BSB Mus.ms.Mk.1055
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General information
Title: BSB Mus.ms.Mk.1055
Publication date and place: 1600 – 1680. – Manuscript
Genre: Sacred.
Description: Manuscript of sacred music at Bayerische Staats Bibliothek (BSB Mus.ms.Mk.1055). BSB gives dates as 1600-1680; or 1570-1630 on a stylistic basis.
External websites:
References
List of works
| No. | Pt. | Title | Subtitle | Composer | Language | Vo. | Voices | Comment |
|---|---|---|---|---|---|---|---|---|
| 1 | Domine ad adiuvandum | |||||||
| 2 | Domine ad adiuvandum | |||||||
| 3 | Toni psalmorum | |||||||
| 4 | Domine ad adiuvandum | Adam Gumpelzhaimer | ||||||
| 5 | Dixit Dominus | |||||||
| 6 | Fidelia omnia | |||||||
| 7 | In mandatis | |||||||
| 8 | Sit nomen Domini | |||||||
| 9 | Nos qui vivimus | |||||||
| 10 | Et exultavit spiritus | |||||||
| 11 | Secundi toni. Et exultavit spiritus | |||||||
| 12 | Tertii toni Et exultavit spiritus | |||||||
| 13 | Et exultavit spiritus | |||||||
| 14 | Octavi toni. Et exultavit spiritus | |||||||
| 15 | Et exultavit spiritus | |||||||
| 16 | Et exultavit spiritus | |||||||
| 17 | Tempore paschali - Victimae paschali laudes | Sequentia | ||||||
| 17 | 1 | Agnus redemit oves | ||||||
| 17 | 2 | Dic nobis Maria | ||||||
| 17 | 3 | Credendum est magis | ||||||
| 18 | 1 | Agnus redemit oves | ||||||
| 18 | 2 | Dic nobis Maria | ||||||
| 18 | 3 | Credendum est magis | ||||||
| 19 | Surrexit Christus | Erstanden ist der Heilig Christ | Anonymous | Latin | 4 | SATB | ||
| 20 | Surrexit Christus | Erstanden ist der Heilig Christ | Anonymous | Latin | 4 | SATB | ||
| 21 | Christ ist erstanden von der Marter aller | Anonymous | German | 4 | SATB | |||
| 22 | Der Tag der ist so freudenreich | Orlando di Lasso | German | 4 | SATB | |||
| 23 | Ein Khindelein so lobenlich | Orlando di Lasso | German | 2 | SS | |||
| 24 | Als wie die son durchscheint | Orlando di Lasso | German | 4 | SATB | |||
| 25 | Die hirten auf dem felde | Orlando di Lasso | German | 3 | SAT | |||
| 26 | Die edlen khinig hoch geborn | Orlando di Lasso | German | 5 | SATTB | |||
| 27 | Ein khindelein so lobenlich | |||||||
| 28 | Fragment without text | |||||||
| 29 | Puer natus in Bethlehem I | |||||||
| 30 | Puer natus in Bethlehem II | |||||||
| 31 | Toni psalmorum | |||||||
| 32 | Vos prima Christi victima | Hymnus de Innocentibus | ||||||
| 33 | Puer natus in Bethlehem plaudat coelum | 8 | ||||||
| 34 | Ein Khindt geborn zu Bethlehem | |||||||
| 35 | Redemptor orbis natus est | Pro Natali Domini | ||||||
| 36 | Gelobet seyst du Jesu Christ | Aliud a 4 |
Works at CPDL
| Title | Composer | No. | Subgenre | Year | Language | Vo. | Voices |
|---|---|---|---|---|---|---|---|
| Christ ist erstanden (BSB Mus.ms.Mk.1055) | Anonymous | 21 | Sacred songs | 1600 | German | 4 | SATB |
| Der Tag der ist so Freudenreich, 2-5 vv. | Orlando di Lasso | 22-26 | Sacred songs | 1600 | German | 2-5 | SATB |
| Surrexit Christus hodie - Erstanden ist der heylig Christ II | Anonymous | 20 | Hymns | 1600 | Latin | 4 | SATB |
| Surrexit Christus hodie - Erstanden ist der heylig Christ I | Anonymous | 19 | Hymns | 1600 | Latin | 4 | SATB |
| Victimae paschali laudes a 4 | Anonymous | 17 | Sequence hymns | 1600 | Latin | 4 | SATB |
| Victimae paschali laudes a 5 | Anonymous | 18 | Sequence hymns | 1600 | Latin | 5 | SSATB |