Missa pro defunctis, 1576 (Giovanni Matteo Asola)
Music files
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- Editor: Wim Looyestijn (submitted 2021-01-28). Score information: A4, 25 pages, 466 kB Copyright: CPDL
- Edition notes: Based on the 1575 edition.
Complete work
- Editor: Andreas Stenberg (submitted 2020-06-30). Score information: A4, 47 pages, 440 kB Copyright: CPDL
- Edition notes: A semi-diplomatic edition of the entire Missa pro defunctis.
The Mass-parts separately
Introitus
- Editor: Andreas Stenberg (submitted 2020-06-30). Score information: A4, 5 pages, 130 kB Copyright: CPDL
- Edition notes:
Kyrie
- Editor: Andreas Stenberg (submitted 2020-06-30). Score information: A4, 5 pages, 135 kB Copyright: CPDL
- Edition notes:
Sequentia
- Editor: Andreas Stenberg (submitted 2020-06-30). Score information: A4, 19 pages, 239 kB Copyright: CPDL
- Edition notes:
Offertorio
- Editor: Andreas Stenberg (submitted 2020-06-30). Score information: A4, 9 pages, 167 kB Copyright: CPDL
- Edition notes:
Sanctus & Benedictus
- Editor: Andreas Stenberg (submitted 2020-06-30). Score information: A4, 4 pages, 123 kB Copyright: CPDL
- Edition notes:
Agnus Dei
- Editor: Andreas Stenberg (submitted 2020-06-30). Score information: A4, 4 pages, 119 kB Copyright: CPDL
- Edition notes:
Communio
- Editor: Andreas Stenberg (submitted 2020-06-30). Score information: A4, 4 pages, 124 kB Copyright: CPDL
- Edition notes:
General Information
Title: Missa pro defunctis, 1576
Composer: Giovanni Matteo Asola
Lyricist:
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Requiem
Language: Latin
Instruments: A cappella
First published: 1576 in Messa pro defunctis a quattro voci pari, no. 1
Description: A different setting of the Mass for the departed than the setting published in the Collection Misse a quatro voci pari sopra li otto toni... This setting was published as a separate print by A. Gardano in 1576 and reprinted by G. Vincezi and R.Amadini 1585. In style and general conception, these two Requiem masses are close. There is apart from the voicing one major difference. Whereas the Missa pro defunctis in the collection of masses in all eight tones sets the even verses of the sequence Dies irae the 1576 missa sets the odd verses polyphonically leaving the even verses to be sung monodically.
External websites:
Original text and translations
Original text and translations may be found at Requiem.