Table: editions

edition_numbereditorcontributorsubmission_datepublication_dateedition_notesedition_statusstatus_dateviewerpage_idpage_titlework_titlecomposer_namelast_editedlast_updated
48934Mick Swithinbank2018-02-272018-02-27(The description below should be read first.) This edition attempts to remedy at least the worst shortcomings in the presentation of the text, as they are hardly likely to have reflected the composer’s intentions. It also supplies three editorial voice parts to simulate the original texture. The use of the cantus firmus inevitably points to a somewhat more archaic style of composition than is found in most of Layolle’s surviving motets. Meanwhile, even though only two voice parts have survived in the source, they impose such constraints that, in terms of harmony, if not of other aspects, this realisation probably comes quite close to Layolle’s original.192409Stabat mater (Francesco de Layolle)Stabat materFrancesco de Layolle2023-09-16 09:09:39

Table: files

file_idnameedition_numberlocationclasssubclasstypeiconcontentsizecopyrightpage_formatpagesdurationlast_editedlast_updated
48934.2Lay_Sta.mxl48934internalsourcesourceMusic XML{{XML}} 2023-09-16 09:09:39
48934.1Lay_Sta.pdf48934internalscorescorepdf{{Pdf}} 156CPDLA4222023-09-16 09:09:39