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Partsongs)
A piece of music in two or more voice-parts without independent accompaniment. In theory, the term encompasses forms such as the glee, madrigal and unaccompanied anthem. In practice, however, it usually refers to small-scale secular pieces for unaccompanied choral singing. No precise definition is possible: the supposition that partsongs differ from madrigals in moving homophonically with the melody in the top voice overlooks the textural variety of both madrigals and partsongs. Nor is the text definitive, since there are sacred examples such as Sullivan's Five Sacred Partsongs (1871). The genre gained popularity in England in the nineteenth century with the growth of choral societies. Partsongs are usually single entities, but there exist lengthy multi-sectional works, possibly intended as competitive showpieces, that are susceptible to no other definition. Other languages have no exact equivalent of the term: this may be a reflection of its breadth and inexactitude in all countries where partsongs flourish.
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Pages in this category
The following 200 pages are in this category, out of 676 total.
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A
- A Casa (Zoltan Paulinyi)
- A dorniña (Angel Viro)
- Aaret (Christian Mondrup)
- Abendlich schon rauscht der Wald, Op. 3, No. 5 (Fanny Hensel)
- Abendlied (Felix Mendelssohn)
- Abendständchen, Op. 42, No. 1 (Johannes Brahms)
- Abschied vom Walde, Op. 59, No. 3 (Felix Mendelssohn)
- Absence, hear thou my protestation (Thomas Morley)
- Adeste (Jef Tinel)
- Adieu! 'Tis Love's Last Greeting (Franz Schubert)
- Aftnen er stille (Agathe Backer Grøndahl)
- Agarimo ó neno (Angel Viro)
- Ah! How Sophia can you leave? (John Wall Callcott)
- Ah, for wings to soar (Anonymous)
- Ai preat (canto militare) (Tullio Visioli)
- Aimer et Plaire (Anonymous)
- The Air is Heavy with the Breath of Flowers (Henry C. Watson)
- All as a sea (William Byrd)
- All the world's a stage (Huub de Lange)
- Alles hat seine Zeit (Franz Joseph Haydn)
- Alliterationsvisa (Eva Toller)
- Although soft sleep (Richard John Samuel Stevens)
- Although the heathen poets (William Byrd)
- Alá media noite (Angel Viro)
- Ambitious Love (William Byrd)
- An den Vetter (Franz Joseph Haydn)
- And think ye Nymphs to scorn at love - Love is a fit of pleasure (William Byrd)
- Andenken, Op. 100, No. 1 (Felix Mendelssohn)
- Angelitos del cielo (Angel Viro)
- Aria de la Suite No. 3 (Johann Sebastian Bach)
- As I beheld I saw a herdman wild (William Byrd)
- As I was going to Derby (John Wall Callcott)
- As Torrents in Summer (Edward Elgar)
- As dornas do xeito (Angel Viro)
- As sunne through glass (Tim Porter)
- Aspiration, Op. 27, No. 4 (Edward Elgar)
- Atoelomble (Traditional)
- Auf dem See, Op. 41, No. 6 (Felix Mendelssohn)
- Auf ihrem Grab, Op. 41, No. 4 (Felix Mendelssohn)
- Autumn Morning at Bunyip (Stefan Karpiniec)
- Autunno (Francesco Iannitti)
- Avoid loud and aggressive persons (from 'Desiderata I') (Luc Goosen)
- Avondliedeken / Abendliedlein (Heinrich Pfeil)
- Awake mine eyes (William Byrd)
B
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B cont.
C
D
- D'Bäurin hat d'Katz verlor'n (Wolfgang Amadeus Mozart)
- Daffodils (Huub de Lange)
- Dame Durden (William Paxton)
- The Dance, Op. 27, No. 1 (Edward Elgar)
- Daphne was not so chaste as she was changing (John Dowland)
- Das Mädchen, Op. 93a, No. 2 (Johannes Brahms)
- The day delayed of that I most do wish (Richard Edwards)
- The Daylight Is Dying (Huub de Lange)
- Death of Aase, The (Edvard Grieg)
- Dein Herzlein mild, Op. 62, No. 4 (Johannes Brahms)
- Dem dunkeln Schoss der heilgen Erde, WoO 20 (Johannes Brahms)
- Den enda stunden (Eva Toller)
- Den sødeste af alle (Thomas Laub)
- Der Abend, Op. 64, No. 2 (Johannes Brahms)
- Der Augenblick (Franz Joseph Haydn)
- Der Falke, Op. 93a, No. 5 (Johannes Brahms)
- Der Gang zum Liebchen, Op. 31, No. 3 (Johannes Brahms)
- Der Greis (Franz Joseph Haydn)
- Der Jäger, Op. 22, No. 4 (Johannes Brahms)
- Der Kreuzzug, D932 (Franz Schubert)
- Der Rekrut, Op.75 No. 4 (Robert Schumann)
- Der Strauss (Fanny Hensel)
- Der Tanz (Franz Schubert)
- Der Traum (Peter Cornelius)
- Der Zecher als Doctrinair (Robert Schumann)
- Der alte Barbarossa (Friedrich Silcher)
- Der bucklichte Fiedler, Op. 93a, No. 1 (Johannes Brahms)
- Der englische Gruss, Op. 22, No. 1 (Johannes Brahms)
- Der erste Frühlingstag Op. 48 (Felix Mendelssohn)
- Der träumende See (Robert Schumann)
- Desenrolei-me de ti (Javier Fajardo)
- Desiderata I (Luc Goosen)
- Desiderata II (Luc Goosen)
- Die Beredsamkeit (Franz Joseph Haydn)
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D cont.
E
F
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