Table: editions

edition_numbereditorcontributorsubmission_datepublication_dateedition_notesedition_statusstatus_dateviewerpage_idpage_titlework_titlecomposer_namelast_editedlast_updated
48180Simon Biazeck2017-12-252017-12-25On the matter of tempo and proportional interpretation of the triple and duple sections, performers should consider adopting early 17th c. Venetian practice: dotted semibreve = minim. This necessitates a fast triple time at Hodie - perhaps uncustomarily so for modern performers - but makes more sense of the Laetantur and Exsultant sections. It also allows a constant pulse to be maintained throughout and a smooth transition from triple to duple time; vital for singers who read from single parts.4580Hodie Christus natus est (Jan Pieterszoon Sweelinck)Hodie Christus natus estJan Pieterszoon Sweelinck2023-09-16 10:31:01

Table: files

file_idnameedition_numberlocationclasssubclasstypeiconcontentsizecopyrightpage_formatpagesdurationlast_editedlast_updated
48180.1Swee-ho2_Double.pdf48180internalscorescorepdf{{Pdf}} 157CPDLA4132023-09-16 10:31:01
48180.3Swee-ho2_Double.mxl48180internalsourcesourceMusic XML{{XML}} 2023-09-16 10:31:01
48180.2Swee-ho2_Double.mid48180internalsoundsoundmid{{Mid}} 2023-09-16 10:31:01