Come, blessed bird (Edward Johnson): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
* {{PostedDate| 2020-06-03}} {{CPDLno|59037}} [[Media:Johnson_-_Come,_blessed_bird.pdf|{{pdf}}]] [[Media:Johnson_-_Come,_blessed_bird.mxl|{{XML}}]]
{{Editor|Gary D. Cannon|2020-06-03}} {{ScoreInfo|Letter|6|77}}{{Copy|CPDL}}
:{{EdNotes|}}


*{{NewWork|2006-05-19}} '''CPDL #11751:''' [{{SERVER}}/wiki/images/3/37/Johnson-ComeBlessedBird.pdf {{pdf}}] [{{SERVER}}/wiki/images/8/82/Johnson-ComeBlessedBird.mid {{mid}}] [{{SERVER}}/wiki/images/1/16/Johnson-ComeBlessedBird.mus Finale 2006]
*{{PostedDate|2006-05-19}} {{CPDLno|11751}} [[Media:Johnson-ComeBlessedBird.pdf|{{pdf}}]] [[Media:Johnson-ComeBlessedBird.mid|{{mid}}]] [[Media:Johnson-ComeBlessedBird.mxl|{{XML}}]] [[Media:Johnson-ComeBlessedBird.mus|{{mus}}]] (Finale 2006)
{{Editor|Roel Griffioen|2006-05-19}}'''Score information:''' A4, 4 pages, 100 kbytes   {{Copy|CPDL}}
{{Editor|Roel Griffioen|2006-05-19}}{{ScoreInfo|A4|4|100}}{{Copy|CPDL}}
:'''Edition notes:'''
:{{EdNotes|}}


==General Information==
==General Information==
'''Title:''' ''Come, blessed bird''<br>
{{Title|''Come, blessed bird''}}
{{Composer|Edward Johnson}}
{{Composer|Edward Johnson}}


'''Number of voices:''' 6vv '''Voicing:''' SSAATB<br>
{{Voicing|6|SSAATB}}
'''Genre:''' {{pcat|Secular| music}}, [[:Category:Madrigals|Madrigals]]<br>
{{Genre|Secular|Madrigals}}
{{Language|English}}
{{Language|English}}
'''Instruments:''' vocal<br>
{{Instruments| vocal}}
'''Published:'''
{{Pub|1|1601|in ''[[The Triumphs of Oriana]]''|no=24}}
 
{{Descr| }}
'''Description:'''  
{{#ExtWeb:}}
 
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
 
{{Text|English|
{{Text|English}}
<poem>
Come, come, blessed bird,
Come, come, blessed bird,
and with thy sugared relish  
and with thy sugared relish
help our declining choir now to embellish,
help our declining choir now to embellish,
For Bonnyboots, for Bonnyboots,  
For Bonnyboots, for Bonnyboots,
that so aloft would fetch it,
that so aloft would fetch it,
Ohe is dead and none of us can reach it.
Ohe is dead and none of us can reach it.
Then tune to us,  
Then tune to us,
sweet bird, thy shrill recorder,
sweet bird, thy shrill recorder,
and Elpin, and I, and Dorus,
and Elpin, and I, and Dorus,
for fault of better,  
for fault of better,
will serve in the chorus:
will serve in the chorus:
Begin and we will follow thee in order,
Begin and we will follow thee in order,
Then sang the woodborn minstrel of Diana:  
Then sang the woodborn minstrel of Diana:
Long live fair Oriana.
Long live fair Oriana.
</poem>
}}
 
[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Madrigals]]
[[Category:SSAATB]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Latest revision as of 21:05, 19 March 2022

Music files

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  • (Posted 2020-06-03)  CPDL #59037:     
Editor: Gary D. Cannon (submitted 2020-06-03).   Score information: Letter, 6 pages, 77 kB   Copyright: CPDL
Edition notes:
  • (Posted 2006-05-19)  CPDL #11751:        (Finale 2006)
Editor: Roel Griffioen (submitted 2006-05-19).   Score information: A4, 4 pages, 100 kB   Copyright: CPDL
Edition notes:

General Information

Title: Come, blessed bird
Composer: Edward Johnson

Number of voices: 6vv   Voicing: SSAATB
Genre: SecularMadrigal

Language: English
Instruments: vocal

First published: 1601 in The Triumphs of Oriana, no. 24
Description: 

External websites:

Original text and translations

English.png English text

Come, come, blessed bird,
and with thy sugared relish
help our declining choir now to embellish,
For Bonnyboots, for Bonnyboots,
that so aloft would fetch it,
Ohe is dead and none of us can reach it.
Then tune to us,
sweet bird, thy shrill recorder,
and Elpin, and I, and Dorus,
for fault of better,
will serve in the chorus:
Begin and we will follow thee in order,
Then sang the woodborn minstrel of Diana:
Long live fair Oriana.