sung monodically.

External websites:

Original text and translations

Original text and translations may be found at Requiem.