Alma Dei creatoris, KV 272a (KV 277) (Wolfgang Amadeus Mozart): Difference between revisions
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*{{CPDLno|4266}} {{LinkW|moz-almf.pdf||moz-almf.mus|Finale 2002}} [{{filepath:Moz-almf.mxl}} {{XML}}] | *{{CPDLno|4266}} {{LinkW|moz-almf.pdf||moz-almf.mus|Finale 2002}} [{{filepath:Moz-almf.mxl}} {{XML}}] | ||
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Revision as of 12:15, 29 July 2016
Music files
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Help |
- (Posted 2015-12-12) CPDL #37830: Sibelius 4
- Editor: Brian Marble (submitted 2015-12-12). Score information: Letter, 11 pages, 223 kB Copyright: CPDL
- Edition notes: organ acc. SATB score: 6 pages, 122 kB.
- CPDL #04266: Finale 2002
- Editor: David King (submitted 2002-12-03). Score information: A4, 14 pages, 632 kB Copyright: CPDL
- Edition notes: Full score. MusicXML source file(s) in compressed .mxl format.
- Possible error(s) identified. See the discussion page for full description.
- CPDL #04267: Finale 2002
- Editor: David King (submitted 2002-12-03). Score information: A4, 10 pages, 160 kB Copyright: CPDL
- Edition notes: Orchestra separate parts. Finale files are zipped into one ZIP file.
- CPDL #04265: Finale 2002
- Editor: David King (submitted 2002-12-03). Score information: A4, 14 pages, 592 kB Copyright: CPDL
- Edition notes: Vocal-keyboard score.
- Possible error(s) identified. See the discussion page for full description.
General Information
Title: Alma Dei creatoris, KV 272a (KV 277)
Composer: Wolfgang Amadeus Mozart
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Motet
Language: Latin
Instruments: 2 violins, cello, basso continuo
Published:
Description:
External websites:
Original text and translations
Latin text Alma Dei creatoris |
English translation The caring mother of God the Creator
There seems to be no source or model for this text in Scripture. "Sedet" appears to be used as in "sits <in judgment>" (cf. Dies Irae: "Iudex ergo cum sedebit"). The point of the last words is not clear; other interpretations may apply (but alternative interpretations considered seemed equally awkward). The metrical pattern is highly unusual. The first stanza is in the standard pattern of a Gregorian hymn (for example, the "Stabat Mater Dolorosa"): two trochaic lines that rhyme, followed by a third line that lacks the final unstressed syllable. The second stanza should be identical in form. But it is truncated; what should be a second rhyming line is omitted. This is unprecedented and appears unique. |
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