Robert Jones: Difference between revisions
Jump to navigation
Jump to search
m (Text replacement - " " to " ") |
m (Text replacement - " " to " ") |
||
Line 20: | Line 20: | ||
*'''{{NoCo|A Musicall Dreame}}'''. Or The Fourth Booke of Ayres, the First part is for the Lute, two Voyces, and the Viole de Gambo; The Second part is for the Lute, the Viole and foure Voices to Sing: The Third part is for one Voyce alone, or to the Lute, the Basse Viole, or to both if you please, Whereof, two are Italian Ayres. (1609)<br> | *'''{{NoCo|A Musicall Dreame}}'''. Or The Fourth Booke of Ayres, the First part is for the Lute, two Voyces, and the Viole de Gambo; The Second part is for the Lute, the Viole and foure Voices to Sing: The Third part is for one Voyce alone, or to the Lute, the Basse Viole, or to both if you please, Whereof, two are Italian Ayres. (1609)<br> | ||
*'''{{NoCo|The Muses Gardin for Delights}}''', Or the fift Booke of Ayres, onely for the Lute, the Base-vyoll, and the Voyce. (1610)<br> | *'''{{NoCo|The Muses Gardin for Delights}}''', Or the fift Booke of Ayres, onely for the Lute, the Base-vyoll, and the Voyce. (1610)<br> | ||
Contributions to: | Contributions to: | ||
Line 56: | Line 55: | ||
*Perplexed | *Perplexed | ||
*Can modest plaine desire | *Can modest plaine desire | ||
=====[[The Second Booke of Songs and Ayres (Robert Jones)|The Second Booke of Songs and Ayres]] (1601)===== | =====[[The Second Booke of Songs and Ayres (Robert Jones)|The Second Booke of Songs and Ayres]] (1601)===== | ||
Line 136: | Line 134: | ||
*Are lovers full of fire? (the first part) | *Are lovers full of fire? (the first part) | ||
*The more I burn, the more I do desire (the second part) | *The more I burn, the more I do desire (the second part) | ||
====={{NoCo|A Musicall Dreame}} (1609)===== | ====={{NoCo|A Musicall Dreame}} (1609)===== | ||
Line 185: | Line 182: | ||
*Although the Wings of my desire be clipt | *Although the Wings of my desire be clipt | ||
*Might I redeeme mine errors with mine eyes | *Might I redeeme mine errors with mine eyes | ||
=====[[The teares or lamentacions of a sorrowfull soule (William Leighton)|The teares or lamentacions of a sorrowfull soule]] (1614)===== | =====[[The teares or lamentacions of a sorrowfull soule (William Leighton)|The teares or lamentacions of a sorrowfull soule]] (1614)===== | ||
Line 198: | Line 194: | ||
*[http://www.kulturserver.de/home/harald-lillmeyer/Texte/Downloads/Downloads.html Texts of five of his publications, with some midi files (copyright)] | *[http://www.kulturserver.de/home/harald-lillmeyer/Texte/Downloads/Downloads.html Texts of five of his publications, with some midi files (copyright)] | ||
*[http://home.att.ne.jp/blue/patchan/NewJones/RosseterJones.html Another site, also with information about Philip Rosseter] | *[http://home.att.ne.jp/blue/patchan/NewJones/RosseterJones.html Another site, also with information about Philip Rosseter] | ||
{{DEFAULTSORT:{{NameSorter}}}} | {{DEFAULTSORT:{{NameSorter}}}} |
Revision as of 02:35, 8 April 2021
Life
Born: c. 1577
Died: c. 1615
Biography
Not to be confused with an earlier Robert Jones, composing in the early 16th century.
View the Wikipedia article on Robert Jones.
List of choral works
Click here to search for this composer on CPDL
Publications
- The First Booke of Songes or Ayres of foure parts with Tableture for the Lute. So made that all the parts together, or either of them severally may be song to the Lute, Orpherian or Viol de gambo. (1600)
- The Second Booke of Songs and Ayres, set out to the Lute, the base Violl the playne way, or the Base by tableture after the leero fashion. (1601)
- Ultimum Vale, with a triplicity of Musicke, Whereof The first part is for the Lute, the Voyce and the Viole Degambo, The 2.part is for the Lute, the Viole, and foure partes to sing, The third part is for two Trebles, to sing either to the Lute, or the Viole or to both, if any please. (1605 - not 1608 as often claimed)
- The First Set of Madrigals, of 3. 4. 5. 6. 7. 8. Parts, for Viols and Voices, or for Voices alone, or as you please. (1607)
- A Musicall Dreame. Or The Fourth Booke of Ayres, the First part is for the Lute, two Voyces, and the Viole de Gambo; The Second part is for the Lute, the Viole and foure Voices to Sing: The Third part is for one Voyce alone, or to the Lute, the Basse Viole, or to both if you please, Whereof, two are Italian Ayres. (1609)
- The Muses Gardin for Delights, Or the fift Booke of Ayres, onely for the Lute, the Base-vyoll, and the Voyce. (1610)
Contributions to:
- The Triumphs of Oriana (1601), compiled by Thomas Morley
- The teares or lamentacions of a sorrowfull soule (1614), compiled by Sir William Leighton
Notes:
Ultimum Vale is considered the third book of 'ayres'.
The First Set of Madrigals was the only set ever published. Only the Cantus and Bassus partbooks survive.
The lute parts of A Musicall Dreame and The Muses Gardin for Delights are, in places, crude and dissonant. It has been suggested that, in these cases, Jones is only responsible for the melody and bass lines, but there is little external evidence to support this.
List of works by publication
The First Booke of Songes or Ayres (1600)
The Second Booke of Songs and Ayres (1601)
The Triumphs of Oriana (1601)
Fair Oriana seeming to wink at folly Ultimum Vale (1605)
|
The First Set of Madrigals (1607)
A Musicall Dreame (1609)
The Muses Gardin for Delights (1610)
The teares or lamentacions of a sorrowfull soule (1614)
|