Johannes de Fossa: Difference between revisions

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'''Biography'''
'''Biography'''


Was born c1540 and died in Munich, 1603. Was a Flemish composer, active in Germany. The name suggests that he was a native of Fosses (in the province of Namur), a small town dependent on the principality of Liège. When he copied Guyot’s Te Deum he stated explicitly that he had been his pupil; he may well have studied under him at Liège for Guyot was choirmaster of St Paul there from 1546 to 1554 and of the cathedral from 1558 to 1563. Several musicians with the name ‘de Fossa’ figure in the archives at Liège; none, however, is called Johannes. A Johannes de Fossa is nevertheless mentioned in a letter from Duke Philibert of Savoy dated 12 January 1557. The first precise information known about Fossa is that in 1569 he was appointed second Kapellmeister at the Munich court. In 1571 he became master of the choristers and continued in the service of the Dukes of Bavaria until his death. After the death of [[Orlando di Lasso]] in 1594 Fossa took responsibility for the chapel music and in 1597 he was given the official title of first Kapellmeister. On his retirement in 1602 he was succeeded by [[Ferdinand di Lasso]], eldest son of Orlande.
While his name is suggestive of Fosses, a small town near Liège, none of the several musicians with the name ‘de Fossa’ in the archives is called Johannes. When he copied a Te Deum by [[Jean Guyot]] (1512-1588; choirmaster of St Paul Liège 1546-1554 and of the cathedral 1558-1563) de Fossa claimed to have been his pupil. A Johannes de Fossa is mentioned in a letter from Duke Philibert of Savoy dated 12 January 1557, but the first precise information known about Fossa is that in 1569 he was appointed second Kapellmeister at the Munich court. In 1571 he became master of the choristers and continued in the service of the Dukes of Bavaria until his death. After the death of [[Orlando di Lasso]] in 1594 Fossa took responsibility for the chapel music and in 1597 he was given the official title of first Kapellmeister. On his retirement in 1602 he was succeeded by [[Ferdinand di Lasso]], eldest son of Orlando.


Proske noted that in his compositions Fossa was influenced by Lassus, as one might expect, though not lacking a style and charm of his own.
Proske noted that in his compositions Fossa was influenced by Lassus, as one might expect, though not lacking a style and charm of his own.


''José Quitin, Henri Vanhulst''
{{WikipediaLink}}
{{WikipediaLink}}


==List of choral works==
==List of choral works==
{{#SortWorks:}}
List from ''Collected Works'' ed. (Recent Researches in Music of the Renaissance xxviii–xxix, 1978):
*Antiphons for Palm Sunday
**
**
**
*{{NoCo|Ardo, sì, ma non t'amo}}
*{{NoCo|Maria zart von edler Art}}
*Missa
*Missa
*Missa
*Missa
*Missa
*{{NoCo|Stabat Mater 4vv bc
*Vidi aquas (unattributed, but same source as other works)
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==External links==
==External links==
[http://musicologicus.blogspot.de/2009/06/johannes-de-fossa.html]
*{{IMSLP}}
*[http://musicologicus.blogspot.de/2009/06/johannes-de-fossa.html blog, viewable by invitation] [?]


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Revision as of 19:54, 14 December 2017

Life

Born: ~ 1540

Died: 1603

Biography

While his name is suggestive of Fosses, a small town near Liège, none of the several musicians with the name ‘de Fossa’ in the archives is called Johannes. When he copied a Te Deum by Jean Guyot (1512-1588; choirmaster of St Paul Liège 1546-1554 and of the cathedral 1558-1563) de Fossa claimed to have been his pupil. A Johannes de Fossa is mentioned in a letter from Duke Philibert of Savoy dated 12 January 1557, but the first precise information known about Fossa is that in 1569 he was appointed second Kapellmeister at the Munich court. In 1571 he became master of the choristers and continued in the service of the Dukes of Bavaria until his death. After the death of Orlando di Lasso in 1594 Fossa took responsibility for the chapel music and in 1597 he was given the official title of first Kapellmeister. On his retirement in 1602 he was succeeded by Ferdinand di Lasso, eldest son of Orlando.

Proske noted that in his compositions Fossa was influenced by Lassus, as one might expect, though not lacking a style and charm of his own.

View the Wikipedia article on Johannes de Fossa.

List of choral works

List from Collected Works ed. (Recent Researches in Music of the Renaissance xxviii–xxix, 1978):

 
Click here to search for this composer on CPDL

Publications

External links