Kentucky Harmony (Ananias Davisson)
General Information
Short Title: Kentucky Harmony
Full Title: Kentucky Harmony: Or, a Choice Collection of Psalm Tunes, Hymns, and Anthems, in Three Parts, Taken from the Most Eminent Authors, and Well Adapted to Christian Churches, Singing Schools, or Private Societies.
Editor - Composer: Ananias Davisson
Editions
- 1 – Published 1816 – by Ananias Davisson in Harrisonburg, Virginia, 140 pp.
- 2 – Published 1817 – by Ananias Davisson in Harrisonburg, Virginia, 159 pp.
- 3 – Published 1819 – by Ananias Davisson in Harrisonburg, Virginia, 159 pp.
- 4 – Published 1820 – by Ananias Davisson in Harrisonburg, Virginia
- 5 – Published 1826 – by Ananias Davisson in Harrisonburg, Virginia, 160 pp.
Description: This book, along with its companion volume, Supplement to the Kentucky Harmony in 1820, had a large influence on music in the American West and South¹ of that day. Davisson's arrangements and original compositions were reprinted or revised in almost all following books of the West and South, including
- Alexander Johnson's Tennessee Harmony (1818)
- Samuel Metcalf's Kentucky Harmonist (1818)
- James Boyd's The Virginia Sacred Music Repository (1818)
- Allen Carden's The Missouri Harmony (1820)
- William Moore's Columbian Harmony (1825)
- William Walker's Southern Harmony (1835)
- The Sacred Harp (1844)
________________________________________
- ¹. The West and South included Kentucky, Tennessee, Missouri, western Virginia (now West Virginia), Ohio, western Pennsylvania, South Carolina, North Carolina, and Georgia.
External Links
References
- Music, David W. 1983. Ananias Davisson, Robert Boyd, Reubin Monday, John Martin, and Archibald Rhea in East Tennessee, 1816-26. American Music 1(3):72-84.
Works at CPDL
Edition 1 (1816)
Title | Year | Composer | Arranger | Lyricist | First Line | Meter | Vo. |
---|---|---|---|---|---|---|---|
Albion | 1816 | Robert Boyd | Isaac Watts | Come, ye that love the Lord | 66. 86 (S.M.) | 4 | |
Bethel | 1813 | Anonymous | Isaac Watts | Let Zion and her sons rejoice | 86. 86 (C.M.) | 4 | |
Condescending | 1813 | Anonymous | Ananias Davisson | Isaac Watts | How condescending and how kind | 86. 86 (C.M.) | 4 |
Idumea | 1816 | Ananias Davisson | Isaac Watts | My God, my life, my love | 66. 86 (S.M.) | 4 | |
Kedron | 1799 | Amos Pilsbury | Charles Wesley | Thou man of griefs, remember me | 88. 88 (L.M.) | 4 | |
Liberty Hall | 1810 | Lucius Chapin | Isaac Watts | Alas! And did my Savior bleed | 86. 86 (C.M.) | 3 | |
Milinda | 1816 | Robert Boyd | Isaac Watts | In vain the wealthy mortals toil | 88. 88 (L.M.) | 4 | |
New Monmouth | 1813 | Lucius Chapin | Robert Robinson | Come thou fount of every blessing | 87. 87 | 4 | |
Ninety-Fifth | 1813 | Lucius Chapin | Isaac Watts | When I can read my title clear | 86. 86 (C.M.) | 4 | |
Reflection | 1813 | Anonymous | Ananias Davisson | Isaac Watts | No sleep or slumber to his eyes | 86. 86 (C.M.) | 4 |
Rochester | 1722 | Israel Holdroyd | Ananias Davisson | Isaac Watts | Come, children, learn to fear the Lord | 86. 86 (C.M.) | 4 |
Rockbridge | 1813 | Lucius Chapin | Isaac Watts | Sweet is the work, my God, my King | 88. 88 (L.M.) | 4 | |
Salvation | 1816 | Robert Boyd | Edmund Jones | Come, humble sinner, in whose breast | 86. 86 (C.M.) | 4 | |
Tender Thought | 1816 | Ananias Davisson | Philip Doddridge | Arise, my tenderest thoughts, arise | 88. 88 (L.M.) | 4 | |
Tranquility | 1816 | Reubin Monday | Isaac Watts | My God, the spring of all my joys | 86. 86 (C.M.) | 4 |
Edition 2 (1817)
Title | Year | Composer | Arranger | Lyricist | First Line | Meter | Vo. |
---|---|---|---|---|---|---|---|
Kedron | 1799 | Amos Pilsbury | Charles Wesley | Thou man of griefs, remember me | 88. 88 (L.M.) | 4 | |
New Orleans | 1817 | Robert Boyd | Isaac Watts | Why do we mourn departing friends | 86. 86 (C.M.) | 4 | |
Pisgah | 1817 | James C. Lowry | Isaac Watts | When I can read my title clear | 86. 86 (C.M.) | 4 | |
Solemnity | 1817 | Ananias Davisson | Isaac Watts | Twas on that dark, that doleful night | 88. 88 (L.M.) | 4 | |
Solitude in the Grove | 1817 | Ananias Davisson | Isaac Watts | O were I like a feathered dove | 86. 86. D (C.M.D.) | 4 |