Missa Prima Sexti Toni (Giovanni Croce)
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Music files
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Complete mass
- Editor: William Evans (submitted 2015-06-07). Score information: A4, 21 pages, 274 kB Copyright: CPDL
- Edition notes: Transposition to Gmaj for SATTB. Please see other score on this page for Fmaj SATBB.
- Editor: William Evans (submitted 2015-06-07). Score information: A4, 21 pages, 279 kB Copyright: CPDL
- Edition notes: Performance edition by W. Evans, 2015, based on the transcription for SATTB by Paul R. Marchesano, 2004,
- archived at http://www1.cpdl.org/wiki/images/3/35/Cro-mp60.pdf.
- Credo is omitted. Some rhythms and note values have been changed and word underlay repositioned.
- Tempo markings, musica ficta and quaver rests at phrase endings are editorial.
- Editor: Paul R. Marchesano (submitted 2004-12-10). Score information: Letter, 34 pages, 744 kB Copyright: Personal
- Edition notes: 5 movements, individual movements with midi and source files also available. New PDF uploaded 14 Feb 2012 -- fixed underlay in Kyrie.
Kyrie
- Editor: Paul R. Marchesano (submitted 2004-12-10). Score information: Letter, 5 pages, 116 kB Copyright: Personal
- Edition notes: New PDF uploaded 14 Feb 2012 -- fixed underlay in Kyrie.
Gloria
- Editor: Paul R. Marchesano (submitted 2004-12-10). Score information: Letter, 10 pages, 196 kB Copyright: Personal
- Edition notes:
Credo
- Editor: Paul R. Marchesano (submitted 2004-12-10). Score information: Letter, 12 pages, 264 kB Copyright: Personal
- Edition notes:
Sanctus
- Editor: Paul R. Marchesano (submitted 2004-12-10). Score information: Letter, 3 pages, 88 kB Copyright: Personal
- Edition notes:
Agnus Dei
- Editor: Paul R. Marchesano (submitted 2004-12-10). Score information: Letter, 4 pages, 108 kB Copyright: Personal
- Edition notes:
General Information
Title: Missa Prima Sexti Toni
Composer: Giovanni Croce
Number of voices: 5vv Voicing: SATTB
Genre: Sacred, Mass
Language: Latin
Instruments: A cappella
First published: 1596 in Messe a cinque voci, no. 1
Description: This piece is short and sweet, easy to get together with minimum rehearsal. The vocal ranges are not taxing and the tenor part could even be sung by another baritone. It is especially useful to have in the repertoire when you have a more demanding concert to sing on the same day.
External websites:
Original text and translations
For information, refer to the Mass page. For texts and translations, see the individual pages: