Table: editions

edition_numbereditorcontributorsubmission_datepublication_dateedition_notesedition_statusstatus_dateviewerpage_idpage_titlework_titlecomposer_namelast_editedlast_updated
47329Gervais Frykman2017-11-122017-11-12The clefs for the outer voices would have been C4 and G2. These imply a downward transposition of a 5th. An upward transposition of a tone has been added in respect of the pitch change, giving parts in standard ranges for two means, two altos and two basses. The alto parts are here set out for high tenors. The Alto 2 part has had to be editorially reconstructed. The doubled major thirds at the end of each half are created by this part. Their exotic sound fits the intense feeling generated by the piece, but those who consider them unlikely can substitute low E in both places.182055Domine quis habitabit III (Robert White)Domine quis habitabit IIIRobert White2023-12-28 16:50:00

Table: files

file_idnameedition_numberlocationclasssubclasstypeiconcontentsizecopyrightpage_formatpagesdurationlast_editedlast_updated
47329.3White_Domine_Quis_Habitabit_III.sib47329internalsourcesource2Sibelius{{Sib}} 2023-12-28 16:50:00
47329.2White_Domine_Quis_Habitabit_III.mxl47329internalsourcesourceMusic XML{{XML}} 2023-12-28 16:50:00
47329.1White_Domine_Quis_Habitabit_III.pdf47329internalscorescorepdf{{Pdf}} 115CPDLA492023-12-28 16:50:00